String Quartet No. 2 (Rouse)

Last updated

The String Quartet No. 2 is the second string quartet by the American composer Christopher Rouse. The work was commissioned by the Cleveland Quartet with additional contributions from the Eastman School of Music and was completed May 6, 1988. It was given its world premiere at the Aspen Music Festival by the Cleveland Quartet in July 1988. Rouse dedicated the composition to the people of the Soviet Union. [1]

Contents

Composition

Structure

The work has a duration of roughly 17 minutes and is composed in three connected movements: [1]

  1. Adagio
  2. Agitato
  3. Largo

Background

Rouse described the inspiration for the String Quartet No. 2 in the score program notes, writing:

When I travelled with the Baltimore Symphony Orchestra to Moscow and Leningrad in May 1987 for performances of my music, I was struck by the warmth and generosity of spirit of the concertgoers we encountered, and I resolved that I would try in some small way to express my appreciation to and my admiration for them at a future time. It was agreed that, as my Second Quartet was to be performed widely in the Soviet Union by the Clevland Quartet during autumn of 1988, this would be an appropriate opportunity for me to compose a work which would realize this desire. [1]

The music is based upon the signature DSCH motif (D, E-flat, C, B) used by the Russian composer Dmitri Shostakovich, which appears in its original form and a number of variations. Rouse compared the "tragic" tone of the work to that of his Symphony No. 1, but nevertheless stipulated that the string quartet "is not programmatic in any specific sense and does not seek to convey any particular 'message.'" He added, "This is the result of a personal desire to communicate ultimately with listeners of all nationalities and should not be interpreted as a socioplitical commentary in any way." [1] Rouse later reworked the composition into his Concerto per Corde for string orchestra in 1990. [2] [3]

Reception

Reviewing the January 1989 New York City premiere, Charles McCardell of The Washington Post praised the string quartet, saying it "has a sort of Cold War grimness that spreads from a simple two-note motto initiated by the cello, then erupts in a full-blown ensemble clash, before finding a soothing B major resolution. Rouse's piece is impressive, and with any justice will be heard again soon and often." [4]

Related Research Articles

Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s, she had shifted to a postmodernist, neoromantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich has served as the Francis Eppes Distinguished Professor at Florida State University.

Joan Tower is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.

Karel Husa was a Czech-born classical composer and conductor, winner of the 1969 Pulitzer Prize for Music and 1993 University of Louisville Grawemeyer Award for Music Composition. In 1954, he emigrated to the United States and became an American citizen in 1959.

Baltimore Symphony Orchestra

The Baltimore Symphony Orchestra is an American symphony orchestra based in Baltimore, Maryland. The Baltimore SO has its principal residence at the Joseph Meyerhoff Symphony Hall, where it performs more than 130 concerts a year. In 2005, it began regular performances at the Music Center at Strathmore in Bethesda.

John Roger Smalley was an Anglo-Australian composer, pianist and conductor. Professor Smalley was a senior honorary research fellow at the School of Music, University of Western Australia in Perth and honorary research associate at the University of Sydney.

Christopher Chapman Rouse III was an American composer. Though he wrote for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, a dozen concertos, and six symphonies. His work received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. He also served as the composer-in-residence for the New York Philharmonic from 2012 to 2015.

Stephen Albert American composer

Stephen Joel Albert was an American composer.

Margaret Brouwer is an American composer and composition teacher. She founded the Blue Streak Ensemble chamber music group.

Symphony No. 1 is a symphony in one movement by the American composer Christopher Rouse. The work was commissioned by David Zinman and the Baltimore Symphony Orchestra, completed August 26, 1986, and premiered in Baltimore, January 21, 1988. The piece is dedicated to Rouse's friend and fellow composer John Harbison.

The Trombone Concerto is a concerto for trombone and orchestra by the American composer Christopher Rouse. The work was commissioned by the New York Philharmonic for its principal trombonist Joseph Alessi. It was completed on April 5, 1991, and was first performed by Alessi and the New York Philharmonic conducted by Leonard Slatkin on December 30, 1992, in Avery Fisher Hall, New York City. The concerto is dedicated to the composer and conductor Leonard Bernstein, who died suddenly October 14, 1990. In 1993, the work was awarded the Pulitzer Prize for Music.

Symphony No. 3 is an orchestral composition in two movements by the American composer Christopher Rouse. The work was jointly commissioned by the St. Louis Symphony, the Baltimore Symphony Orchestra, the Royal Stockholm Philharmonic Orchestra, and the Singapore Symphony Orchestra. It was completed February 3, 2011 and premiered May 5, 2011 by the Saint Louis Symphony under David Robertson at Powell Hall in St. Louis, Missouri. The piece is dedicated to Rouse's high school music teacher, John Merrill.

