Eric Allan Dolphy Jr. was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
Free jazz is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop and modal jazz that had been played before them was too limiting, and became preoccupied with creating something new. The term "free jazz" was drawn from the 1960 Ornette Coleman recording Free Jazz: A Collective Improvisation. Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music".
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Donald Eugene Cherry was an American jazz trumpeter. Beginning in the late 1950s, Cherry had a long tenure performing in the bands of saxophonist Ornette Coleman, as on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1960). He also collaborated separately with musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler.
Pharoah Sanders was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world".
Leandro "Gato" Barbieri was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for "cat".
Live At The Village Vanguard Again! is a live jazz album by saxophonist John Coltrane. Recorded in May 1966 during a live performance at the Village Vanguard jazz club in New York City, the album features Coltrane playing in the free jazz style that characterized his final years. The lineup features Coltrane's quintet, with Coltrane on tenor and soprano saxophones, bass clarinet, and flute, Pharoah Sanders on tenor saxophone and flute, Alice Coltrane on piano, Jimmy Garrison on bass, and Rashied Ali on drums, supplemented by Emanuel Rahim on percussion. It was the quintet's only official recording released during Coltrane's lifetime.
Ascension is a jazz album by John Coltrane recorded in June 1965 and released in 1966. It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. AllMusic called it "the single recording that placed John Coltrane firmly into the avant-garde".
New York Eye and Ear Control is an album of group improvisations recorded in July 1964 by an augmented version of Albert Ayler's group to provide the soundtrack for Michael Snow's film of the same name.
Tomorrow Is the Question!, subtitled The New Music of Ornette Coleman!, is the second album by American jazz musician Ornette Coleman, originally released in 1959 by Contemporary Records. It was Coleman's last album for the label before he began a highly successful multi-album series for Atlantic Records in 1959.
"Ogunde" is the opening track on jazz saxophonist John Coltrane's 1967 album Expression, and one of two songs on The Olatunji Concert: The Last Live Recording.
Complete Communion is a 1966 album by American jazz composer Don Cherry, his debut as a bandleader and his first release on Blue Note Records.
The New York Contemporary Five was an avant-garde jazz ensemble active from the summer of 1963 to the spring of 1964. It has been described as "a particularly noteworthy group during its year of existence -- a pioneering avant-garde combo" and "a group which, despite its... short lease on life, has considerable historical significance." Author Bill Shoemaker wrote that the NYCF was "one of the more consequential ensembles of the early 1960s." John Garratt described them as "a meteor that streaked by too fast."
Archie Shepp – Bill Dixon Quartet is the debut album by saxophonist Archie Shepp and trumpeter Bill Dixon released on the Savoy label in 1962. The album features three performances by Shepp & Dixon with Don Moore and Paul Cohen and a version of Ornette Coleman's composition "Peace" with Reggie Workman and Howard McRae. The album was also rereleased in 1970 as Peace on the French BYG label, flipping the running order on side two, and on CD in 2010 as a "unauthorized European" edition on the Free Factory label, using the Savoy title but the BYG running order.
Bill Dixon 7-tette/Archie Shepp and the New York Contemporary 5 is an album released on the Savoy label originally featuring one LP side by Bill Dixon's septet and one LP side by the New York Contemporary Five featuring saxophonist Archie Shepp. The album resulted from Dixon and Shepp's contractual obligations to provide Savoy Records with a second album after the Archie Shepp - Bill Dixon Quartet (1962) but following a professional separation.
Symphony for Improvisers is an album by American jazz trumpeter Don Cherry, released by Blue Note Records in August 1967. It features Gato Barbieri, Henry Grimes, and Ed Blackwell, all of whom appeared on Cherry's previous album Complete Communion, along with Karl Berger, Jean-François Jenny-Clark, and Pharoah Sanders. Symphony for Improvisers was recorded in 1966. The front cover photograph was taken at New York Public Library for the Performing Arts, Upper West Side, New York City.
Chicago Piano Solo is a live solo piano album by Irène Schweizer. It was recorded at The Empty Bottle in Chicago in August 2000, and was released in 2001 by Intakt Records.
Live at Cafe Montmartre 1966, Volumes 1, 2, and 3, is a trio of live albums by trumpeter Don Cherry. The albums were recorded in March 1966 at the Cafe Montmartre in Copenhagen, Denmark, and were released by ESP-Disk in 2007, 2008, and 2009. On the recordings, Cherry is joined by saxophonist Gato Barbieri, vibraphonist Karl Berger, bassist Bo Stief, and drummer Aldo Romano. Volume 1 is accompanied by a bonus DVD sampler featuring a variety of the label's artists.
Mu, First Part and Second Part, is a pair of albums by multi-instrumentalist Don Cherry. The albums, which also feature drummer Ed Blackwell, were recorded in August 1969 at Studio Saravah in Paris, and were released by BYG Records as part of their Actuel series in 1969 and 1970. In 1971, BYG released both parts together as a single box set. Mu was one of the first efforts in what would come to be known as world music.
In Search of the Mystery is the debut album by saxophonist Gato Barbieri. It was recorded in New York City on March 15, 1967, and was released later that year by ESP-Disk. On the album, Barbieri is joined by cellist Calo Scott, bassist Norris Jones, and drummer Bobby Kapp.
