Tillie and Gus | |
---|---|
Directed by | Francis Martin |
Screenplay by | Walter DeLeon Francis Martin |
Produced by | Douglas MacLean |
Starring | W.C. Fields Alison Skipworth Baby LeRoy Julie Bishop Clarence Wilson |
Cinematography | Ben F. Reynolds |
Edited by | James Smith |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 58 minutes |
Country | United States |
Language | English |
Tillie and Gus is a 1933 American pre-Code comedy film directed by Francis Martin, co-written by Martin and Walter DeLeon, and starring W.C. Fields, Alison Skipworth, Baby LeRoy, Julie Bishop, and Clarence Wilson. It is based on a short story by Rupert Hughes entitled Don't Call Me Madame. The film was released on October 13, 1933, by Paramount Pictures. [1]
Tillie Winterbottom has just lost her waterfront saloon in Shanghai, China in a dice game, and her ex-husband Gus is on trial for murder in Lone Gulch, Alaska, when they each receive word that Tillie's brother has died. Gus escapes and the two reunite in Seattle, then head for Danville to investigate the dead man's estate and the possibility of an inheritance.
Local Danville attorney Phineas Pratt claims the man died in debt, but he actually has swindled his daughter Mary Sheridan out of her rightful inheritance, including the family home, forcing her to move with her husband Tom Sheridan and their infant son, King to a dilapidated ferry called the Fairy Queen—supposedly the one item left of the estate.
When Tillie and Gus arrive in Danville, they are mistaken for missionaries newly returned from Africa by their relatives. Tillie plans to sell the boat and split the profits, but they become suspicious when Pratt expresses an inordinate interest in acquiring the seemingly unseaworthy boat, and they decide to help Mary and Tom refurbish it. Pratt, who has just purchased his own boat, the Keystone, tries to eliminate the competition by convincing the state inspection board to deny the Sheridans a ferry franchise.
It is decided that the outcome of a Fourth of July boat race will determine who is awarded the franchise. Comic mayhem ensues when Gus does everything in his power to sabotage their rival, ultimately coming out ahead in the end. Tom tells Gus, "That ferryboat race was the world's biggest gamble," to which Gus replies, "Well, don't forget, Lady Godiva put everything she had on a horse!"
In his review in The New York Times , Mordaunt Hall described the film as "a cheery absurdity" and added, "Insane as are the doings in this concoction, they succeed in being really funny. It is the sort of thing admirably suited to Mr. Fields' peculiar genius." [2] Time magazine observed, "Part parody of Tugboat Annie , part pure farce, Tillie and Gus is one of the pleasanter chapters in the long and happy career of W. C. Fields's famed unlighted cigar." [3]
Alice in Wonderland is a 1933 American pre-Code fantasy film adapted from the novels by Lewis Carroll. The film was produced by Paramount Pictures, featuring an all-star cast. It is all live action, except for the Walrus and The Carpenter sequence, which was animated by Harman-Ising Studio.
The following is an overview of 1933 in film, including significant events, a list of films released, and notable births and deaths.
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Julie Bishop, previously known as Jacqueline Wells, was an American film and television actress. She appeared in more than 80 films between 1923 and 1957.
Mary Bessie Brough was an English actress in theatre, silent films and early talkies, including eleven of the twelve Aldwych farces of the 1920s and early 1930s.
Mississippi is a 1935 American musical comedy film directed by A. Edward Sutherland and starring Bing Crosby, W. C. Fields, and Joan Bennett. Written by Francis Martin and Jack Cunningham based on the novel Magnolia by Booth Tarkington, the film is about a young pacifist who, after refusing on principle to defend his sweetheart's honor and being banished in disgrace, joins a riverboat troupe as a singer and acquires a reputation as a crackshot after a saloon brawl in which a villain accidentally kills himself with his own gun. The film was produced and distributed by Paramount Pictures.
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Ronald Le Roy Overacker, better known by his stage name Baby LeRoy, was an American child actor who appeared in films in the 1930s. When he was 16 months old, he became the youngest person ever put under term contract by a major studio.
Hollywood on Parade (1932–1934) is a series of short subjects released by Paramount Pictures.
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Clarence Hummel Wilson was an American character actor.
Miss Fane's Baby Is Stolen is a 1934 pre-Code American comedy-drama film, starring Dorothea Wieck, Alice Brady, and Baby LeRoy, written by Adela Rogers St. Johns and Jane Storm from a novel and story by Rupert Hughes, and directed by Alexander Hall. The events depicted in the film were allegedly based on the Lindbergh kidnapping.
Uncle Silas is a 1947 British drama film directed by Charles Frank and starring Jean Simmons, Katina Paxinou and Derrick De Marney. It is an adaptation of J. Sheridan Le Fanu's 1864 novel Uncle Silas in which an heiress is pursued by her uncle, who craves her money following her father's death.
Keene Thompson was a story, scenario and screenwriter who worked in the film industry from 1920 to 1937.
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