The Passionate Stranger

Last updated

The Passionate Stranger
"The Passionate Stranger".jpg
UK 1-sheet poster
Directed by Muriel Box
Written byMuriel Box
Sydney Box
Produced by Peter Rogers
Gerald Thomas
Starring Margaret Leighton
Ralph Richardson
Cinematography Otto Heller
Music by Humphrey Searle
Distributed by British Lion Films
Release date
  • 26 February 1957 (1957-02-26)
Running time
97 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£140,000 [1]

The Passionate Stranger (U.S. A Novel Affair) is a 1957 British drama film, directed by Muriel Box and starring Margaret Leighton and Ralph Richardson. It uses the film within a film device, with the "real" part of the plot shot in black-and-white and the "fictional" element in colour. The interior scenes were shot at Shepperton Studios, with location filming taking place at Chilworth, Surrey.

Contents

Box stated that the film was intended "to debunk the sentimental novel...a mild satire on romance as opposed to reality, and the unhappy consequences of confusing the two". [2]

Plot

Carlo, an Italian man, is taken on as a chauffeur at an English country mansion, the home of Roger and Judith Wynter. She is a novelist who pens torrid escapist romantic fiction for the popular women's market, although in real life she is a respectable, unassuming woman, happily married to husband Roger who has been stricken with polio that leaves him immobile. She uses people she knows and situations she encounters as the raw material for her fictional flights of fancy. Judith is working on her latest novel titled The Passionate Stranger, a lurid tale of a bored and unsatisfied woman, with a pompous, disabled husband she despises, who embarks on a wild affair with her Italian chauffeur.

When Carlo later drives Judith to London to see her publisher, she goes to lunch leaving a copy of the manuscript in the car. Carlo finds and reads it. As he reads, the black-and-white film fades into a colour film of her novel:

The chauffeur, Mario, is driving the mistress back from London when a tyre bursts, and they are obliged to rent rooms in a small village pub. When she phones her husband Lord Hathaway, he is very cold and is only concerned about his need for the car the next morning. Lady Hathaway joins the chauffeur at a local fete where they dance together, and at the end of the evening Mario seduces her. Later, Lord Hathaway is shocked when, after a faint, the doctor informs Lord Hathaway that his wife is pregnant. When she confesses it is Mario's, he wants to dismiss him and raise the child as their own. Learning that Lady Hathaway is pregnant, Mario asks her to leave her husband and go away with him, but she says she will be loyal to her husband. So Mario plots to kill him, sabotaging his wheelchair, and tricking him into heading to the summerhouse which involves a slope. Lady Hathaway later finds him floating in the lake.

The film returns to black-and-white, and Carlo jumps to the conclusion that Judith harbours a repressed passion for him. Before their journey home, he puts sugar in the petrol tank and the car duly breaks down, but Judith refuses to leave the car. She accepts a lift from a passing motorist to take her to the nearest village, leaving Carlo with the car. He eventually reaches the pub where Judith has taken them rooms for the night, but she refuses his invitation to leave and attend a local dance, and so he goes alone. When they arrive home next day, Judith tells her husband that the pub landlord spotted Carlo wandering around the garden in the dark, and wants him to dismiss him, but Roger insists there must have been an innocent explanation.

Undaunted, Carlo continues to try to romance Judith, and to her bewilderment and alarm, he attempts to recreate situations and conversations from her novel. When she again brushes off his attentions, he becomes confused and angry. Eventually, Carlo proclaims his love and stresses her husband's inability to have children, but she tells him she loves her husband and they have two boys away at boarding school who will be returning the next day.

When she finds Roger's wheelchair in the lake, Judith at first thinks Carlo has again enacted the plot of her novel, but in fact her son accidentally ran it into the lake and Carlo has rescued him. Judith is most grateful, and Carlo expresses his undying love for her, but again she rejects him, and he decides he must leave. He boards a bus and finds himself sitting next to the Wynters' maid. Looks pass between them, and Carlo smiles.

