Tia Blassingame | |
|---|---|
| Born | 1971 |
| Education | |
| Known for | Artists' books, printmaking |
| Notable work | Mourning / Warning (2015); I AM (2018) |
| Parents |
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| Website | primrosepress |
Tia Blassingame (born 1971, New Haven, CT) is an American book artist and publisher. She is an assistant professor of art at Scripps College. [1]
Blassingame holds a B.A. in Architecture from Princeton University, a M.A. in Book Arts and printmaking from the Corcoran College of Art & Design, and an M.F.A. in Printmaking from the Rhode Island School of Design. [2] [3] [4] She was Artist-in-Residence at the International Print Center (2019), Yaddo (2011), MacDowell (2010) and the Santa Fe Art Institute (2010).
Blassingame is an Associate Professor of Art and Director of Scripps College Press at Scripps College, Claremont, California. [5] Her work has been collected by private and public collections, including the Library of Congress, the Massachusetts Institute of Technology, Harvard University, the library of The Tate in Britain, the National Museum of Women in the Arts, the National Gallery of Art [6] and its library, and Yale University. Her work has appeared in The Brooklyn Rail. [7]
Since 2009, Blassingame has been the owner and proprietor at Primrose Press. [8] In 2019, Blassingame was a contributing writer in Freedom of the Presses: Artist Books in the Twenty-first Century. She also founded the Book/Print Artist/Scholar of Color collective in the same year. [9] She serves on the Board of Directors for the College Book Art Association and is a member of the Board of Trustees for the American Printing History Association. [10]
In 2023, Blassingame was an artist-in-residence at Halden Bookworks in Oslo, Norway. [11]
Blassingame's work in mixed-media, bookmaking, printmaking, and flag-making employs elements of Concrete poetry and uses books and physical artifacts to provide the viewer with a tactile interaction with the conversation around racism in the United States. [12] Blassingame has also been active in scholarly understanding and symposia exploring the history and production of Black books and bibliographia. [13]
In an interview in 2020, Blassingame reflected on her upbringing and how coming from "a fairly bookish family" surrounded her with book arts in many forms, especially books of, by, or about Black creators. [14] In this same interview, the artist speaks about trying to use the distinct possibilities of book arts and printmaking to reach readers for a discussion of historical and contemporary race and racism. [15]
Blassingame has exhibited throughout the U.S., including: