"Birdhouse in Your Soul" | ||||
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Single by They Might Be Giants | ||||
from the album Flood | ||||
B-side |
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Released | 1990 | |||
Recorded | Fall 1989 | |||
Genre | ||||
Length | 3:19 | |||
Label | Elektra (US) Elektra / WEA (EU) | |||
Songwriter(s) | John Flansburgh, John Linnell | |||
Producer(s) | Clive Langer & Alan Winstanley | |||
They Might Be Giants singles chronology | ||||
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Audio sample | ||||
Music video | ||||
Birdhouse in Your Soul on YouTube |
"Birdhouse in Your Soul" is a song by American alternative rock band They Might Be Giants. It was released in early 1990 through Elektra Records as the lead single from the album Flood ,making the single the band's first release on a major label. "Birdhouse in Your Soul" is the band's highest-charting single in both the US and the UK,and is one of their best-known songs.
The song's lyric is narrated from the perspective of a nightlight. It includes an atypical snare drum pattern and modulation among four keys. Production was handled by Clive Langer and Alan Winstanley.
"Birdhouse in Your Soul" was one of four songs on Flood produced by Clive Langer and Alan Winstanley;these four songs alone exhausted two-thirds of the album's budget. [3] The track was selected early on for release as a single. [4] An early two-minute demo version of the song was made available by the band via its Dial-A-Song service a year before they signed with Elektra. [1]
The melody to "Birdhouse in Your Soul" was written several years prior to its recording for Flood. John Linnell has stated that he "shoehorned" the lyric into the existing melody. [3] [ clarification needed ] The lyric,which is narrated from the perspective of a blue nightlight shaped like a canary,is hyper-associative,rapidly connecting disparate topics such as Jason and the Argonauts and The Longines Symphonette. [4] Elizabeth Sandifer and S. Alexander Reed have noted movement between lyrical themes is a recurring motif throughout Flood. [4] However,Linnell has commented that he feels the lyrics ultimately sound like stand-in "dummy lyrics". [5]
"Birdhouse in Your Soul" features an unconventional drum beat,which was programmed by Linnell,wherein the snare drum sounds on every beat. During production,Linnell created a demo using a more standard pop drum beat with the snare drum only on the backbeats. However,Langer and Winstanley emphatically rejected this change,which Linnell credits as saving the song. [4]
Musically,Reed and Sandifer note that the song makes an unanticipated jump from its initial key of C major to E-flat major,and then back to C major. The frequent key changes (18 in total) may be a product of the album's largely digital composition and production;they call the album in general "modular" in its movement between musical ideas. The track's later shifts to F-sharp minor and A major divide the octave into equal intervals. [6] The music also interpolates elements of "Summer in the City" by The Lovin' Spoonful. The car horn-like trumpet sound in the bridge of "Birdhouse in Your Soul" recalls the sounds of traffic in "Summer in the City" and both songs use similar rhythms in their chord progressions. Linnell states that these references were inspired by the intense heat during the album's recording in the summer of 1989. [6]
In April 1990,They Might Be Giants appeared on The Tonight Show Starring Johnny Carson to promote the release of Flood. As part of the appearance,Linnell and Flansburgh performed "Birdhouse in Your Soul" with Doc Severinsen and the Tonight Show Band. Severinsen's unusually fast count-in resulted in a performance with a noticeably higher tempo than the album recording. The band adopted a similar tempo for subsequent live performances. [7]
The music video for "Birdhouse in Your Soul" was directed by Adam Bernstein and filmed in New York County's Surrogate's Courthouse building in Manhattan in 1989. [8] The video features Linnell and Flansburgh moving and performing erratically amidst a group of dancers dressed in red plaid shirts. In the video,the dancers wear masks made from sunglasses affixed with an image of the eyes of William Allen White,whose face is used frequently in the band's visual material. [9] These props were designed by John Flansburgh. [10] In an article on They Might Be Giants music videos,Emily Petermann speculates that the zombie-like behavior of the dancers,coupled with the video's warehouse setting,evokes "oppressed factory workers". Petermann finds this view to be at odds with the song's "cheerful" music. On the other hand,the "non sequitur" lyrics and "surreal" musical elements—such as modulation—are complemented by moments of "nonsense" in the video,such as when "[Linnell and Flansburgh's] performance becomes embedded in a bizarre situation or the performance is abandoned altogether." [9]
"Birdhouse in Your Soul" received positive attention from critics. In his review of Flood for Allmusic,Stephen Thomas Erlewine called it one of the band's "finest singles". [11] Reviewing the single alone,Stewart Mason elaborates that,compared to previous releases,the high production value highlights Linnell's and Flansburgh's "knack for dynamics and arrangement." Mason also speculates that the song's popularity stems from the modest depth of its lyric,which is somewhat oblique on the surface but ultimately "easy to figure out",giving the listener a sense of pride in their understanding. [12] Chris Willman,writing for the Los Angeles Times ,predicted the track would become a "college radio standard". [13]
"Birdhouse in Your Soul" peaked at #3 on the United States Modern Rock Tracks chart and #6 on the UK Singles Chart. [14] [15] It is They Might Be Giants's highest-charting single in both countries. In 2010,the song was featured in an advertisement for Clarks shoes;the song returned to the UK singles chart for three weeks,peaking at #70. [15]
All songs by They Might Be Giants.