Cast

Production

Leighton's casting was announced in May, 1956. [3]

Critical reception

New York Times film critic Bosley Crowther understood the writers' intention, but described the premise as "thin and even tedious" and remarked that the lengthy central fantasy sequence "is so ponderous, and it so completely outweighs the little black-and-white whimsy that surrounds it, that it drags down the whole idea." He did, however, concede that "thanks to adroit performances by Miss Leighton and Sir Ralph...this little bit of nonsense from Muriel and Sydney Box is not quite as flimsy and pretentious as it may at first sound." [4] Allmovie described the film as "something of a comic precursor to The French Lieutenant's Woman". [5] Sky Movies commented that "Ralph Richardson delivers more than the script can reasonably expect." [6]

Related Research Articles

<i>Alfie</i> (1966 film) 1966 British film by Lewis Gilbert

Alfie is a 1966 British comedy-drama film directed by Lewis Gilbert and starring Michael Caine. The Paramount Pictures release was adaptated from the 1963 play of the same name by Bill Naughton. Following its premiere at the Plaza Theatre in the West End of London on 24 March 1966, the film became a box office success, enjoying critical acclaim, and influencing British cinema.

<i>Affair in Trinidad</i> 1952 film by Vincent Sherman

Affair in Trinidad is a 1952 American film noir directed by Vincent Sherman and starring Rita Hayworth and Glenn Ford. It was produced by Hayworth's Beckworth Corporation and released by Columbia Pictures.

<i>Contempt</i> (film) 1963 film

Contempt is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel Il disprezzo by Alberto Moravia. It stars Brigitte Bardot, Michel Piccoli, Jack Palance, Fritz Lang, and Giorgia Moll.

<i>The V.I.P.s</i> (film) 1963 film by Anthony Asquith

The V.I.P.s is a 1963 British comedy-drama film in Metrocolor and Panavision. It was directed by Anthony Asquith, produced by Anatole de Grunwald, and distributed by Metro-Goldwyn-Mayer. The film was written by Terence Rattigan, with a music score by Miklós Rózsa.

<i>The Big Heat</i> 1953 American film noir crime film by Fritz Lang

The Big Heat is a 1953 American film noir crime film directed by Fritz Lang starring Glenn Ford, Gloria Grahame, and Jocelyn Brando about a cop who takes on the crime syndicate that controls his city.

<i>Perfect Strangers</i> (1945 film) 1945 British drama film

Perfect Strangers, is a 1945 British drama film made by London Films. It stars Robert Donat and Deborah Kerr as a married couple whose relationship is shaken by their service in the Second World War. The supporting cast includes Glynis Johns, Ann Todd and Roland Culver. It was produced and directed by Alexander Korda from a screenplay by Clemence Dane and Anthony Pelissier based on a story by Clemence Dane. Dane won the Academy Award for Best Story. The music score was by Clifton Parker and the cinematography by Georges Périnal.

<i>They Drive by Night</i> 1940 film by Raoul Walsh

They Drive by Night is a 1940 American film noir directed by Raoul Walsh and starring George Raft, Ann Sheridan, Ida Lupino, and Humphrey Bogart, and featuring Gale Page, Alan Hale, Roscoe Karns, John Litel and George Tobias. The picture involves a pair of embattled truck drivers and was released in the UK under the title The Road to Frisco. The film was based on A. I. Bezzerides' 1938 novel Long Haul, which was later reprinted under the title They Drive by Night to capitalize on the success of the film.

<i>All Fall Down</i> (1962 film) 1962 film by John Frankenheimer

All Fall Down is a 1962 American drama film, adapted from the novel All Fall Down (1960) by James Leo Herlihy, who later wrote Midnight Cowboy (1965). John Frankenheimer directed and John Houseman produced. The screenplay was adapted by playwright William Inge and the film starred Eva Marie Saint and Warren Beatty. Upon its release, the film was a minor box-office hit. Together with her performance in Frankenheimer's The Manchurian Candidate (1962), Angela Lansbury won the year's National Board of Review Award for Best Supporting Actress. The film was entered in the 1962 Cannes Film Festival.

<i>Il bidone</i> 1955 Italian film

Il bidonea.k.a.The Swindle is a 1955 Italian drama film directed by Federico Fellini starring Broderick Crawford, Richard Basehart and Giulietta Masina.

<i>Second Chance</i> (1953 film) 1953 American film directed by Rudolph Maté

Second Chance is a 1953 Technicolor crime film directed by Rudolph Maté. The picture, shot on location in Mexico in 3D, features Robert Mitchum, Linda Darnell, and Jack Palance. It is notable as the first RKO film produced in 3D.

<i>Woman Obsessed</i> 1959 film by Henry Hathaway

Woman Obsessed is a 1959 American romantic drama film directed by Henry Hathaway and starring Susan Hayward, Stephen Boyd, Barbara Nichols, Dennis Holmes, Theodore Bikel, Ken Scott, James Philbrook, and Florence MacMichael. The screenplay concerns the hardships faced by a widow and her eight-year-old son on a rugged Canadian ranch.

