Susan Lipper (born 1953) is an American photographer, based in New York City. [1] [2] Her books include the trilogy Grapevine (1994), Trip (2000) and Domesticated Land (2018). [3] Lipper has said that all of her work is "subjective documentary". [4]
Grapevine was shown in solo exhibitions at The Photographers' Gallery in London and Arnolfini in Bristol, UK in 1994. [5] She received a Guggenheim Fellowship in 2015. [6] Her work is held in the collections of the Metropolitan Museum of Art [1] and New York Public Library in New York City, [7] Minneapolis Institute of Art, [8] Museum of Contemporary Art, Los Angeles, [9] Museum of Fine Arts, Houston, [10] and the National Portrait Gallery and Victoria and Albert Museum in London. [11] [12]
Lipper was born and raised in New York City. She studied English Romantic poetry in college with a concentration on W. B. Yeats. [13] She received an MFA in photography from Yale University in 1983. [14]
Lipper uses a medium format camera, sometimes with attached flash. [15] [16]
Her first book, Innocence & the Birth of Jealousy (1974), combines photography and poetry. According to David Solo writing in The PhotoBook Review, the book "offers a single, tightly integrated meditation on narcissism and its effects on relationships." Lipper appears in a set of dance-like poses, photographed by Penny Slinger, while Lipper was studying English literature in London. "When Lipper reviewed the contact sheets, the idea of the sequence/story emerged, and she wrote the accompanying narrative poem". The book was published by Martin Booth under his Omphalos imprint. [17]
After returning to the United States, Lipper developed her more recognized style, as seen in the book trilogy Grapevine (1994), Trip (2004), and Domesticated Land (2018). [17]
For about 20 years she has been visiting and photographing a tiny community in Grapevine Hollow in the Appalachian Mountains in West Virginia, eastern United States. [4] [18] The photographs she made there between 1988 and 1994, in collaboration with her subjects the residents, became Grapevine. [4] [3] The critic Gerry Badger has written that "Community, family, and gender relationships seem to be at the core of her investigation." [3] Lipper's collaborative approach distinguishes Grapevine from social documentary photography; [3] she describes it as "subjective documentary" and that "we were creating fictional images together [. . .] they knew the narratives I was playing around with as well as I did." [4] Izabela Radwanska Zhang wrote in the British Journal of Photography that it "challenges our belief in images labelled 'photojournalism', by interweaving a theatrical element. Lipper asked her models to assume characters that could essentially be them in the images; the result is a slippery, mysterious work." [19] Parr and Badger include Grapevine in the third volume of The Photobook: A History. [20]
Trip, made between 1993 and 1999, paired road trip photographs of urban landscapes and interiors with writing by Frederick Barthelme. [3] [21] [22] Domesticated Land was made between 2012 and 2016 in the California desert. [2] [21]
Lipper's work is held in the following permanent collections:
Martin Parr is a British documentary photographer, photojournalist and photobook collector. He is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.
Diane Arbus was an American photographer. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity." In his 2003 New York Times Magazine article, "Arbus Reconsidered", Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography ". Arbus's imagery helped to normalize marginalized groups and highlight the importance of proper representation of all people.
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
Joel Meyerowitz is an American street, portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught photography at the Cooper Union in New York City.
Tina Barney is an American photographer best known for her large-scale, color portraits of her family and close friends in New York and New England. She is a member of the Lehman family.
Stephen Shore is an American photographer known for his images of scenes and objects of the banal, and for his pioneering use of color in art photography. His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s.
Judith Joy Ross is an American portrait photographer. Her books include Contemporaries (1995), Portraits (1996), Portraits of the Hazleton Public Schools (2006) and Protest the War (2007), "exploring such themes as the innocence of youth, the faces of political power, and the emotional toll of war".
Lois Conner is an American photographer. She is noted particularly for her platinum print landscapes that she produces with a 7" x 17" format banquet camera.
Alec Soth is an American photographer, based in Minneapolis. Soth makes "large-scale American projects" featuring the midwestern United States. New York Times art critic Hilarie M. Sheets wrote that he has made a "photographic career out of finding chemistry with strangers" and photographs "loners and dreamers". His work tends to focus on the "off-beat, hauntingly banal images of modern America" according to The Guardian art critic Hannah Booth. He is a member of Magnum Photos.
Elinor Carucci is an Israeli-American photographer and educator, living in New York City, noted for her intimate porayals of her family's lives. She has published five monographs; Closer (2002), Diary of a Dancer (2005), Mother (2013, Midlife and The Collars of RBG. She teaches at the School of Visual Arts in New York.
Rineke Dijkstra HonFRPS is a Dutch photographer. She lives and works in Amsterdam. Dijkstra has been awarded an Honorary Fellowship of the Royal Photographic Society, the 1999 Citibank Private Bank Photography Prize and the 2017 Hasselblad Award.
Nick Waplington is a British / American artist and photographer. Many books of Waplington's work have been published, both self-published and through Aperture, Cornerhouse, Mack, Phaidon, and Trolley. His work has been shown in solo exhibitions at Tate Britain and The Photographers' Gallery in London, at Philadelphia Museum of Art in the USA, and at the National Museum of Photography, Film & Television in Bradford, UK; and in group exhibitions at Venice Biennale, Italy and Brooklyn Museum, New York City. In 1993 he was awarded an Infinity Award for Young Photographer by the International Center of Photography. His work is held in the permanent collections of the Solomon R. Guggenheim Museum in New York City, Victoria and Albert Museum and Government Art Collection in London, National Gallery of Australia, the Philadelphia Museum of Art, and Royal Library, Denmark.
Carrie Mae Weems is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. She achieved prominence through her early 1990s photographic project The Kitchen Table Series. Her photographs, films and videos focus on serious issues facing African Americans today, including racism, sexism, politics and personal identity.
Zarina Bhimji is a Ugandan Indian photographer, based in London. She was nominated for the Turner Prize in 2007, exhibited at Documenta 11 in 2002, and is represented in the public collections of Tate, the Museum of Contemporary Art in Chicago and Moderna Museet in Stockholm.
Jan Groover was an American photographer. She received numerous one-person shows, including at the Museum of Modern Art in New York, which holds some of her work in its permanent collection.
Bruce Gilden is an American street photographer. He is best known for his candid close-up photographs of people on the streets of New York City, using a flashgun. He has had various books of his work published, has received the European Publishers Award for Photography and is a Guggenheim Fellow. Gilden has been a member of Magnum Photos since 1998. He was born in Brooklyn, New York.
Peter Fraser is a British fine art photographer. He was shortlisted for the Citigroup Photography Prize in 2004.
Susan Bright is a British writer and curator of photography, specializing in how photography is made, disseminated and interpreted. She has curated exhibitions internationally at institutions including: Tate Britain, National Portrait Gallery in London and the Museum of Contemporary Photography in Chicago amongst others.
Paul Reas is a British social documentary photographer and university lecturer. He is best known for photographing consumerism in Britain in the 1980s and 1990s.
Jem Southam is a British landscape photographer and educator. He has had solo exhibitions at Tate St Ives, the Victoria and Albert Museum, The Lowry, and the Royal West of England Academy.