Together | |
---|---|
Origin | London, England |
Genres | Electronica, acid house, breakbeat, hardcore techno |
Years active | 1990-1996 |
Members | Suddi Raval |
Past members | Jon Donaghy |
Together were an English electronic/rave group, best known for their hit single "Hardcore Uproar", which made number 12 in the UK Singles Chart in August 1990. [1]
The band was created by Manchester Hacienda regulars Suddi Raval and Jon Donaghy along with Rohan Heath, formerly of A Guy Called Gerald and later the driving force behind the Urban Cookie Collective. Raval and Donaghy went on to do remixes for the Durutti Column before the latter's death in a motorcycle accident in Ibiza in the summer of 1991 that also killed Donaghy's partner, singer Emma McManus. [2] [3] A celebration of their lives was held at The Hacienda on Wednesday 25 September 1991 featuring DJs including Sasha and Justin Robertson, with proceeds going to charity. [4]
The band's only hit, "Hardcore Uproar", was originally intended as a white label to play at The Haçienda in Manchester, [5] but grew in popularity such that it climbed to number 12 on the UK Singles Chart. The song was written by Jon (Jonathon) Donaghy, Mark Hall and Suddi Raval though the underlying chord sequence was based on featured samples from John Carpenter's "The End", [6] [7] a 1983 Dutch scratching Italo disco 12" (itself a reworked version of Carpenter's theme tune to Assault on Precinct 13 ). [8] [9] "Hardcore Uproar" also included sound effects of whooping crowds recorded live at an illegal rave-party in Nelson which was, coincidentally, raided by police the same night as the recording had been made. [10] The song's title was taken from the popular name of these Blackburn raves. [11]
The song's vibe and catchy title meant it was also applied to a popular compilation of what were then mainstream rave, techno and pop tunes by artists as diverse as 808 State, Betty Boo and A Tribe Called Quest [12] helping to popularise the term hardcore for this type of rave music. [13] The song has since appeared on at least four other compilations. [14]
In 2011, "Hardcore Uproar" was reworked in various versions by Manchester rapper Trigga and Italian vocalist Sushy. [15]
Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus.
The Durutti Column are an English post-punk band formed in 1978 in Manchester, England. The band is a project of guitarist and occasional pianist Vini Reilly who is often accompanied by Bruce Mitchell on drums and Keir Stewart on bass, keyboards and harmonica. They were among the first acts signed to Factory Records by label founder Tony Wilson.
James Martin Hannett, initially credited as Martin Zero, was an English record producer, musician and an original partner/director at Tony Wilson's Factory Records. Hannett produced music by artists including Joy Division, the Durutti Column, Magazine, John Cooper Clarke, New Order, Orchestral Manoeuvres in the Dark and Happy Mondays. His distinctive production style used unorthodox sound recording and technology and has been described as sparse, spatial, and cavernous.
Madchester was a musical and cultural scene that developed in the English city of Manchester in the late 1980s, closely associated with the indie dance scene. Indie-dance saw artists merging indie music with elements of acid house, psychedelia and 1960s pop. The term Madchester was coined by Factory Records' Tony Wilson, with the label popularised by the British music press in the early 1990s, and its most famous groups include the Stone Roses, Happy Mondays, Inspiral Carpets, the Charlatans, James and 808 State. It is widely seen as being heavily influenced by drugs, especially MDMA. At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love.
The Haçienda was a nightclub and music venue in Manchester, North West England, which became famous during the Madchester years of the 1980s and early 1990s.
Peter Hook is an English musician, best known as the bassist and co-founder of the rock bands Joy Division and New Order. Hook often used the bass as a lead instrument, playing melodies on the high strings with a signature heavy chorus effect. In New Order, he would do this, leaving the actual basslines to keyboards or sequencers.
Anthony Howard Wilson was a British record label owner, radio and television presenter, nightclub manager, impresario and a journalist for Granada Television and the BBC.
24 Hour Party People is a 2002 British biographical comedy-drama film about Manchester's popular music community from 1976 to 1992, and specifically about Factory Records. It was written by Frank Cottrell Boyce and directed by Michael Winterbottom. The film was entered into the 2002 Cannes Film Festival to positive reviews.
