Helene Emma Laura Juliane Kröller-Müller was a German art collector. She was one of the first European women to put together a major art collection. She is credited with being one of the first collectors to recognise the genius of Vincent van Gogh. Her entire collection was eventually sold to the Dutch government, along with her and her husband, Anton Kröller's, large forested country estate. Today it is the Kröller-Müller Museum and sculpture garden and Hoge Veluwe National Park, one of the largest national parks in the Netherlands.
The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
Willem van de Velde the Younger was a Dutch marine painter, the son of Willem van de Velde the Elder, who also specialised in maritime art. His brother, Adriaen van de Velde, was a landscape painter.
Militia Company of District II under the Command of Captain Frans Banninck Cocq, also known as The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch, but commonly referred to as The Night Watch, is a 1642 painting by Rembrandt van Rijn. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best-known painting in its collection. The Night Watch is one of the most famous Dutch Golden Age paintings. Rembrandt's large painting is famed for transforming a group portrait of a civic guard company into a compelling drama energized by light and shadow (tenebrism). The title is a misnomer; the painting does not depict a nocturnal scene.
The Stedelijk Museum Amsterdam, colloquially known as the Stedelijk, is a museum for modern art, contemporary art, and design located in Amsterdam, Netherlands.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
The Milkmaid, sometimes called The Kitchen Maid, is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Albert Carel Willink was a Dutch painter who called his style of Magic realism "imaginary realism".
Michiel Sweerts or Michael Sweerts was a Flemish painter and printmaker of the Baroque period, who is known for his allegorical and genre paintings, portraits and tronies. The artist led an itinerant life and worked in Rome, Brussels, Amsterdam, Persia and India (Goa).
Paulus Moreelse was a Dutch painter, mainly of portraits.
The Sacro Bosco, colloquially called Park of the Monsters, also named Garden of Bomarzo, is a Mannerist monumental complex located in Bomarzo, in the province of Viterbo, in northern Lazio, Italy.
ARTZUID is an international large-scale sculpture exhibition which takes place every two years in Amsterdam.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
The Master of Delft was a Dutch painter of the final period of Early Netherlandish painting, whose name is unknown. He may have been born around 1470. The notname was first used in 1913 by Max Jakob Friedländer, in describing the wings of a Triptych with the Virgin and Child with St Anne with the central panel by the Master of Frankfurt, which is now in Aachen. This has donor portraits of an identifiable family from Delft, that of the Burgomaster of Delft, Dirck Dircksz van Beest Heemskerck (1463–1545), with his wife and children.
Willink van Collenprijs is a former Dutch art award, which was awarded for the first time in 1880 by the Sociëteit Arti et Amicitiae. It was intended as an encouragement award for young artists, and was considered as a national counterpart to the Paris Salon. Its existence of more than 71 years proves the success of Amsterdam's art policy. For many of its winners, it was a valuable boost to their careers in the Dutch art world. Some of the prize winners were also recognized abroad and remain well known today.
Michiel Servaesz. Nouts or Nuyts was a Dutch Golden Age painter who also served as Amsterdam's town musician.
Betsy Westendorp-Osieck was a Dutch painter, watercolourist, etcher, pastelist and draftsman who was part of the Amsterdamse Joffers painting group.
Portrait of Michiel de Ruyter is an oil-on-canvas painting by the Dutch artist Ferdinand Bol, from 1667. It depicts Michiel de Ruyter, with a marine landscape in the background thought to be by Willem van de Velde (II) including de Ruyter's flagship De Zeven Provinciën.
Late Visitors to Pompeii is a 1931 painting by Carel Willink. It depicts four modern men at the forum of Pompeii with Mount Vesuvius in the background. The painting belongs to the Museum Boijmans Van Beuningen since 1933. It has been interpreted in correlation with the cultural philosophy of Oswald Spengler, who is one of the men in the painting, and themes of civilisational crisis in the fiction of Ferdinand Bordewijk.
Wilma with Cat is a portrait of Wilma Willink, painted by her husband Carel Willink in 1940. Wilma is depicted in half-length portrait with a cat in her arms and a colonnade in the background. The cat, whose name was Negus, was euthanised shortly after the painting was made.