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [20] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
A cover of "Birdhouse in Your Soul" was featured in the Pushing Daisies episode "Pigeon", which premiered on October 24, 2007. This version was arranged and performed by series composer Jim Dooley with vocals from actors Kristin Chenoweth and Ellen Greene. The cover also appears on the show's official soundtrack. [21] In a 2015 Decider article revisiting the episode, Joe Reid wrote that the selection of "Birdhouse in Your Soul" contributed to "a moment that must have felt tailor-made for the audience members who responded to it". [22]
The song was also covered by Neil Cicierega as Lemon Demon on his second album, Live From the Haunted Candle Shop, which was released on July 23, 2003. [23] The cover is 129 BPM, which is 29 faster than the original at 100 BPM. [24] [25]
They Might Be Giants, often abbreviated as TMBG, is an American alternative rock band formed in 1982 by John Flansburgh and John Linnell. During TMBG's early years, Flansburgh and Linnell frequently performed as a musical duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo's current backing band consists of Marty Beller, Dan Miller and Danny Weinkauf. They have been credited as vital in the creation and growth of the prolific DIY music scene in Brooklyn in the mid-1980s.
Flood is the third studio album by Brooklyn-based alternative rock duo They Might Be Giants, released in January 1990. Flood was the duo's first album on the major label Elektra Records. It generated three singles: "Birdhouse in Your Soul", "Istanbul ", and the domestic promotional track "Twisting". The album is generally considered to be the band's definitive release, as it is their best-selling and most recognizable album. Despite minimal stylistic and instrumental differences from previous releases, Flood is distinguished by contributions from seasoned producers Clive Langer and Alan Winstanley. John Linnell and John Flansburgh also took advantage of new equipment and recording techniques, including unconventional, home-recorded samples, which were programmed through Casio FZ-1 synthesizers. The album was recorded in New York City at Skyline Studios, which was better equipped than studios the band had worked in previously.
John Sidney Linnell is an American musician and one half of the Brooklyn-based alternative rock band They Might Be Giants, with John Flansburgh, which was formed in 1982. In addition to singing and songwriting, he plays accordion, baritone and bass saxophone, clarinet, and keyboards for the group.
"Don't Let's Start" is a song by the alternative rock band They Might Be Giants, from their 1986 eponymous debut album. It was the first single released from the album, released as a maxi-single. The single peaked at number 94 on the Australian ARIA singles chart in 1988. It was re-released by Elektra in 1990 after the success of the band's third album, Flood.
They Might Be Giants, sometimes called The Pink Album, is the debut studio album from Brooklyn-based band They Might Be Giants. It was released by Bar/None in 1986. The album generated two singles, "Don't Let's Start" and "(She Was A) Hotel Detective". It is included on Then: The Earlier Years, a compilation of the band's early material, in its entirety, with the exception of "Don't Let's Start", which is replaced with the single mix for the compilation.
John Henry is the fifth studio album by American alternative rock group They Might Be Giants. It was released in 1994. It is the first album by They Might Be Giants to include a full band arrangement, rather than synthesized and programmed backing tracks. The album's name, a reference to the man versus machine fable of John Henry, is an allusion to the band's fundamental switch to more conventional instrumentation, especially the newly established use of a human drummer instead of a drum machine.
Lincoln is the second studio album by the band They Might Be Giants. It was released by Bar/None in 1988. The album is named after John Linnell and John Flansburgh's boyhood home of Lincoln, Massachusetts. The album produced three singles—"Ana Ng", "They'll Need a Crane", and "Purple Toupee". It is included on Then: The Earlier Years, a compilation of the band's early material, in its entirety.
Apollo 18 is the fourth studio album by American alternative rock duo They Might Be Giants. It was released in 1992 through Elektra Records and was named after the cancelled Apollo 18 mission that was scheduled to have followed Apollo 17. The album was also associated with International Space Year, for which They Might Be Giants were declared the official "musical ambassadors" by NASA.
