| The Zeppelin | |
|---|---|
| Dutch: De zeppelin | |
 | |
| Artist | Carel Willink |
| Year | 1933 |
| Medium | Oil on canvas |
| Dimensions | 75 cm× 100 cm(30 in× 39 in) |
| Location | Museum MORE, Gorssel, the Netherlands |
The Zeppelin (Dutch : De zeppelin) is a 1933 painting by the Dutch painter Carel Willink. It shows a street corner where four men look up to the sky and wave to a zeppelin.
The Zeppelin shows a zeppelin in the air, seen from a street corner where four men look to the sky and wave. The airship is the LZ 127 Graf Zeppelin, [1] a German zeppelin that flew over Amsterdam on 14 October 1929. Willink created his painting The Zeppelin four years later. [2] The location is the corner of the streets Stadhouderskade and P.C. Hooftstraat in Amsterdam. [3]
After the outbreak of World War II, The Zeppelin was sometimes interpreted as prophetic, as it had been made the same year Adolf Hitler came to power and the zeppelin could be seen as a symbol for Germany. Willink was however unwilling to comment on any such interpretation, instead explaining: "The heart of my work is a deadly love for reality". [4]
The Zeppelin is owned by the businessman Hans Melchers. [5] It is on public display at the Museum MORE in Gorssel. [4]
The Zeppelin was the inspiration behind the electronic music track "The Zeppelin" by René van der Wouden, made for the 2011 compilation album Dutch Masters initiated by Synth.nl. After this Wouden produced an entire album themed around zeppelins. [6]
The Mauritshuis is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of Count John Maurice of Nassau. The building is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites.
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August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
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Museum MORE is a Dutch museum in Gorssel, Netherlands. Museum MORE is dedicated to Dutch Neorealism (art). It is located in the former town hall of Gorssel, which was expanded for that purpose with seven exhibition spaces. The extension was designed by Dutch architect Hans van Heeswijk. Less than a year after the opening of the public on 2 June 2015, the museum was able to welcome its 100.000th visitor A second branch of Museum MORE, in Ruurlo Castle in the municipality of Gelderland Berkelland, was opened on June 23, 2017, by Pieter van Vollenhoven. In this castle one can find the collection Carel Willink / Fong Leng.
Late Visitors to Pompeii is a 1931 painting by Carel Willink. It depicts four modern men at the forum of Pompeii with Mount Vesuvius in the background. The painting belongs to the Museum Boijmans Van Beuningen since 1933. It has been interpreted in correlation with the cultural philosophy of Oswald Spengler, who is one of the men in the painting, and themes of civilisational crisis in the fiction of Ferdinand Bordewijk.
To the Future is a painting made by the Dutchman Carel Willink in 1965. It shows two sculptures from the Garden of Bomarzo and a man in an asbestos suit who walks toward a large explosion. It belongs to a group of late Willink paintings that portray apocalyptic confrontations between modern technology and the ancient world. To the Future is in the collection of Museum MORE in the Netherlands.
Wilma with Cat is a portrait of Wilma Willink, painted by her husband Carel Willink in 1940. Wilma is depicted in half-length portrait with a cat in her arms and a colonnade in the background. The cat, whose name was Negus, was euthanised shortly after the painting was made.
Château en Espagne is a painting made by the Dutchman Carel Willink in 1939. It depicts dark clouds over a landscape with a ruined villa and a statue of Apollo. It was influenced by the works by Giorgio de Chirico and has been interpreted as a comment to the Spanish Civil War. It is in the collection of Museum Arnhem in Arnhem, the Netherlands. Ferdinand Bordewijk used the painting as the basis for a prose poem published in 1940.
De kern van mijn werk is een dodelijke verliefdheid op de realiteit.
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