Timeship is a role-playing game published by Yaquinto Publications in 1983 in which the players role-play themselves as time-travellers.
Timeship is a role-playing game published by Yaquinto Publications in 1983 in which the players role-play themselves as time-travellers.
Timeship is a time-travel role-playing system with very general rules. [1] Unlike other roleplaying games where the players create fictional characters, in Timeship, players role-play themselves as they are teleported by a powerful ritual in an ancient scroll into the past or the future. [2] At a time when role-playing game systems were becoming increasingly complex, Timeship was an attempt to simplify and streamline the rules. [2] The entire rules system takes jup only ten pages in a 48-page booklet. [3]
Other game components include a gamemaster's screen, two ten-sided dice, and a pad of character record sheets.
Three scenarios take up most of the rules booklet:
Timeship, the last roleplaying game published by Yaquinto Publications, [4] : 165 was designed by Herbie Brennan, with cover art by C.A. Millan and interior art by Johnny Robinson. [1]
In the December 1983 edition of Dragon (Issue 80), Ken Rolston was guardedly enthusiastic about Timeship. Roslton admired the simplification of the rules system, and the ambitious nature of a game that attempted to cover all of past and future time. However, he sometimes found the humorous tone in the rulebook "is often irritatingly cute and self-indulgent, and the rules of play themselves are difficult to read and reference because of the idiosyncratic style." Rolston thought the first scenario, "Murder at the End of Time", to be "pretty silly", but found the third scenario set in wartime Berlin to be "the most detailed and credible", although he faulted writer Herbie Brennan for not including a bibliography of references about wartime Berlin that a gamesmaster could use to flesh out the scant details provided. Rolston concluded by recommending the game, saying, "First, it is a distinctive example of simpler, rather than more complex, FRP game mechanics. Second, the central idea of the game, time travel, is marvelously fertile soil for FRP gaming, and this is the first game to attempt to cultivate it. Finally, I believe this game may be more accessible to those not already addicted to games." [2]
In the August 1984 edition of Space Gamer (Issue No. 70) William A. Barton found the rules badly organized, and not enough historical material included. "As much as I enjoy time travel and would like to role-play such journeys into the past and future, I can hardly recommend Timeship. Unless you're prepared to do a lot of work rewriting and making up rules, you're best off waiting for someone else to take a shot at a time travel RPG." [5]
In his 1990 book The Complete Guide to Role-Playing Games , game critic Rick Swan was very disappointed in this game, calling it "more of an outline than a fully developed game ... the game mechanics are woefully underdeveloped." Although Swan did not object to the idea of using the players as their own characters, he noted that "there aren't any comprehensible instructions for doing so." He also commented that "The game's conception of time travel is never made clear. Can past events be changed, or are they unalterable?" Swan concluded by giving this game a dismal rating of only 1 out of 4, saying, "Who cares? Skip it." [3]
Nearly a decade after the publication of Timeship, Lawrence Schick, in his 1991 retrospective book Heroic Worlds: A History and Guide to Role-Playing Games, called the game an "attempt to cover every historical possibility with maximum flexibility – an ambitious goal that is not quite achieved". [1]
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