<i>Walk Softly, Stranger</i> 1950 film by Robert Stevenson

Walk Softly, Stranger is a 1950 American romantic drama film starring Joseph Cotten and Alida Valli and directed by Robert Stevenson. Also regarded by some as either or both a film noir and crime film, it tells the story of a small-time crook on the run who becomes reformed by the love of a disabled woman.

<i>Sons and Lovers</i> (film) 1960 British film

Sons and Lovers is a 1960 British period drama film directed by Jack Cardiff and adapted by Gavin Lambert and T. E. B. Clarke on the semi-autobiographic 1913 novel of the same name by D. H. Lawrence. It stars Trevor Howard, Dean Stockwell, Wendy Hiller, Mary Ure and Heather Sears.

<i>Three Strangers</i> 1946 film by Jean Negulesco

Three Strangers is a 1946 American film noir crime drama directed by Jean Negulesco and starring Sydney Greenstreet, Geraldine Fitzgerald, and Peter Lorre, and featuring Joan Lorring and Alan Napier. The screenplay was written by John Huston and Howard Koch. It was produced and distributed by Warner Brothers.

<i>Everybody Does It</i> 1949 film by Edmund Goulding

Everybody Does It is a 1949 comedy film starring Paul Douglas, Linda Darnell and Celeste Holm. In the film, a businessman's wife tries to become an opera star, failing miserably due to her lack of talent. When it turns out that her totally untrained husband is found to have a marvelous singing voice and goes on tour under an assumed name, his wife is livid.

<i>Tea and Sympathy</i> (film) 1956 film by Vincente Minnelli

Tea and Sympathy is a 1956 American drama film and an adaptation of Robert Anderson's 1953 stage play of the same name directed by Vincente Minnelli and produced by Pandro S. Berman for MGM in Metrocolor. The music score was by Adolph Deutsch and the cinematography by John Alton. Deborah Kerr, John Kerr and Leif Erickson reprised their original Broadway roles. Edward Andrews, Darryl Hickman, Norma Crane, Tom Laughlin, and Dean Jones were featured in supporting roles.

<i>Woman Times Seven</i> 1967 film by Vittorio De Sica

Woman Times Seven is a 1967 sex comedy anthology film directed by Vittorio De Sica. It consists of seven segments, all starring Shirley MacLaine, most of which deal with aspects of adultery.

<i>The Sound and the Fury</i> (1959 film) 1959 film by Martin Ritt

The Sound and the Fury is a 1959 American drama film directed by Martin Ritt. It is loosely based on the 1929 novel of the same name by William Faulkner.

<i>Diplomatic Courier</i> 1952 American film by Henry Hathaway

Diplomatic Courier is a 1952 American spy film noir directed by Henry Hathaway and starring Tyrone Power, Patricia Neal and Stephen McNally. The nightclub scene in the film features actor Arthur Blake, famous for his female impersonations, impersonating Carmen Miranda, Bette Davis, and Franklin D. Roosevelt. The plot was loosely adapted from the 1945 novel Sinister Errand by British writer Peter Cheyney.

<i>The Devil and the Ten Commandments</i> 1963 French film

Le Diable et les Dix Commandements is a French film from 1962 directed by Julien Duvivier that consists of seven sketches played by an ensemble cast that includes Michel Simon, Micheline Presle, Françoise Arnoul, Mel Ferrer, Charles Aznavour, Lino Ventura, Fernandel, Alain Delon, Danielle Darrieux, Jean-Claude Brialy, and Louis de Funès.

References

  1. Spicer, Andrew (5 September 2006). Sydney Box. ISBN   9780719059995.
  2. Sydney Box Spicer, Andrew. Manchester University Press, 2006, p.162 ISBN   0-7190-5999-2
  3. "Margaret Leighton Set for New British Pic". Variety. June 1956. p. 14.
  4. The Passionate Stranger Crowther, Bosley. New York Times, 28-08-1957. Retrieved 30-10-2010
  5. "A Novel Affair (1957) - Trailers, Reviews, Synopsis, Showtimes and Cast". AllMovie. Retrieved 25 June 2014.
  6. "The Passionate Stranger - Sky Movies HD". Skymovies.sky.com. 8 August 2003. Retrieved 25 June 2014.