Long Tall Weekend is the seventh studio album by American alternative rock duo They Might Be Giants, released in 1999. It was released exclusively online through the digital music service eMusic. The album was the band's first since their departure from the major label Elektra. Long Tall Weekend was also the first full-length album released exclusively on the Internet by an established major label band. Although the album's primary release was digital, CDs of the album were issued promotionally. Following the success of the album's release through eMusic, TMBG went on to issue a digital series of rarities collections — TMBG Unlimited — through their website.
Dial-A-Song: 20 Years Of They Might Be Giants is a 2002 compilation album by American alternative rock band They Might Be Giants, issued by Rhino Records and compiled by the band's co-singer/songwriter and guitarist John Flansburgh. Despite its name, the compilation does not include tracks from the band's "Dial-A-Song" service. It is instead an anthology of various single, album and live tracks from the band's history, spanning their full career up to the time of its release. It includes tracks from every album starting with 1986's They Might Be Giants up through No!, their first children's album, which was released only three months before this compilation.
Indestructible Object is the sixth EP by They Might Be Giants, released through Barsuk Records on April 6, 2004.
"Boss of Me" is a song by alternative rock band They Might Be Giants. The song is famously used as the opening theme song for the television show Malcolm in the Middle, and was released as the single from the soundtrack to the show. In 2002, "Boss of Me" won the band their first Grammy Award, in the category of Best Song Written for a Motion Picture, Television or Other Visual Media. The song was one of the band's most commercially successful singles and is one of their best-known songs. The song was originally written with the chorus "Who's gonna guess the dead guy in the envelope" for a contest presented by the Preston and Steve show during their Y-100 days.
"(She Was A) Hotel Detective" is a song and single by alternative rock band They Might Be Giants. It was released as a single on May 5, 1988, two years after the release of They Might Be Giants, the album on which it originally appeared. The "Hotel Detective" title has become a somewhat recurring theme for the band.
"Particle Man" is a song by alternative rock band They Might Be Giants, released and published in 1990. The song is the seventh track on the band's third album, Flood. It has become one of the band's most popular songs, despite never having been released as a single. John Linnell and John Flansburgh performed the song, backed by a metronome, for their 1990 Flood promotional video. Although it was released over a decade before the band began writing children's music, "Particle Man" is sometimes cited as a particularly youth-appropriate TMBG song, and a precursor to their first children's album, No!, which was not explicitly educational. The song is partially influenced by the theme of the 1967 Spider-Man TV series.
"I Palindrome I" is a song by American alternative rock duo They Might Be Giants. It was the second single from Apollo 18, released in 1992 by Elektra Records.
"The Statue Got Me High" is a song by American alternative rock band They Might Be Giants. The song was released as the lead single from the band's 1992 album, Apollo 18. The song reached number 24 on the Billboard Alternative Songs chart. The B-sides "I'm Def" and "Which Describes How You're Feeling" are both taken from the band's 1985 demo tape, which was recorded using low-quality equipment.
The following is a discography of They Might Be Giants (TMBG), an American alternative rock band comprising several artists including John Flansburgh, John Linnell, Marty Beller, Dan Miller, and Danny Weinkauf. The band's first release was the November 4, 1986 eponymously titled They Might Be Giants, but TMBG did not gain commercial success until their March 1990 single "Birdhouse in Your Soul" from the album Flood. "Birdhouse in Your Soul" reached #3 on the United States Modern Rock Tracks chart and #6 on the UK Singles Chart and remains their highest-charting single in both countries. Over the next two decades, They Might Be Giants released studio albums on a near-biennial fashion and currently have a total of 23 studio albums along with 11 live albums, 12 compilation albums, 15 extended plays and 30 singles.
Direct from Brooklyn is a compilation of music videos by American alternative rock group They Might Be Giants. It was released on VHS in 1999 and DVD in 2003. The title refers to the home of John Linnell and John Flansburgh, founding members of the band. Many of the music videos were filmed in Brooklyn and other parts of New York City.
"Can't Keep Johnny Down" is a song by American alternative rock band They Might Be Giants. The song was released as a promotional single from the band's 2011 album, Join Us. Like all the artwork surrounding the Join Us album, the cover art and labels for the disc were designed by the Office of Paul Sahre.
"Snail Shell" is a song by American alternative rock band They Might Be Giants. It was released on August 15, 1994 as the lead promotional single off of their fifth album, John Henry. It peaked at 19 on the Billboard Hot Modern Rock Tracks chart. This was a commercial disappointment for the band, as the song was perceived by the band as having the potential to be as successful as their breakthrough hit, Birdhouse in Your Soul. The day after the single's release, the group put out the E.P. Back to Skull, which features the song along with a version remixed by The Dust Brothers entitled "Snail Dust".