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The conservation and restoration of cultural property focuses on protection and care of cultural property, including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. This field is closely allied with conservation science, curators and registrars.
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DOCAM was an international alliance of researchers from various institutions and disciplines dedicated to the documentation and conservation of media arts. The project was the result of a five-year mandate lasting from 2005 until 2010. Outcomes of the project include a cataloguing guide incorporating case studies, a conservation guide explaining preservation issues specific to time-based media, a technological timeline, a documentation model for digital curation and preservation of time-based media, and a glossary and thesaurus for media arts.
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An Objects conservator is a professional, working in a museum setting or private practice, that specializes in the conservation of three-dimensional works. They undergo specialized education, training, and experience that allows them to formulate and implement preventive strategies and invasive treatment protocols to preserve cultural property for the future. Objects conservators typically specialize in one type of material or class of cultural property, including metals, archaeological artifacts, ethnographic artifacts, glass, and ceramic art. Objects conservation presents many challenges due to their three-dimensional form and composite nature.
A conservation scientist is a museum professional who works in the field of conservation science and whose focus is on the research of cultural heritage through scientific inquiry. Conservation scientists conduct applied scientific research and techniques to determine the material, chemical, and technical aspects of cultural heritage. The technical information conservation scientists gather is then used by conservator and curators to decide the most suitable conservation treatments for the examined object and/or adds to our knowledge about the object by providing answers about the material composition, fabrication, authenticity, and previous restoration treatments.
The conservation and restoration of time-based media art is the practice of preserving time-based works of art. Preserving time-based media is a complex undertaking within the field of conservation that requires an understanding of both physical and digital conservation methods. It is the job of the conservator to evaluate possible changes made to the artwork over time. These changes could include short, medium, and long-term effects caused by the environment, exhibition-design, technicians, preferences, or technological development. The approach to each work is determined through various conservation and preservation strategies, continuous education and training, and resources available from institutions and organization across the globe.
A photograph conservator is a professional who examines, documents, researches, and treats photographs, including documenting the structure and condition of art works through written and photographic records, monitoring conditions of works in storage and exhibition and transit environments. This person also performs all aspects of the treatment of photographs and related artworks with adherence to the professional Code of Ethics.
A textile conservator is a conservator-restorer charged with the care, treatment, research, and preservation of textiles. Issues addressed by a textile conservator are generally related to the field of textile preservation, and include damage caused to textiles by: light, mold and mildew, insects, cleaning, surface cleaning, washing, mounting for display, and storage. Variations in textile types and "the diversity of the textile conservator's work makes it a very rewarding profession". Textiles are among the most fragile artifacts, as they are susceptible to damage from atmospheric pollutants, moisture, biological organisms, and environmental changes and care varies with size, shape, material, and condition issues, all of which a textile conservator must be well versed.
The conservation and restoration of performance art is the process of documenting, collecting, and prolonging the life of Performance Art. Performance Art often features a live presentation initially documented by an artist, cultural institution, or host location. This genre of art can take place in a wide range of mediums, and is usually based on four core elements: Time, Space, the Performer's body, and the relationship between viewers and performer. These variables determine how it can be collected and conserved within museums or cultural institutions.
References
- ↑ Milbourne, Karen E; Roberts, Mary Nooter; Roberts, Allen F (2015). "Senses of Time: Video and Film-Based Arts of Africa". African Arts . 48 (4): 72–74. doi:10.1162/AFAR_r_00255. JSTOR 24720722. S2CID 57572019 – via JSTOR.
- ↑ "Time-Based Media". The Guggenheim Museums and Foundation.
- ↑ "Performance art | Britannica". www.britannica.com.
- ↑ "Electronic Media Group".
- ↑ "The Variable Media Initiative".
- ↑ "Time-Based Media".
- ↑ "Matters in Media Art". mattersinmediaart.org.
- ↑ https://ifa.nyu.edu/people/faculty/Roemich_PDFs/2018_Roemich_Frohnert_Electronic%20Media%20Review.pdf
- ↑ "Institute of Fine Arts: Time-Based Media Art Conservation".
- ↑ "Media Preservation Initiative (MPI)". whitney.org.
- ↑ "Time-Based Media Working Group". The Metropolitan Museum of Art.
- ↑ "Time-based Media & Digital Art | Time-based Media & Digital Art".
- ↑ "Time-Based Media Art".
- ↑ "Time Based Media".
- ↑ "The collector Ingvild Goetz".
- ↑ "ABOUT".
- ↑ "Why Ingvild Goetz is One of World's Most Important Art Collectors".
- ↑ "Mountain / Time".
- ↑ "Art and Obsolescence Podcast Hosted by Cass Fino-Radin". ART AND OBSOLESCENCE PODCAST.
- ↑ "Artists Make New York".