Matthew Drutt | |
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Born | Matthew Joseph Williams Drutt December 8, 1962 Philadelphia, Pennsylvania, U.S |
Occupation | curator, editor, author |
Language | English |
Education | New York University, Yale University |
Notable awards | Chevalier, Order of Arts and Letters, 2006 |
Website | |
druttcam |
Matthew Joseph Williams Drutt (born December 8, 1962) is an American curator and writer who specializes in modern and contemporary art and design. Based in New York, he has owned and operated his independent consulting practice Drutt Creative Arts Management (DCAM) since 2013l. He is currently working with the Lee Ufan Foundation in Arles on an exhibition of non-objective art foor Fall 2024. More recently, he worked with the Nationalmuseum Stockholm on an exhibition and publication (2022 - 2023) of modern and contemporary American crafts gifted from artists and collectors in the United States to the museum, originally organized by his mother, Helen Drutt. He has worked more recently with the Eckbo Foundation in Oslo on the first major monograph of Thorwald Hellesen published in English and Norwegian in (2019 - 2022) by Arnoldsche Art Publishers. He is currently also developing several other titles with the publisher. Formerly, he worked with the Beyeler Foundation in Switzerland (2013–2016) and the State Hermitage Museum in Russia (2013–2014), consulting on exhibitions, publications, and collections. He continues to serve as an Advisory Curator to the Hermitage Museum Foundation Israel. In 2006, the French Government awarded him the Chevalier de l'Ordre des Arts et des Lettres, [1] and in 2003, his exhibition Kazimir Malevich: Suprematism won Best Monographic Exhibition Organized Nationally from the International Association of Art Critics. [2]
Matthew Drutt was born on December 8, 1962, in Philadelphia, Pennsylvania, and is the son of Helen Drutt , an educator, gallerist, and collector of international contemporary crafts. [3] He received his B.A. degree cum laude from New York University in 1986 with a double major in History of Art and Russian Studies, and earned an M.A. degree from Yale University in 1987. [4]
From 1993 to 2001, he was a curator at the Solomon R. Guggenheim Museum, where he organized shows such as Amazons of the Avant-Garde, [5] The Art of the Motorcycle in 1998, Mediascape in 1996, Josef Albers in 1995, and Frank Lloyd Wright in 1994. He was Chief Curator of The Menil Collection in Houston [6] from 2001 to 2006, where he organized exhibitions of Robert Gober, Ellsworth Kelly, Olafur Eliasson, Donald Judd, Anna Gaskell, and Vik Muniz, [5] as well as collection-based projects. [4]
In 1999, Drutt organized the exhibit Bill Fontana: Acoustical Visions of Venice for the 48th Venice Biennale in cooperation with The Bohen Foundation, and in 2011 he returned to curate Anton Ginzburg: At The Back of the North Wind for the 54th Venice Biennale. [4]
Among his exhibition catalogs are Kazimir Malevich: Suprematism, an exhibit centered on Russian artist Kazimir Malevich, who had founded the avant-garde Suprematist movement in the early 1900s. [7] [8] [9] It was published by Harry N. Abrams, Inc. in 2003. [10] The exhibition won Best Monographic Exhibition Organized Nationally from the International Association of Art Critics. [2]
From 2006 to 2010, he was executive director of the international artist residency program Artpace in San Antonio, [6] where he produced solo exhibitions of artists Kehinde Wiley, David Adjaye, [5] Kate Gilmore, and Nathan Carter, among others. [4] In 2010, he also curated the yearlong exhibition Felix Gonzalez-Torres: Billboards, the first show devoted to this artist's public work in depth. [6] After this, he was executive director of Lisson Gallery in London, Milan, and New York, [11] where he oversaw its international sales of artists, including Daniel Buren, Tony Cragg, [1] Ryan Gander, Dan Graham, Shirazeh Houshiary, Anish Kapoor, Jason Martin, Jonathan Monk, and Lawrence Weiner. [4] From 2012 [11] to 2013, [4] he was the founding executive director of the Blouin Cultural Advisory Group, and was curator for the Louise Blouin Foundation in London, [11] where he organized exhibitions of work by Chris Marker in 2012 and Olga de Amaral in 2013. [4]
He has also served as a visiting professor at Columbia University [5] in both the Graduate School of the Arts and the Avery School of Architecture and at the Fashion Institute of Technology. [4]
Drutt serves on numerous boards and committees. He was chair of the Arts Committee for LongHouse Reserve from 2018 - 2020 and he was a founding member of the El Lissitzky Foundation in Eindhoven from 2013 to 2019. He was on the advisory board of the Hermitage Museum Foundation from 2012 to 2015 and The Fabric Workshop and Museum's artist advisory board since 2010. Previously, he was on the advisory boards of the American Academy in Berlin, American Academy in Rome, and Documenta in Kassel, Germany. He was a chair for Luminaria: Arts Night in San Antonio and the American Association of Museum Directors. He had also worked with both Public Art San Antonio and Etant donnés: The French-American Fund for Contemporary Art. [4]
In 2006, the French Government awarded him the Chevalier de l'Ordre des Arts et des Lettres for accomplishments in the international art world. [1] In 2003, his exhibition, Kazimir Malevich: Suprematism, received the award for Best Monographic Exhibition Organized Nationally from the International Association of Art Critics, [2] who also awarded him 2nd place in 1996 in the same category for Max Beckmann in Exile.
