Tony Maimone | |
---|---|
Birth name | Tony Maimone |
Born | 27 September 1952 |
Genres | Rock, post-punk |
Instrument | Bass guitar |
Years active | mid-1970s-present |
Tony Maimone (born September 27, 1952) is a bass guitarist, producer, and recording engineer, [1] who lives in Brooklyn, New York.
He was a member of Pere Ubu from the mid-1970s to the early 1990s, often playing with the drummer Scott Krauss. They were dubbed by a critic "one of the great unheralded rhythm sections in all of rock". [2] He is known as one of the former members of They Might Be Giants from 1992 until 1996.
Maimone has also worked with Bob Mould, Frank Black, The Mekons and Jon Langford.
Maimone currently[ when? ] resides in Brooklyn, New York, where he owns and operates Studio G Brooklyn, a recording studio with Joel Hamilton. He has produced and/or engineered/played on albums for artists including No Grave Like The Sea, The Book of Knots, Ani DiFranco, The Dixons and The Shondes, Felili, Destronauts, Laura Brennemen, Will James, Bob Kidney, Lord Ward, Peg Simone, Gachupin, Jon Langford, Cock Lorge, Sam Johnson, Steve Northeast, Shark?, Golem, Revel Switch, Mike Watt, Megan Reilly, Zigitros, Fai Baba and CC Carana.
Currently,[ when? ] he is playing with Megan Reilly, Home and Garden, Book Of Knots, CC Carana, Sasha Dobson, and No Grave Like The Sea.
Alfred Jarry was a French symbolist writer who is best known for his play Ubu Roi (1896), often cited as a forerunner of the Dada, Surrealist, and Futurist movements of the 1920s and 1930s and later the Theatre of the absurd In the 1950s and 1960s He also coined the term and philosophical concept of 'pataphysics.
They Might Be Giants, often abbreviated as TMBG, is an American alternative rock band formed in 1982 by John Flansburgh and John Linnell. During TMBG's early years, Flansburgh and Linnell frequently performed as a musical duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo's current backing band consists of Marty Beller, Dan Miller and Danny Weinkauf. They have been credited as vital in the creation and growth of the prolific DIY music scene in Brooklyn in the mid-1980s.
David Lynn Thomas is an American singer, songwriter and musician, now based in the UK. He was one of the founding members of the short-lived proto-punkers Rocket from the Tombs (1974–1975), in which he played under the moniker "Crocus Behemoth," and of post-punk group Pere Ubu. He has also released several solo albums. Though primarily a singer, he sometimes plays melodeon, trombone, musette, guitar or other instruments.
Ubu Roi is a play by French writer Alfred Jarry, then 23 years old. It was first performed in Paris in 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at the Nouveau-Théâtre. The production's single public performance baffled and offended audiences with its unruliness and obscenity. Considered to be a wild, bizarre and comic play, significant for the way it overturns cultural rules, norms and conventions, it is seen by 20th- and 21st-century scholars to have opened the door for what became known as modernism in the 20th century, and as a precursor to Dadaism, Surrealism and the Theatre of the Absurd.
Robert Arthur Mould is an American musician, principally known for his work as guitarist, vocalist, and songwriter for alternative rock bands Hüsker Dü in the 1980s and Sugar in the 1990s.
Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975. The band had a variety of long-term and recurring band members, with singer David Thomas being the only member staying throughout the band's lifetime. They released their debut album The Modern Dance in 1978 and followed with several more LPs before disbanding in 1982. Thomas reformed the group in 1987, continuing to record and tour.
John Anton Fier III was an American drummer, producer, composer, and bandleader. He led The Golden Palominos, an experimental rock group active from 1981 to 2010.
Workbook is the 1989 debut solo album by American guitarist and singer Bob Mould, following the breakup of the influential punk rock band Hüsker Dü. The album has a strong folk influence and lighter overall sound than he had been known for, although heavy guitar features occasionally. Drummer Anton Fier and bassist Tony Maimone, both of Pere Ubu fame, served as Mould's rhythm section on the album and on the subsequent live shows. The single "See a Little Light" was a hit on the US Modern Rock chart.
Jonathan Denis Langford is a Welsh musician and artist based in Chicago, Illinois, United States.
Jay's Longhorn Bar was a nexus of the punk rock and New Wave scenes in Minneapolis, Minnesota, in the late 1970s and early 1980s.
Brian Doherty is an American drummer, singer-songwriter, composer, music producer, educator, and podcaster based in New York City. After starting his career working with various jazz musicians, he worked with rock bands and artists such as The Silos, Freedy Johnston, They Might Be Giants, Ben Folds, and XTC. He has also contributed to movie soundtracks. In 2000 he became a music teacher, as part of the New York City Teaching Fellows program. He has released two albums of royalty-free drum tracks for songwriters in a series called Keep It Simple, and in 2012 he released his debut solo project, Treat + Release. Now he is working on writing his memoirs, and recording podcasts.
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. It was the final Pere Ubu album until 1988's The Tenement Year.
Datapanik in the Year Zero is a 1996 box set by Pere Ubu, which catalogues their initial phase of existence up to their 1982 break-up. The title was first used by the band for a 1978 EP which compiled their first singles; the name was "recycled" for this release. The name references the Cold War film Panic in Year Zero! (1962).
Cloudland is the seventh studio album by American rock band Pere Ubu. Released in May 1989, the album was produced by Stephen Hague. The single "Waiting for Mary", the video for which achieved some MTV exposure, netted Pere Ubu their only Billboard chart success to date, reaching number 6 on the Modern Rock Tracks chart. Cloudland is a village in north-western Georgia between Summerville and Chattanooga on a spur of Lookout Mountain. In the early 20th century, it was a summer getaway for Floridians.
One Man Drives While the Other Man Screams is Pere Ubu's second live album, covering the years 1978-1981.
Battle of Mice was an American post-metal supergroup consisting of Julie Christmas, Josh Graham, Joel Hamilton, Tony Maimone, and Joe Tomino. The band's name was derived from a saying by Alexander the Great pertaining to a military invasion of Crete.
A Day of Nights is the only studio album by American post-metal band Battle of Mice. It was released on October 6, 2006 through Neurot Recordings label.
Hyphenated-man is the fourth solo album by Mike Watt, and the first full-length recording he made under his own name since parting with Columbia Records in 2005. Initially released in Japan by Parabolica Records in October 2010, the album was released in the rest of the world on clenchedwrench, an independent record label newly founded by Watt. He is accompanied on the album by his Mike Watt + The Missingmen bandmates, guitarist Tom Watson and drummer Raul Morales.
The Book of Knots is an American experimental art rock band consisting of the members Matthias Bossi, Joel Hamilton, Carla Kihlstedt and Tony Maimone.
"30 Seconds Over Tokyo" is the debut single by American post-punk band Pere Ubu. Written by band members David Thomas, Peter Laughner, and Gene O'Connor during their stint with Pere Ubu's predecessor Rocket from the Tombs, it was released on Thomas' independent Hearthan Records in 1975. The song received very little airplay at the time but has earned high praise in the years since as a pioneering example of post-punk.