The album was the band's first on Elektra Records. Unlike the later two Elektra recordings, the band retained some of their country twang, making this another fan favorite.[10] Lyrically, the band's constant touring is evident in songs like "Barrier Reef" (with references to Chicago), "Broadway" (in New York City), and "Niteclub" (inspired, according to the band, by clubs in Cleveland, Ohio and Ann Arbor, Michigan).[citation needed] "Four Leaf Clover", re-recorded from the band's first album, Hitchhike To Rhome, is performed here as a duet with Exene Cervenka of the band X. "Big Brown Eyes" is also re-recorded, this time from the second album, Wreck Your Life.[11]
Rhett has clarified that, although his name is Stewart Ransom Miller (The Second), the song "Barrier Reef" is not really autobiographical.[12] Stewart Ransom Miller is technically Rhett's father, who apparently is sometimes asked "are you the Stewart Ransom Miller?" and answers "yes, but I think you may have me confused with my son." Instead, it's "the guy in that song, the guy who gets laid and finds himself unsurprised at how little solace there is in the coupling."
"Broadway" was written while Miller was in a hotel room in New York City during their courtship with Elektra Records [13] Miller felt very out of place, saying "As I stood in that tiny room, I did the math. I could live for a month in my East Dallas garage apartment for the amount of money Elektra was paying per night at the Paramount Hotel. Granted, my accommodations in Dallas were humble to say the least, but this was some serious opulence. If you ever wonder why the old "major label" business model failed, look no further than the money lavished on our little Texas rock band by the dozen or so labels that wooed us that summer. Ridiculous."
Miller used the biblical name "Salome" to "protect the, well, not-so-innocent... castigating female."[14] Miller came to visit his female acquaintance and found no answer at her door. He "retrieved an inflatable pool float", then fell asleep at her doorstep. He awoke to male and female laughter, kicked in her door, put his hand around the man's throat, and then decided to leave.
The title of "Melt Show" comes from the band Melt which had one of Miller's best friends, Clark Vogeler as a member (now part of the Toadies).[15] Miller says "I spent many a night in the front row at the Melt show." The song is specifically about a Cuban girl from Miami that Miller fell in love with, proposed to, realized his mistake, and eventually parted ways with.
The line, "I'm calling Time And Temperature just for some company" in the song "Big Brown Eyes" refers to calling the time and temperature line.[16] Rhett says: "the phone in our kitchen had a twenty-five foot cord that stretched throughout the upstairs of the garage. Not only was this before cell phones, it was before the ubiquity of the cordless land line. That phone, with its unending silence, mocked me. I still remember dialing 844 and then any four numbers in order to discover the time and temperature. The internet has since rendered such a service laughably archaic. At the time, though, the voice at the other end of that number soothed me in a way I can't quite explain. She was a constant in a mad, quickly changing world. And when I called, she would always answer."
"Just Like California" is, according to Miller, "a simple fantasy about being in love with a girl named Clementine who lived in California until the San Andreas Fault gave way, dropping the whole state into the Pacific Ocean."[17]
"Curtain Calls" was written while Miller was visiting his brother in Breckenridge, Colorado in 1996 with his sister.[18] Miller went out to a local nightclub and came home "feeling lonely." He felt: "so many people, so much mirth, and yet, in the end, we are all alone." He said that "like many songs I was writing at the time, it dealt with the allure of the itinerant life of a musician, the life onto which I was embarking, and the strong ambivalence I felt about it."
When writing "Niteclub", Miller "was living with a young woman who was poised and destined to move to New York City to pursue her dream. And then she did move. And the fuel that her departure provided my young songwriting machine burned hot indeed. I remember writing this song, or its lyrics anyway, in a phone booth in a nightclub in Cleveland. It was her 22nd birthday, and I was not with her. But I was where I was meant to be."[19] Miller has observed the irony of the lyrics: "the nightclub did steal my youth. And the nightclub does follow me around, unchanging and eternal. And while I'm busy loving my job, I'm also lamenting the life it precludes. You know, the normal life? The 9 to 5?"