Quando Quango were a British electronic music group, formed by The Haçienda DJ and Factory Records A&R man Mike Pickering, Hillegonda Rietveld and Reinier Rietveld. Their unique sound influenced the underground dance music scenes in New York and Chicago in the 1980s. Their first release was the "Go Exciting" twelve-inch single on Factory Records in 1982, and their last release of new music was the 1985 full-length album Pigs + Battleships.
The following is a list of items with recorded Factory Records numbers. The list primarily consists of music releases but also includes promotional graphics, film, etc. However, the list was not confined to creative output. A party, a lawsuit and a cat appear on the list along with other miscellany.
The Festival of the Tenth Summer was a music and art festival that took place in Manchester in July 1986. The festival was organised by Factory Records to 'celebrate Manchester' specifically with reference to the first performance by the Sex Pistols at the Lesser Free Trade Hall in Manchester on 4 June 1976. It consisted of ten events, culminating in an all day music festival at the Greater Manchester Exhibition Centre on 19 July 1986. The festival has its own number in the Factory Records catalogue, FAC 151.
A Factory Sample is a 7-inch double sampler EP released on 24 December 1978 by Factory Records of Manchester, England. Funded by a small inheritance which had recently been bequeathed to Tony Wilson, it was the first vinyl recording to be released by the label. The cover of the EP is made of rice paper, dyed silver and sealed inside a thin plastic bag.
Toby Toman, is a drummer who played with various British bands including The Nosebleeds, Ludus, The Durutti Column, Blue Orchids, and Primal Scream, working often with German singer Nico, known for her role with The Velvet Underground, while she was living in Manchester, England through the 1980s.
Phil Rainford is a British former singer and music producer, who formed part of the Manchester music scene, in late 1970s and early 1980s. He was the original singer of post-punk band The Durutti Column who were signed to Factory Records, having joined the band in early 1978. He was sacked in July of that year, for not being a considered correct choice. He did not release any material with the band other than a couple of pieces on a Factory Records sample release. At the time he was also known as "Phil Raincoat".
Miranda Stanton, best known for her recordings as Stanton Miranda, Miranda Dali and Thick Pigeon, is a 1980s Factory Records artist from New York City. She achieved some notice for her single "Wheels Over Indian Trails" and her later cover of "Love Will Tear Us Apart" by Joy Division. She also guested on recordings by the Durutti Column. Her first band was CKM in New York with Kim Gordon of Sonic Youth, where she played drums.
Factory Benelux was the Belgian imprint of Factory Records, operated by Les Disques du Crépuscule from August 1980 until March 1988, releasing a large number of exclusive recordings as well as Benelux issues of regular Factory releases. The imprint was founded by Michel Duval and Annik Honoré. A detailed history of both Factory Benelux and Crépuscule can be found in the book Shadowplayers: The Rise & Fall of Factory Records by James Nice.
Dani Jacobs is a British music video director and editor.
Without Mercy is the fourth studio album by English band The Durutti Column, released in October 1984 on Factory Records. After the band and label boss Tony Wilson were unanimous in their dislike of Another Setting (1983), Wilson pushed the band towards progressing to a new, classical-inspired sound. The band went on to record Short Stories for Pauline, which went unreleased when Wilson refused to release it, though one track, "Little Mercy", kept Wilson's attention. He asked the band to use it as the foundation for a different album, ultimately becoming Without Mercy.
Obey the Time is the eighth studio album by English band The Durutti Column, released in 1990 by Factory Records. Conceived during the middle of the popularity of acid house in the band's native Manchester, band leader Vini Reilly chose to combine acid house, and other electronic dance music styles, with his signature guitar playing on a new album. He created the album in his home studio with engineer Paul Miller. Drummer Bruce Mitchell only plays on one song, with his slot being filled by drum machines on the remaining tracks. As such, critics have described Obey the Time as a Vini Reilly solo album.
"We Are I.E." is a song by British breakbeat hardcore producer Lennie De Ice. It was first recorded in 1989, but not released until 1991 when it appeared on a four-track EP from Reel 2 Reel Productions, one of a number of labels that originated from the record shop De Underground based in Forest Gate, East London. It is often credited as one of, if not the first, tracks to lay down the foundations for jungle music.