| I Like Fun | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January 19, 2018 | |||
| Recorded | April 2017 | |||
| Studio |
| |||
| Genre | Alternative rock | |||
| Length | 40:51 | |||
| Label | Idlewild | |||
| Producer | Pat Dillett, They Might Be Giants | |||
| They Might Be Giants chronology | ||||
| ||||
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 74/100 [1] |
| Review scores | |
| Source | Rating |
| AllMusic |    [2] |
| Paste | 8.9/10 [3] |
I Like Fun is the twentieth studio album from New York City-based alternative rock band They Might Be Giants, released on January 19, 2018.
The band began recording on April 3, 2017, [4] at Reservoir Studios (former site of Skyline Studios), [5] using the same studio space the band used to record Flood . [6] In October 2017, the band confirmed the album was scheduled to be released on January 19, 2018, along with the return of their Dial-A-Song service. [7]
The album's track listing was revealed on October 23, alongside an early download of the track "I Left My Body". [8]
Before the release of the full album, three songs—one with a music video—were uploaded to YouTube, with uploads to iTunes following shortly afterward. The songs were, in order of release, "I Left My Body", [9] "Last Wave" (December 1, 2017), [10] and "All Time What" (January 3, 2018), the latter of which featured a video. [11]
I Like Fun was available for pre-release streaming on January 11, 2018. [12] The album was released physically and digitally on January 19, 2018. [13]
After the release of the full album, as part of Dial-A-Song 2018, They Might Be Giants continued to release videos for all but three of the songs. A music video for the title track "I Like Fun" was created by Canadian artist Joren Cull. [14] [15]
All tracks are written by They Might Be Giants, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Let's Get This Over With" | 3:07 | |
| 2. | "I Left My Body" | 2:36 | |
| 3. | "All Time What" | 2:29 | |
| 4. | "By the Time You Get This" | 2:17 | |
| 5. | "An Insult to the Fact Checkers" | 2:34 | |
| 6. | "Mrs. Bluebeard" | 2:43 | |
| 7. | "I Like Fun" | 3:00 | |
| 8. | "Push Back the Hands" | 3:00 | |
| 9. | "This Microphone" | 2:36 | |
| 10. | "The Bright Side" | 2:29 | |
| 11. | "When the Lights Come On" | 3:17 | |
| 12. | "Lake Monsters" | 2:56 | |
| 13. | "McCafferty's Bib" | 2:35 | |
| 14. | "The Greatest" | They Might Be Giants, Christopher Albert Anderson | 1:48 |
| 15. | "Last Wave" | 3:24 | |
| Total length: | 40:51 | ||
Credits adapted from CD liner notes. [16]
They Might Be Giants
Additional musicians
Technical
| Chart (2018) | Peak position |
|---|---|
| US Billboard 200 [17] | 108 |
They Might Be Giants, often abbreviated as TMBG, is an American alternative rock band formed in 1982 by John Flansburgh and John Linnell. During TMBG's early years, Flansburgh and Linnell frequently performed as a musical duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo's current backing band consists of Marty Beller, Dan Miller and Danny Weinkauf. They have been credited as vital in the creation and growth of the prolific DIY music scene in Brooklyn in the mid-1980s.
Flood is the third studio album by Brooklyn-based alternative rock duo They Might Be Giants, released in January 1990. Flood was the duo's first album on the major label Elektra Records. It generated three singles: "Birdhouse in Your Soul", "Istanbul ", and the domestic promotional track "Twisting". The album is generally considered to be the band's definitive release, as it is their best-selling and most recognizable album. Despite minimal stylistic and instrumental differences from previous releases, Flood is distinguished by contributions from seasoned producers Clive Langer and Alan Winstanley. John Linnell and John Flansburgh also took advantage of new equipment and recording techniques, including unconventional, home-recorded samples, which were programmed through Casio FZ-1 synthesizers. The album was recorded in New York City at Skyline Studios, which was better equipped than studios the band had worked in previously.
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