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No wave was a transient avant-garde music and art scene of the late 1970s in downtown New York City. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance and atonality in addition to a variety of non-rock genres while often reflecting an abrasive, confrontational, and nihilistic worldview.
DNA was an American no wave band formed in 1977 by guitarist Arto Lindsay and keyboardist Robin Crutchfield, and later joined by drummer Ikue Mori and bassist Tim Wright. They were associated with the late 1970s New York no wave scene, and were featured on the 1978 compilation No New York.
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Diego Cortez was an American filmmaker and art curator closely associated with the no wave period in New York City. In 1981, he curated the influential post-punk art show New York/New Wave at MoMA PS1, featuring multiple artists and brought the then 20-year old artist Jean-Michel Basquiat to fame.
Boris Policeband was a no wave noise music performer who used dissonant violin, police radio transmissions, and voice. Boris Pearlman was a classically trained violist from New York City.
Youth in Asia was a short-lived American no wave conceptual art noise music band from New York City that was formed in 1978 by Frank Schroder (bass), Taro Suzuki, Steven Harvey and Stephan Wischerth (drums).
Alan W. Moore is an art historian and activist whose work addresses cultural economies and groups and the politics of collectivity. After a stint as an art critic, Moore made video art and installation art from the mid-1970s on and performed in the 1979 Public Arts International/Free Speech series. He has published several books and runs the House Magic information project on self-organized, occupied autonomous social centers. He lives in Madrid.
The Real Estate Show was a squatted exhibition by New York artists' group Colab, on the subject of landlord speculation in real estate held on New Year's Day in a vacant city-owned building at 123 Delancey Street in the Lower East Side of Manhattan, New York City.
The Times Square Show was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group Colab in Times Square in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980. The Times Square Show was largely inspired by the more radical Colab show The Real Estate Show, but unlike it, was open 24hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions.
Christine Lhotsky, better known as Tina L'Hotsky, was an American actress, writer, and filmmaker. L'Hotsky was also a personality in the Downtown New York scene in the late 1970s and early 1980s, becoming known as Queen of the Mudd Club.
References
- ↑ Boch, Richard (2017). The Mudd Club. Port Townsend, WA: Feral House. p. 261. ISBN 978-1-62731-051-2. OCLC 972429558.CS1 maint: date and year (link)
- 1 2 Carlo McCormick, The Downtown Book: The New York Art Scene, 1974–1984, 06
- 1 2 Marc Masters, No Wave London, Black Dog Publishing (2007)
- 1 2 "RIP Tier 3", Andy Schwartz, Perfect Sound Forever (2008)