Kabir Padavali

Last updated

Kabir Padavali (Kabir Songbook) is a song cycle for soprano and orchestra set to the poetry of the Indian mystic Kabir by the American composer Christopher Rouse. The work was commissioned by the Minnesota Orchestra for the soprano Dawn Upshaw. It was first performed by Upshaw and the Minnesota Orchestra under the direction of David Zinman in Minneapolis on January 6, 1999. The piece is dedicated to the composer's son, Adrian Rouse. [1]

Contents

Composition

Background

Rouse first encountered the work of Kabir while studying North Indian classical music in the early 1970s. In 1972, Rouse composed a different piece for soprano and orchestra titled Kabir Padavali, which was never performed. Over two decades later, a commission from the Minnesota Orchestra provided him the chance to re-explore Kabir's poetry. Rouse started the composition on the new piece in 1997 and completed it at his home in Pittsford, New York, on January 12, 1998.

Rouse selected six poems on which to set his music from translations of Kabir's poetry by Linda Hess, Robert Bly, and Rabindranath Tagore. Linda Hess and Douglas Brooks later provided the composer with transliterations for the text from Sanskrit.

Though the music is sung in Hindi, Rouse otherwise elected not to compose the piece in the style of Hindu music. He reflected in the score program notes:

Unlike my 1972 score, this Kabir Padavali does not seek to provide a "musicologically correct" sound world as accompaniment to Kabir's words. There are no specific ragas employed, nor is there an attempt to reproduce Hindu vocal styles in the piece. However, I have attempted — particularly near the beginning and end of this score — to evoke the North Indian sound world in a more general fashion through the use of drones and via several oboe solos, the oboe possessing a sound not dissimilar to that of the Indian shahnai. My use of an accordion also represents an effort to parallel the sound, to some extent, of the Indian harmonium. [1]

Structure

Kabir Padavali has a duration of approximately 28 minutes and is cast in six movements:

  1. Bijak shabda 69
  2. Tagore 50
  3. Bijak sabda 55
  4. Bijak sabda 4
  5. Tagore 92
  6. Tagore 97

Instrumentation

The work is scored for solo soprano and an orchestra consisting of two flutes (2nd doubling piccolo), two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, three percussionists, celesta, accordion, harp, and strings. [1]

Reception

Critical response

Kabir Padavali has been praised by music critics. Reviewing the world premiere, Michael Anthony of the Star Tribune called it "an ear-catching, evocative piece" and wrote, "Rouse doesn't try to reproduce ragas or Hindi vocal styles, though he uses occasional drones throughout the cycle. His goal seems to be more the creation of an exotic atmosphere than an exercise in ethnomusicology... the results are striking and beautiful throughout, from the sensuous oboe theme at the beginning (which returns at the end), to the subtle interweaving of voice and flute in the second song, to the rapturous tone of the final pages: the voice humming while the percussion makes sounds like those of rattlesnakes." [2] The piece was later praised by Priscilla McLean of the Times Union [3] and Geraldine Freedman of The Daily Gazette , who described the score as "complex, colorful, and rhythmically and harmonically multi-layered." [4]

Awards

A recording of Kabir Padavali, performed by the soprano Talise Trevigne and Albany Symphony Orchestra, was nominated for the 2016 Grammy Award for Best Classical Vocal Solo. [5] [6]

Related Research Articles

<span class="mw-page-title-main">Kabir</span> 15th-century Indian poet and saint

Kabir (1398–1518) was a 15th-century Indian mystic poet and saint. His writings influenced Hinduism's Bhakti movement, and his verses are found in Sikhism's scripture Guru Granth Sahib, the Satguru Granth Sahib of Saint Garib Das, and Kabir Sagar.

<span class="mw-page-title-main">Esa-Pekka Salonen</span> Finnish orchestral conductor and composer

Esa-Pekka Salonen is a Finnish orchestral conductor and composer. He is conductor laureate of the Los Angeles Philharmonic and the Philharmonia Orchestra in London, and music director of the San Francisco Symphony.

Osvaldo Noé Golijov is an Argentine composer of classical music and music professor, known for his vocal and orchestral work.

John Harris Harbison is an American composer, known for his symphonies, operas, and large choral works.

David Frost is an American classical record producer and pianist. He has won 22 Grammy Awards for his work including seven wins for Producer of the Year, Classical. He is a music producer for the Metropolitan Opera and has recorded major orchestras including the New York Philharmonic, Chicago Symphony Orchestra, and Los Angeles Philharmonic.

Julian Anderson is a British composer and teacher of composition.

Alice Shields is an American classical composer. She is one of the pioneers of electronic music, and is particularly known for her cross-cultural operas.

Christopher Chapman Rouse III was an American composer. Though he wrote for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, a dozen concertos, and six symphonies. His work received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. He also served as the composer-in-residence for the New York Philharmonic from 2012 to 2015.

Richard Blackford is an English composer.

