Tomb of Mary of Burgundy

Last updated
Tomb of Mary of Burgundy
TumbaMariaDeBorgona.jpg
Material Gilt-bronze, copper, brass, vitreous enamel
SizeLength: 260 cm (100 in)
Width: 135 cm (53 in)
Height: 135 cm (53 in) [1]
CreatedCompleted 1501
Period/culture International Gothic, Northern Renaissance [2]
Present location Church of Our Lady, Bruges

The Tomb of Mary of Burgundy is a funeral monument completed in 1501 for Mary of Burgundy's grave in the Church of Our Lady, Bruges. She died in March 1482, aged 25, following injuries sustained during a hunting accident a number of weeks earlier.

Contents

Mary was born in 1457 as the only child of Charles the Bold and Isabella of Bourbon. On her father's death at the Battle of Nancy, she became the last of the House of Valois-Burgundy and inherited the Duchy of Burgundy, making her the then-richest woman in Europe. [3]

The tomb was commissioned by her husband Maximilian of Austria and their eldest child Philip the Fair, based on a rough design specified during her deathbed wishes. A number of sculptors, stonemasons and painters, perhaps headed by the Flemish sculptor Renier van Thienen, were involved in its creation; records suggest contributions by Jan Borman, Pieter de Backere and Jehan Hervy, although the chronology and the extent of their individual contributions is unknown.

Death of Mary of Burgundy

Mary of Burgundy (1458-1482), by Netherlandish or South German School of the late 15th Century.jpg
(Idealised) Portrait of Mary of Burgundy, Netherlandish or South German, late 15th century [4]
Workshop of Joos van Cleve 001.jpg
Portrait of Emperor Maximilian I, Workshop of Joos van Cleve, c. 1530 [5]

Mary was born in 1457 as the only child of Charles the Bold (1433–1477) and Isabella of Bourbon (1434–1465). Mary was eight years old when her mother died. She was a well-recognised patron of the arts, and, aged 18, commissioned a tomb for her mother (which she had significant input into Isabella's tomb; it was still incomplete by the time of her own early death). [6] She oversaw and approved many elements of its design—as she later did with the tomb for her uncle Jacques de Bourbon. [7]

19th-century reproduction of a 1507 fresco of Maximilian and Mary holding a falcon and the coat of arms of Burgundy Mary of Burgundy and Maximilian of Austria.jpg
19th-century reproduction of a 1507 fresco of Maximilian and Mary holding a falcon and the coat of arms of Burgundy

In order to counter the French king Louis XI's attempts to bring Burgundy under his control, Charles (who had spent most of his life battling Louis) betrothed Mary to Maximilian of Austria in 1476. They married the following year when they were both in their early teens. Although their marriage was arranged, the two developed a romantic bond and were faithful to each other. As Charles had planned, their union allowed his family to retain parts of the Burgundian lands, although the inheritance line changed from the House of Valois to the House of Habsburg. Charles was killed at the Battle of Nancy in January 1477 while fighting against Louis XI, making her, at 19 years, the sole inheritor of the Duchy of Burgundy and the last of the House of Valois-Burgundy. [8]

Mary was falconing on a hunt with Maximilian and knights of the court in a forest outside Bruges when her horse tripped and threw her in a ditch before landing on top of her. [9] Having sustained massive internal injures and a broken back, she died several weeks later on 27 March, having dictated a will and testament that outlined her wishes for a monument which she requested that she would be buried—according to an 1844 reproduction of the will—"honourably according to her station" and that a "large and beautiful" image of the Virgin was placed "before this sepulchre or sarcophagus." [10]

As per her dying wishes, she was buried under the choir of the Church of Our Lady, Bruges on 3 April 1482. Bruges was then at the height of its commercial and cultural importance and was the birthplace of her son, while it was important to Mary that the church bore her own namesake. [9] Although the court was near bankrupt at the time, Maximilian threw a lavish ceremony, partly funded by melting down and selling off their cutlery and silverware. [11] Due to these financial constraints, work of Mary's tomb did not begin until at least September 1488. [12]

