Tihu (instrument)

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A Chaozhou tihu Chaozhoutihu.jpg
A Chaozhou tihu

The tihu (提胡; pinyin: tíhú) is a two-stringed bowed vertical fiddle in the huqin family, used in Chaozhou xianshi music of the Chaozhou people. It is an adaptation of the gaohu used in Cantonese music. It has a tubular hardwood body that is covered on the playing end with python skin. It is used in the Chaozhou people's original homeland of Chaozhou and Shantou, in eastern Guangdong, as well as in regions where Chaozhou people have immigrated, such as Thailand and Singapore.

<i>Huqin</i> family of bowed string instruments, more specifically, a spike fiddle popularly used in Chinese music

Huqin is a family of bowed string instruments, more specifically, a spike fiddle popularly used in Chinese music. The instruments consist of a round, hexagonal, or octagonal sound box at the bottom with a neck attached that protrudes upwards. They also usually have two strings, and their soundboxes are typically covered with either snakeskin or thin wood. Huqin instruments usually have two tuning pegs, one peg for each string. The pegs are attached horizontally through holes drilled in the instrument's neck. Most huqin have the bow hair pass in between the strings. Exceptions to having two strings and pegs include variations of huqin with three, four, and sometimes even more than five. These include the zhuihu, a three stringed huqin, the sihu, a huqin of Mongolian origin, and the sanhu, a lesser-known three-stringed variation.

<i>Gaohu</i> Chinese bowed string instrument

The gaohu is a Chinese bowed string instrument developed from the erhu in the 1920s by the musician and composer Lü Wencheng (1898–1981) and used in Cantonese music and Cantonese opera. It belongs to the huqin family of instruments, together with the zhonghu, erhu, banhu, jinghu, and sihu; its name means "high-pitched huqin". It is the leading instrument of Cantonese music and opera ensembles. Well known pieces for the gaohu include Bu Bu Gao and Ping Hu Qiu Yue.

Guangdong music (genre)

Guangdong music, also known as Cantonese music is a style of traditional Chinese instrumental music from Guangzhou and surrounding areas in Pearl River Delta of Guangdong Province on the southern coast of China. The name of the music is not an accurate description because Guangdong music is not the only music of the whole Guangdong area. Cantonese classical music especially were usually much livelier in pace and happier than those of other China provinces which is typical and the very essence of the Cantonese's character. In Guangdong, there are numerous traditional genres of music such as Teochew music and Hakka music. The name of the music originated in the 1920 and 1930s when the music was popular in Shanghai ballrooms in the form of "Spiritual Music". As the performers were almost entirely from Guangdong, Shanghai people generalized the form of music as Guangdong music. Musically, compositions are based on tunes derived from Cantonese opera, together with new compositions from the 1920s onwards. Some pieces have influences from jazz and Western music, using syncopation and triple time, and incorporating instruments such as the saxophone, violin, guitar, piano, drum set, or xylophone.

The tihu is generally held with the resonator between the knees. It is considered a supporting instrument in the Chaozhou xianshi ensemble. It is tuned lower and plays in a slower, more lyrical fashion than does the leading fiddle, called erxian .

The erxian is a Chinese bowed string instrument in the huqin family of instruments. It has two strings and is used primarily in Cantonese music, most often in "hard string" chamber ensembles. In the 1920s, following the development of the gaohu, the erxian experienced a decline and since the late 20th century has been little used outside the tradition of Cantonese opera.

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