<span class="mw-page-title-main">David Alan Miller</span> Musical artist

David Alan Miller is a multi-Grammy Award-winning American symphony orchestra conductor, and since 1992, music director of the Albany Symphony Orchestra. Miller served as assistant and associate conductor of the Los Angeles Philharmonic from 1987–92 and music director of the New York Youth Symphony from 1982-88. He is currently also Artistic Advisor to The Little Orchestra Society in New York City.

<span class="mw-page-title-main">Priscilla McLean</span> American classical composer

Priscilla McLean is an American composer, performer, video artist, writer, and music reviewer.

Luonnotar, Op. 70, is a tone-poem for soprano and orchestra written in 1913 by the Finnish composer Jean Sibelius. It was dedicated to Aino Ackté, who premiered the work at the Three Choirs Festival in Gloucester, England on 10 September 1913, with an orchestra conducted by Herbert Brewer. Sibelius arranged it for voice and piano in 1915.

Symphony No. 1 is a symphony in one movement by the American composer Christopher Rouse. The work was commissioned by David Zinman and the Baltimore Symphony Orchestra, completed August 26, 1986, and premiered in Baltimore, January 21, 1988. The piece is dedicated to Rouse's friend and fellow composer John Harbison.

<i>Concert de Gaudí</i> Grammy award winning concerto for guitar and orchestra by Christopher Rouse

Concert de Gaudí is a concerto for classical guitar and orchestra by the American composer Christopher Rouse. The work was jointly commissioned by Norddeutscher Rundfunk and the Dallas Symphony Orchestra for the guitarist Sharon Isbin, with additional contributions from Richard and Jody Nordlof, to whom the piece is dedicated. It was completed August 1, 1999 and premiered in Hamburg, January 2, 2000, with Isbin and the Norddeutscher Rundfunk Orchester led by conductor Christoph Eschenbach. The piece was later awarded the 2002 Grammy Award for Best Classical Contemporary Composition.

The Symphony No. 5 is a composition for baritone, mezzo-soprano, and orchestra by the American composer John Harbison. The work was commissioned by the Boston Symphony Orchestra under the conductor James Levine. It was given its world premiere in Boston on April 17, 2008 by the mezzo-soprano Kate Lindsey, the baritone Nathan Gunn, and the Boston Symphony Orchestra directed by James Levine. The text of the piece is set to Orpheus and Eurydice by Czesław Miłosz, Relic by Louise Glück, and the Sonnets to Orpheus by Rainer Maria Rilke.

Milosz Songs is a composition for soprano and orchestra by the American composer John Harbison. The work was commissioned by the New York Philharmonic for the soprano Dawn Upshaw and is set to the poetry of the Polish writer Czesław Miłosz. It was given its world premiere in New York City on February 23, 2006 by Upshaw and the New York Philharmonic under the direction of Robert Spano.

The Symphony No. 5 is a symphony for orchestra by the American composer Christopher Rouse. The work was jointly commissioned by the Dallas Symphony Orchestra, the Nashville Symphony, and the Aspen Music Festival. It was completed in Baltimore on February 15, 2015, and was first performed by the Dallas Symphony Orchestra under the direction of Jaap van Zweden at the Morton H. Meyerson Symphony Center on February 9, 2017.

Talise Trevigne is an American operatic soprano.

Berceuse Infinie is an orchestral composition by the American composer Christopher Rouse. The work was commissioned by the Baltimore Symphony Orchestra and was completed on July 1, 2016. It was first performed by the Baltimore Symphony Orchestra under the direction of Marin Alsop at Joseph Meyerhoff Symphony Hall on November 30, 2017. The piece is dedicated to Marin Alsop.

The Symphony No. 6 is a symphony for orchestra by the American composer Christopher Rouse. The work was commissioned by the Cincinnati Symphony Orchestra and was completed in the composer's Baltimore home on June 6, 2019. It was first performed in Cincinnati Music Hall by the Cincinnati Symphony Orchestra conducted by Louis Langrée on October 18, 2019. Written as a personal epitaph, the symphony was Rouse's last completed work before his death in September 2019.

References

  1. 1 2 3 Rouse, Christopher (1998). Kabir Padavali: Program Note by the Composer. Retrieved August 11, 2016.
  2. Anthony, Michael (January 9, 1999). "Vocal composition by Rouse catches the ear at premiere". Star Tribune .
  3. McLean, Priscilla (December 24, 2013). "Critical review: Priscilla McLean's top 5 of 2013". Times Union . Retrieved August 11, 2016.
  4. Freedman, Geraldine (February 9, 2013). "Review: Albany Symphony sparkle wows Troy crowd". The Daily Gazette . Retrieved August 11, 2016.
  5. Oteri, Frank J. (December 7, 2015). "About Those 2016 Grammy Nominations". NewMusicBox . Retrieved August 11, 2016.
  6. Biancolli, Amy (December 7, 2015). "Albany Symphony earns second Grammy nomination". Times Union . Retrieved August 11, 2016.