Commission and attribution

Position in the Church of Our Lady, resting alongside the tomb of her father Brugge-Liebfrauenkirche-Prunkgraber DSC0179.jpg
Position in the Church of Our Lady, resting alongside the tomb of her father

Mary's dying wishes were carried out under the patronage of her husband Maximilian and her eldest son Philip the Fair (d. 1506). [12] Although the circumstances of the build are not well documented, it known from archives dated 1488 that the project was overseen by the executor of her will, Thibault Barradot (d. 1503), a high ranking financier who had been her Maître de la Chambre des Denier (Master of Coins), and was appointed to the project almost immediately after her death. [12]

Barradot had difficulty raising funds due to political and legal complications around the distribution of Mary's wealth to her two surviving children. He first had to pay off substantial debts to her creditors, which he funded via rent and taxes from her estates. [12] Eventually, he was able to purchase the marble from the stone merchant Martin de Bouge for 30 pounds [13] and hire a number of well-known designers and sculptors. Records indicate that stonemasons were working on the monument before July 1493 when Renier van Thienen was contracted to oversee the initial build, however he may have been involved in its planning since 1491. He hired masons and stonecutters to begin work on the base. [13] Although the historical record is scant as to the sequence and specific attributions of individual artists, art historians generally attribute a group that includes Jan Borman, Pieter de Backere and Jehan Hervy, [1] [9] although the chronology and the extent of their individual contributions is unknown. [1] [14]

Description

Detail of the effigy Grafmarg.JPG
Detail of the effigy

Unlike the tombs of her ancestors reaching back to that of Philip the Bold (d. 1404) and his son John the Fearless (d. 1419), Mary's is made from metal rather than alabaster and marble and lacks the characteristic mourners ("weepers" or "pleurants") found on the sides of most Burgundian tombs, a deliberate choice made instead to honour both sides of her family via heraldry. [1]

The monument consists of Mary's gilt-bronze effigy placed over a hollow rectangular tomb made of black stone. The tomb's long sides are heavily decorated with gilt-bronze branches of her family tree and hanging enamelled shields displaying the coats of arms of her ancestors. [15] The short-side below her head contains her own coats of arms. [16]

Her head rests on a pillow, and her hands are joined and raised in prayer. [15] The epitaph appears in a long scroll that has angels on either side. It is written in blackletter (Gothic script) and reads "Marie de Bourgongne Archiduchesse daustrice fille Charles duc de Bourgongne et de Ysabeau de Bourbon." [17]

Related Research Articles

<span class="mw-page-title-main">Philip the Bold</span> Duke of Burgundy from 1363 to 1404

Philip II the Bold was Duke of Burgundy and jure uxoris Count of Flanders, Artois and Burgundy. He was the fourth and youngest son of King John II of France and Bonne of Luxembourg.

<span class="mw-page-title-main">Margaret of York</span> Duchess of Burgundy from 1468 to 1477

Margaret of York, also known by marriage as Margaret of Burgundy, was Duchess of Burgundy as the third wife of Charles the Bold and acted as a protector of the Burgundian State after his death. She was a daughter of Richard, 3rd Duke of York, and Cecily Neville, and the sister of two kings of England, Edward IV and Richard III. She was born at Fotheringhay Castle, Northamptonshire, in the Kingdom of England, and she died at Mechelen in the Low Countries.

<span class="mw-page-title-main">Seventeen Provinces</span> Union of states in the Netherlands in the 15th and 16th centuries

The Seventeen Provinces were the Imperial states of the Habsburg Netherlands in the 16th century. They roughly covered the Low Countries, i.e., what is now the Netherlands, Belgium, Luxembourg, and most of the French departments of Nord and Pas-de-Calais (Artois). Also within this area were semi-independent fiefdoms, mainly ecclesiastical ones, such as Liège, Cambrai and Stavelot-Malmedy.

<span class="mw-page-title-main">Mary of Burgundy</span> Duchess of Burgundy from 1477 to 1482

Mary of Burgundy, nicknamed the Rich, was a member of the House of Valois-Burgundy who ruled a collection of states that included the duchies of Limburg, Brabant, Luxembourg, the counties of Namur, Holland, Hainaut and other territories, from 1477 until her death in 1482.