The Oboe Concerto is a concerto for oboe and orchestra by the American composer Christopher Rouse. The work was commissioned by the Minnesota Orchestra and completed in 2004. The piece premiered in 2009 with oboist Basil Reeve and the Minnesota Orchestra performing under conductor Osmo Vanska.

The Clarinet Concerto is a concerto for clarinet and orchestra by the American composer Christopher Rouse. The work was commissioned for the Chicago Symphony Orchestra and its principal clarinetist Larry Combs by the Institute for American Music. It was completed December 11, 2000 and premiered May 17, 2001 at Symphony Center in Chicago with Christoph Eschenbach conducting the Chicago Symphony Orchestra. The piece is dedicated to Rouse's friend and fellow composer Augusta Read Thomas.

The Flute Concerto is a concerto for flute and orchestra by the American composer Christopher Rouse. The work was jointly commissioned by Richard and Jody Nordlof for flutist Carol Wincenc and by Borders Group for the Detroit Symphony Orchestra. It was completed August 15, 1993 and premiered October 27, 1994 at Orchestra Hall in Detroit, with conductor Hans Vonk leading Carol Wincenc and the Detroit Symphony Orchestra. The piece—specifically the third movement—is dedicated to the memory of James Bulger, an English toddler who was infamously murdered in 1993 by two ten-year-old boys.

Der gerettete Alberich is a concerto for percussion and orchestra by the American composer Christopher Rouse. The work was jointly commissioned by the London Symphony Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra, and the Baltimore Symphony Orchestra. It was completed June 7, 1997, and premiered January 15, 1998 in Cleveland, Ohio with the Cleveland Orchestra under conductor Christoph von Dohnányi. The piece is dedicated to percussionist Evelyn Glennie, who performed the solo during the world premiere. Rouse composed the work as an informal musical sequel to Richard Wagner's four-opera cycle Der Ring des Nibelungen.

<i>Concert de Gaudí</i> Grammy award winning concerto for guitar and orchestra by Christopher Rouse

Concert de Gaudí is a concerto for classical guitar and orchestra by the American composer Christopher Rouse. The work was jointly commissioned by Norddeutscher Rundfunk and the Dallas Symphony Orchestra for the guitarist Sharon Isbin, with additional contributions from Richard and Jody Nordlof, to whom the piece is dedicated. It was completed August 1, 1999 and premiered in Hamburg, January 2, 2000, with Isbin and the Norddeutscher Rundfunk Orchester led by conductor Christoph Eschenbach. The piece was later awarded the 2002 Grammy Award for Best Classical Contemporary Composition.

Seeing is a concerto for solo piano and orchestra by the American composer Christopher Rouse. The work was commissioned by the New York Philharmonic for the pianist Emanuel Ax, with financial contributions from philanthropists Lillian and Maurice Barbash. It was premiered at Avery Fisher Hall in New York City May 6, 1999, with Leonard Slatkin conducting Emanuel Ax and the New York Philharmonic. The piece is dedicated to Emanuel Ax.

Envoi is a single-movement orchestral composition by the American composer Christopher Rouse. The work was commissioned by the Atlanta Symphony Orchestra with additional contributions from Thurmond Smithgall. It was first performed May 9, 1996 in Atlanta Symphony Hall, Atlanta by the Atlanta Symphony Orchestra under conductor Yoel Levi. The piece is dedicated to Rouse's mother, who died in the summer of 1993.

The Organ Concerto is a composition for solo organ and orchestra by the American composer Christopher Rouse. The work was commissioned for the organist Paul Jacobs by the Philadelphia Orchestra, the Los Angeles Philharmonic, and the National Symphony Orchestra. It was completed on June 23, 2014 and was first performed by Paul Jacobs and the Philadelphia Orchestra under the direction of Yannick Nézet-Séguin at the Kimmel Center for the Performing Arts on November 17, 2016. Rouse dedicated the piece to Jacobs.

The Symphony No. 5 is a symphony for orchestra by the American composer Christopher Rouse. The work was jointly commissioned by the Dallas Symphony Orchestra, the Nashville Symphony, and the Aspen Music Festival. It was completed in Baltimore on February 15, 2015, and was first performed by the Dallas Symphony Orchestra under the direction of Jaap van Zweden at the Morton H. Meyerson Symphony Center on February 9, 2017.

References

  1. 1 2 3 4 Rouse, Christopher (1988). String Quartet No. 2: Program Note by the Composer. Retrieved July 31, 2015.
  2. Rouse, Christopher (1990). Concerto per Corde: Program Note by the Composer. Retrieved July 31, 2015.
  3. Cantrell, Scott (October 6, 2011). "Classical Music Review: American and American-inspired music from Alsop and the DSO". The Dallas Morning News . Retrieved July 31, 2015.
  4. McCardell, Charles (January 28, 1989). "Cleveland Quartet". The Washington Post . Retrieved July 31, 2015.