To Dorothy a Son

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To Dorothy a Son
"To Dorothy, a Son" (1956).jpg
U.S. half sheet poster
Directed by Muriel Box
Written by Peter Rogers
Based on To Dorothy, a Son by Roger MacDougall
Produced byPeter Rogers
Ben Schrift
Starring Shelley Winters
John Gregson
Peggy Cummins
Wilfrid Hyde-White
Cinematography Ernest Steward
H. A. R. Thomson
Edited by Alfred Roome
Music by Lambert Williamson
Production
company
Welbeck Films
Distributed by Independent Film Distributors
Release date
  • 29 November 1954 (1954-11-29)
Running time
81 minutes
CountryUnited Kingdom
LanguageEnglish
Box office£104,557 (UK) [1]

To Dorothy a Son (U.S. title: Cash on Delivery) is a black and white 1954 British comedy film in the form of a farce directed by Muriel Box [2] and starring Shelley Winters, John Gregson and Peggy Cummins. [3] [4] It was written by Peter Rogers based on the 1950 play To Dorothy, a Son by Roger MacDougall. It was distributed in America by RKO Pictures in January 1956. [5]

Contents

Premise

Tony Rapallo, a composer, is married (or so he thinks) and his wife Dorothy is pregnant and expecting their child. All is thrown into confusion when his first wife Myrtle appears from America claiming that they are still married. However, her motivation is not to get Tony back, but to ensure she is the recipient of a $2 million inheritance from her New Yorker uncle, Uncle Joe. His will states that if a son is born to Tony before 9 am on a certain day, then the son will inherit the money; if not, then Myrtle inherits all. Myrtle therefore hopes the birth will be after 9 am.

It gets more complicated when the lawyer explains Tony and Myrtle were never legally married in the first place, because they were married in Tonga and although they thought they had been there 7 days they had only been there six days due to the International Date Line and therefore fell short of the minimum stay before marriage was permitted.

When the crucial 9 am passes, she celebrates, but Tony is more concerned about the baby. However, he suddenly realises the will meant 9 am New York time, which is five hours ahead. With 15 minutes to go and Myrtle in tow, a baby starts to cry. After brief celebration, it seems it is a girl so Myrtle still gets the money, but it is twins and the second child born with seconds to go is a boy. Tony offers Myrtle half the money, which she accepts. When she calls her boyfriend, he says the relevant time is actually 10am not 9am, because they are on Summer Time, so Myrtle is entitled to all the money. She decides to give Tony half.

Cast

Production

The film was independently financed by Sydney Box. [6]

It was shot at Elstree Studios near London with sets designed by the art director George Provis.

Critical reception

The New York Times wrote, "BELIEVE it or not, the running time of a stork determines the heir or heiress to $2,000,000 in Cash on Delivery, a bright, British farce that was fun on delivery at the Little Carnegie yesterday ... Shelley Winters, as Myrtle, is in one of those made-to-order roles. John Gregson, as Tony, and Peggy Cummins, as Dorothy, are fine. And Mona Washbourne makes a delightfully tart nurse. Deliver yourself to the Little Carnegie. You'll have a good time." [7]

The Monthly Film Bulletin wrote: "A stagey film adapted from a stagey play. With the pregnant Dorothy in full view, the joke around which the story revolves seems rather tasteless. ... Direction and playing are rather ponderous, and Shelley Winters flings herself into a part more sui able for Judy Holliday." [8]

Variety wrote: "It plays off in a succession of climaxes, mostly hectic, under the extremely broad direction by Muriel Box. Cast performances are in kind, and moderate chuckles result from the antics and the situations causing them." [9]

Picturegoer wrote: "Witty adaptation of the successful stage farce, which should give you a pleasant, carefree hour and a half's entertainment. But it's still a photographed stage play, with the accent on dialogue, rather than action." [10]

TV Guide described the film as "a time-zone comedy, with Winters leading a British cast to give the film US appeal ... None of it is terribly interesting". [11]

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References

  1. ↑ Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p 504
  2. ↑ "Shooting on location a scene for 'To Dorothy, A Son' (including Ernest Steward; Muriel Box and Barbara Wainwright) - National Portrait Gallery". www.npg.org.uk. Retrieved 19 February 2023.
  3. ↑ "To Dorothy a Son". British Film Institute Collections Search. Retrieved 6 October 2024.
  4. ↑ "To Dorothy, A Son (1954)". BFI. Archived from the original on 12 July 2012.
  5. ↑ "Cash on Delivery: Detail View". American Film Institute. Retrieved 2 June 2014.
  6. ↑ Harper, Sue; Porter, Vincent (2003). British cinema of the 1950s : the decline of deference. Oxford University Press. p. 160.
  7. ↑ "Movie Reviews". 26 January 2020. Retrieved 28 January 2020– via NYTimes.com.
  8. ↑ "To Dorothy a Son" . The Monthly Film Bulletin . 22 (252): 12. 1 January 1955 – via ProQuest.
  9. ↑ "To Dorothy a Son" . Variety . 201 (9): 18. 1 February 1956 – via ProQuest.
  10. ↑ "To Dorothy a Son" . Picturegoer . 28: 18. 2 December 1954 – via ProQuest.
  11. ↑ "Cash On Delivery". TVGuide.com. Archived from the original on 4 March 2016.
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