The following is a collection of approximately one third the exhibits Drutt has organized:
Note that the following list doesn't include most exhibition catalogs Drutt has written, though many have been published. He wrote his first exhibition catalog in 1992, for Albert Paley: Sculptural Adornment at the Renwick Gallery, an exhibit by the Smithsonian Institution. It was published by the University of Washington Press in 1992.
Kazimir Severinovich Malevich was a Russian avant-garde artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. He was born in Kiev, modern-day Ukraine, to an ethnic Polish family. His concept of Suprematism sought to develop a form of expression that moved as far as possible from the world of natural forms (objectivity) and subject matter in order to access "the supremacy of pure feeling" and spirituality. Active primarily in Russia, Malevich was a founder of the artists collective UNOVIS and his work has been variously associated with the Russian avant-garde and the Ukrainian avant-garde, and he was a central figure in the history of modern art in Central and Eastern Europe more broadly.
Suprematism is an early twentieth-century art movement focused on the fundamentals of geometry, painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects.
Alexander Porfyrovych Archipenko was a Ukrainian-American avant-garde artist, sculptor, and graphic artist, active in France and the United States. He was one of the first to apply the principles of Cubism to architecture, analyzing human figures into geometrical forms.
Lyubov Sergeyevna Popova was a Russian-Soviet avant-garde artist, painter and designer.
The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum, Imaginism, and Neo-primitivism. In Ukraine, many of the artists who were born, grew up or were active in what is now Belarus and Ukraine, are also classified in the Ukrainian avant-garde.
Olga Vladimirovna Rozanova was a Russian avant-garde artist painting in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism.
Nadezhda Andreevna Udaltsova was a Russian avant-garde artist, painter and teacher.
Artpace is a non-profit contemporary art foundation located in downtown San Antonio, Texas that is free and open to the public. Founded by artist, collector, and philanthropist Linda Pace, Artpace opened its doors in 1995, and focuses on nurturing the creative and artistic processes of both established and emerging artists. Fostering opportunities for dialogue and social interactions between artists and community members of all ages has always been central to the various programs at Artpace.
MOMus Modern, in full MOMus–Museum of Modern Art–Costakis Collection, is a modern art museum based in Thessaloniki, Central Macedonia, Greece. It is housed in the renovated building of the old Lazariston Monastery in the Borough of Stavroupoli in west Thessaloniki. It was formerly known as the State Museum of Contemporary Art.
Walter "Chico" Hopps was an American museum director, gallerist, and curator of contemporary art. Hopps helped bring Los Angeles post-war artists to prominence during the 1960s, and later went on to redefine practices of curatorial installation internationally. He is known for contributing decisively to “the emergence of the museum as a place to show new art.”
Thomas Krens is the former director and Senior Advisor for International Affairs of the Solomon R. Guggenheim Foundation in New York City. From the beginning of his work at the Guggenheim, Krens promised, and delivered, great change, and was frequently in the spotlight, often as a figure of controversy.
Black Circle is a 1924 oil-on-canvas painting by the Kyiv-born Ukrainian artist Kazimir Malevich, founder of the Suprematism movement. From the mid-1910s, Malevich abandoned any trace of figurature or representation from his paintings in favour of pure abstraction.
Nancy Spector is an American museum curator who has held positions at the Solomon R. Guggenheim Museum in New York City and the Brooklyn Museum.
Anna Gaskell is an American art photographer and artist from Des Moines, Iowa.
Nicolas Iljine is a German, French and Russian author, editor, curator, art consultant and best known as the advisor to the General Director of the State Hermitage Museum. Among his publications are the 2003 book Odessa Memories, and he co-authored and edited Memories of Baku in 2013. Many of his books and exhibitions have involved the Russian and Western art of the 1920s-2010s, including the Soviet sale of Hermitage paintings. In 2006, Iljine was awarded the Russian Order of Friendship.
Painterly Realism of a Peasant Woman in Two Dimensions, also known as Red Square, is a 1915 painting by Kazimir Malevich. Red Square was part of Malevich's Suprematist art movement (1915-1919), which aimed to create artworks that were universally understood.
Koo Jeong A is a South-Korean born mixed-media and installation artist.
Luisa Lambri is an Italian artist working with photography and film, based in Milan. Her photographs are often based on architecture and abstraction.
Black Square is a 1915 oil on linen canvas painting by the artist Kazimir Malevich. The first of four painted versions, the original was completed in 1915 and described by the artist as his breakthrough work and the inception for the launch of his Suprematist art movement (1915–1919).
The American pavilion is a national pavilion of the Venice Biennale. It houses the United States' official representation during the Biennale.
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