Duke of Burgundy was a title used by the rulers of the Duchy of Burgundy, from its establishment in 843 to its annexation by the French crown in 1477, and later by members of the House of Habsburg, including Holy Roman Emperors and kings of Spain, who claimed Burgundy proper and ruled the Burgundian Netherlands.

<span class="mw-page-title-main">Duchy of Burgundy</span> Vassal territory of France, 918–1482

The Duchy of Burgundy emerged in the 9th century as one of the successors of the ancient Kingdom of the Burgundians, which after its conquest in 532 had formed a constituent part of the Frankish Empire. Upon the 9th-century partitions, the French remnants of the Burgundian kingdom were reduced to a ducal rank by King Robert II of France in 1004. Robert II's son and heir, King Henry I of France, inherited the duchy but ceded it to his younger brother Robert in 1032.

<span class="mw-page-title-main">Philip the Good</span> Duke of Burgundy from 1419 to 1467

Philip III the Good ruled as Duke of Burgundy from 1419 until his death in 1467. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged. During his reign, the Burgundian State reached the apex of its prosperity and prestige, and became a leading centre of the arts.

<span class="mw-page-title-main">Charolais, France</span> Historic region in France

Charolais is a historic region of France, named after the central town of Charolles, and located in today's Saône-et-Loire département, in Burgundy.

<span class="mw-page-title-main">Burgundian Netherlands</span> The Netherlands from 1384 to 1482

In the history of the Low Countries, the Burgundian Netherlands or the Burgundian Age is the period between 1384 and 1482, during which a growing part of the Low Countries was ruled by the Dukes of Burgundy. Within their Burgundian State, which itself belonged partly to the Holy Roman Empire and partly to the Kingdom of France, the dukes united these lowlands into a political union that went beyond a personal union as it gained central institutions for the first time.

<span class="mw-page-title-main">Isabella of Bourbon</span> French noblewoman

Isabella of Bourbon, Countess of Charolais was the second wife of Charles the Bold, Count of Charolais and future Duke of Burgundy. She was a daughter of Charles I, Duke of Bourbon and Agnes of Burgundy, and the mother of Mary of Burgundy, heiress of Burgundy.

<span class="mw-page-title-main">Treaty of Arras (1482)</span> 1482 treaty between the Holy Roman Empire and France

The Treaty of Arras was signed at Arras on 23 December 1482 by King Louis XI of France and Archduke Maximilian I of Habsburg as heir of the Burgundian Netherlands in the course of the Burgundian succession crisis.

<span class="mw-page-title-main">Agnes of Burgundy, Duchess of Bourbon</span> Duchess consort of Bourbon

Agnes of Burgundy, duchess of Bourbon (Bourbonnais) and Auvergne, countess of Clermont, was the daughter of John the Fearless (1371–1419) and Margaret of Bavaria. Her maternal grandparents were Albert I, Duke of Bavaria and Margaret of Brieg. Her paternal grandparents were Philip the Bold and Margaret III, Countess of Flanders.

<span class="mw-page-title-main">House of Valois-Burgundy</span> Cadet branch of the House of Valois

The House of Valois-Burgundy, or the Younger House of Burgundy, was a noble French family deriving from the royal House of Valois. The Valois-Burgundy family ruled the Duchy of Burgundy from 1363 to 1482 and eventually came to rule vast lands including Artois, Flanders, Luxembourg, Hainault, the county palatine of Burgundy (Franche-Comté), and other lands through marriage, forming what is now known as the Burgundian State.

<span class="mw-page-title-main">Habsburg Netherlands</span> Entire period of Habsburg rule in the Low Countries (1482-1797)

Habsburg Netherlands was the Renaissance period fiefs in the Low Countries held by the Holy Roman Empire's House of Habsburg. The rule began in 1482, when the last Valois-Burgundy ruler of the Netherlands, Mary, wife of Maximilian I of Austria, died. Their grandson, Emperor Charles V, was born in the Habsburg Netherlands and made Brussels one of his capitals.

