Tod Papageorge (born in Portsmouth, New Hampshire United States, 1940) is an American photographer whose career began in the New York City street photography movement of the 1960s. [1] [2] He is the recipient of two Guggenheim fellowships and two NEA Visual Artists Fellowships. His work is in public collections including the Museum of Modern Art and the Art Institute of Chicago. [3] Between 1979 and 2013 he directed the graduate program in photography at the Yale School of Art.
Papageorge started taking photographs in 1962 as an English literature major at the University of New Hampshire. [4]
Between 1979 and 2013, he directed the graduate program in photography at the Yale School of Art, [5] where his students included Lois Conner, Gregory Crewdson, Philip-Lorca diCorcia, Anna Gaskell, Steve Giovinco, Katy Grannan, An-My Le, Susan Lipper, and Abelardo Morell.
In 2007, Steidl published Passing through Eden, a collection of photographs Papageorge took over 25 years in Central Park. [6] Also in 2007, Aperture published American Sports, 1970: Or How We Spent the War in Vietnam, containing photographs taken during his 1970 Guggenheim Fellowship. [4]
This ridiculous-seeming activity of walking along the street and lifting up a little camera is so powerful, so complicated, and so resistant to being mastered. If I had the choice between doing that and sitting in an office somewhere … Are you kidding? [4]
Robert Frank was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
The Americans is a photographic book by Robert Frank which was highly influential in post-war American photography. It was first published in France in 1958, and the following year in the United States. The photographs were notable for their distanced view of both high and low strata of American society. The book as a whole created a complicated portrait of the period that was viewed as skeptical of contemporary values and evocative of ubiquitous loneliness. "Frank set out with his Guggenheim Grant to do something new and unconstrained by commercial diktats" and made "a now classic photography book in the iconoclastic spirit of the Beats".
William Eggleston is an American photographer. He is widely credited with increasing recognition for color photography as a legitimate artistic medium. Eggleston's books include William Eggleston's Guide (1976) and The Democratic Forest (1989).
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
Joel Sternfeld is an American fine-art photographer. He is best known for his large-format color pictures of contemporary American life and identity. His work contributed to the establishment of color photography as a respected artistic medium. Furthering the tradition of roadside photography started by Walker Evans in the 1930s, Sternfeld documents people and places with unexpected excitement, despair, tenderness, and hope. Ever since the 1987 publication of his landmark “American Prospects,” Sternfeld’s work has interwoven the conceptual and political, while being steeped in history, landscape theory and his passion for the passage of the seasons. Sternfeld’s is a beautiful and sad portrait of America - ironic, lyrical, unfinished, seeing without judging.
Stephen Shore is an American photographer known for his images of scenes and objects of the banal, and for his pioneering use of color in art photography. His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s.
Paul Graham is a British fine-art and documentary photographer. He has published three survey monographs, along with 26 other dedicated books.
Judith Joy Ross is an American portrait photographer. Her books include Contemporaries (1995), Portraits (1996), Portraits of the Hazleton Public Schools (2006) and Protest the War (2007), "exploring such themes as the innocence of youth, the faces of political power, and the emotional toll of war".
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
Bruce Landon Davidson is an American photographer. He has been a member of the Magnum Photos agency since 1958. His photographs, notably those taken in Harlem, New York City, have been widely exhibited and published. He is known for photographing communities that are usually hostile to outsiders.
Lois Conner is an American photographer. She is noted particularly for her platinum print landscapes that she produces with a 7" x 17" format banquet camera.
Alec Soth is an American photographer, based in Minneapolis. Soth makes "large-scale American projects" featuring the midwestern United States. New York Times art critic Hilarie M. Sheets wrote that he has made a "photographic career out of finding chemistry with strangers" and photographs "loners and dreamers". His work tends to focus on the "off-beat, hauntingly banal images of modern America" according to The Guardian art critic Hannah Booth. He is a member of Magnum Photos.
Mitchell Epstein is an American photographer. His books include Vietnam: A Book of Changes (1997); Family Business (2003), which won the 2004 Kraszna-Krausz Photography Book Award; Recreation: American Photographs 1973–1988 (2005); Mitch Epstein: Work (2006); American Power (2009); Berlin (2011); New York Arbor (2013); Rocks and Clouds (2018); Sunshine Hotel (2019); In India (2021); and Property Rights (2021).
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Richard Mead Atwater Benson was an American photographer, printer, and educator who used photographic processing techniques of the past and present.
Fazal Sheikh is an artist who uses photographs to document people living in displaced and marginalized communities around the world.
Alex Webb is a photographer who makes vibrant and complex color photographs. He has been a member of Magnum Photos since 1979.
Richard Ross is an American photographer. He is best known for his body of work Juvenile in Justice, which has documented the U.S. juvenile justice system for the last 8 years. The project has been produced with the support of the Annie E. Casey Foundation and the John D. and Catherine T. MacArthur Foundation. In 2007 Ross was the recipient of a Guggenheim Fellowship to finish Architecture of Authority.
Leon Levinstein (1910–1988) was an American street photographer best known for his work documenting everyday street life in New York City from the 1950s through the 1980s. In 1975 Levinstein was awarded a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation.
Richard Renaldi is an American portrait photographer. His four main books each contain portraits of people Renaldi met in public, and some landscapes, made over numerous years with an 8×10 large format view camera. Those books are: Figure and Ground (2006)—various people throughout the USA; Fall River Boys (2009)—young men growing up in the post-industrial city of Fall River, Massachusetts; Touching Strangers (2014)—strangers posed by Renaldi physically touching in some way, made all over the USA; and Manhattan Sunday (2016)—LGBT people photographed between midnight and 10 am on Sundays mainly on the streets of Manhattan having left nightclubs.
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