<span class="mw-page-title-main">Philippe Pot</span> Burgundian nobleman, military leader and diplomat

Philippe Pot (1428–1493) was a Burgundian nobleman, military leader, and diplomat. He was the seigneur of La Roche and Thorey-sur-Ouche, a Knight of the Golden Fleece, and the Grand Seneschal of Burgundy.

<span class="mw-page-title-main">Flemish revolts against Maximilian of Austria</span> Medieval revolts against the future Maximilian I

In the period 1482–1492, the cities of the County of Flanders revolted twice against Maximilian of Austria, who ruled the county as regent for his son, Philip the Handsome. Both revolts were ultimately unsuccessful.

<span class="mw-page-title-main">Tomb of Philippe Pot</span> Sculpted tomb dedicated to Philippe Pot

The tomb of Philippe Pot is a life-sized funerary monument, now on display in the Louvre, Paris. It was commissioned by the military leader and diplomat Philippe Pot for his burial at the chapel of Saint-Jean-Baptiste in Cîteaux Abbey, Dijon, France. His effigy shows him recumbent on a slab, his hands raised in prayer, and wearing armour and a heraldic tunic. The eight mourners are dressed in black hoods, and act as pallbearers carrying him towards his grave. Pot commissioned the tomb when he was around 52 years old, some 13 years before his death in 1493. The detailed inscriptions written on the sides of the slab emphasise his achievements and social standing.

<span class="mw-page-title-main">Burgundian State</span> Territories of the Dukes of Burgundy

The Burgundian State is a concept coined by historians to describe the vast complex of territories that is also referred to as Valois Burgundy.

<span class="mw-page-title-main">Tomb of Isabella of Bourbon</span> Sculpted tomb dedicated to Isabella of Bourbon

The tomb of Isabella of Bourbon was a funeral monument built for Isabella of Bourbon, a member of the House of Valois-Burgundy, then rulers of the Burgundian State. Little is known about her due to her death of tuberculosis in 1465 aged 31. Her monument was commissioned by her daughter Mary of Burgundy and constructed in Brussels sometime between 1475 and 1476 by Jan Borman and Renier van Thienen. Originally placed in the church of St. Michael's Abbey, Antwerp in 1476, it was dismantled in August 1566 during the Iconoclastic Fury when parts were either destroyed or looted. Other elements of the tomb were lost during the French Revolution when the church itself was destroyed.

<span class="mw-page-title-main">Tomb of Joan of Brabant</span>

The tomb of Joan of Brabant was built between 1457 and 1458 by the bronze caster Jacob de Gerines after wooden models by the sculptor Jean Delemer, and placed in the church of the Carmelite monastery in Brussels. Joan of Brabant was a Duchess of Brabant and died in 1406.

References

  1. 1 2 3 4 Briat-Philippe, Magali. "Tomb of Mary of Burgundy". Rotterdam: Codarts University for the Arts. Retrieved 13 February 2023
  2. Pegues; Smith (2018)
  3. Pegues; Smith (2018), 0:30
  4. "Portrait of Mary of Burgundy". Sotheby's, 2018. Retrieved 14 February 2023
  5. "Portrait of Maximilian I (1459-1519), Joos van Cleve (workshop of), c. 1530". Rijksmuseum. Retrieved 15 February 2023
  6. Mikolic (2017), p. 4
  7. Roberts (1989), pp. 379, 390
  8. Armstrong (1957), p. 228
  9. 1 2 3 Roberts (1989), p. 378
  10. Roberts, pp. 378–379
  11. Haemers, Jelle. "De strijd om het regentschap over Filips de Schone : opstand, facties en geweld in Brugge, Gent en Ieper (1482-1488)" Gent: Academia Press, 2014. p. 63. ISBN   978-9-0382-2400-8
  12. 1 2 3 4 Roberts (1989), p. 380
  13. 1 2 Roberts (1989), p. 381
  14. Roberts (1989), pp. 376, 380
  15. 1 2 Roberts (1989), p. 376
  16. Roberts (1989), p. 377
  17. Roberts (1989), pp. 376–377

Sources