Miller wrote "House That Used to Be" around 3am while feeling lonely in his "two bedroom house a block off of White Rock Lake." He wrote it with the assistance of a Rhyming Dictionary. "I gave myself a challenge: make a list of rhyming, two-syallable words, compound words or phrases that sounded juicy and turn that list into a song. 'Graveyard/Co-starred,' 'Corn silk/Spilt milk,' 'Quaaludes/Corkscrewed' etc..."[20]
"Four Leaf Clover" was originally recorded on Hitchhike To Rhome, the first Old 97's album. Rhett was searching for a duet to record with friend Exene Cervenka and "had started work on an old-fashioned duet that I thought we might sing, but Exene proclaimed it 'too pretty'."[21] That song later became "Fireflies." Instead, Exene sang on "Four Leaf Clover", replacing the lyric "nothing to impress you" with "nothing to attract you" which Rhett found "much sexier."
Track listing
All songs written by Rhett Miller, Ken Bethea, Murry Hammond and Philip Peeples.
For the album's fifteenth anniversary in 2012, Omnivore Recordings released an expanded two-disc version of Too Far to Care.[22] The first disc is a re-issue of the original recording with four bonus tracks entitled Too Far to Care: Expanded Edition:
X is an American punk rock band formed in Los Angeles. The original members are vocalist Exene Cervenka, vocalist-bassist John Doe, guitarist Billy Zoom and drummer D. J. Bonebrake. The band released seven studio albums from 1980 to 1993. After a period of inactivity during the mid-to-late 1990s, X reunited in the early 2000s and continued to tour. In June 2024, X announced a final album and farewell tour.
Old 97's is an American rock band from Dallas, Texas. Formed in 1992, they have released thirteen studio albums, two full extended plays, shared split duty on another, and they have one live album. Their most recent release is titled American Primitive.
Exene Cervenka is an American singer, artist, and poet. She is best known for her work as a singer in the California punk rock band X.
Fight Songs is the fourth studio album by American alternative country band Old 97's, first released on April 27, 1999. It features the song "Murder ", which was ranked #176 on Blender magazine's list of "500 Greatest Songs From 1980-2005."
Stewart Ransom "Rhett" Miller II is the lead singer of the alternative country rock band Old 97's. He also records and performs as a solo musician, and has been published as a writer of both fiction and non-fiction.
Under the Big Black Sun is the third studio album by American rock band X, and their major-label debut. It was released on Elektra Records in July 1982 and reissued on Rhino Records in 2001 with bonus tracks. It was re-released in its original format by Fat Possum Records in 2018.
More Fun in the New World is the fourth studio album by American rock band X, released in 1983 by Elektra Records. It was reissued with four bonus tracks by Rhino Records in 2002 and was the final X album produced by Ray Manzarek. The band supported the album with a North American tour.
Ain't Love Grand is the fifth studio album by American rock band X, released in July 1985 by Elektra Records. The album was their first not produced by Ray Manzarek. It was reissued with four bonus tracks by Rhino Records in 2002. The album included the minor radio hit "Burning House of Love", which the band performed on American Bandstand in September 1985, their largest television exposure to date. The album also includes a cover of the Small Faces song "All or Nothing". Lead guitarist Billy Zoom left the band after this album but he later returned to the group in 1998 during a tour and the original line-up released their next full-length studio album in 2020 with Alphabetland.
Live at the Whisky a Go-Go on the Fabulous Sunset Strip is the seventh album and first live album by American rock band X, released April 29, 1988 by Elektra Records. The album was recorded on December 13, 15 and 16 in 1987 at the Whisky a Go Go nightclub in West Hollywood, California, United States.
Hitchhike to Rhome is the first studio album by American country/rock band Old 97's, released in 1994. The title comes from the song "Stoned", and refers to Rhome, Texas.
Wreck Your Life is the second studio album by American country/rock band Old 97's, first released on October 3, 1995. The album's title comes from a Texas Department of Transportation bumper sticker with the slogan, "Don't Wreck Your Life". Drummer Philip Peeples removed the first word and applied the sticker to the band's touring van.
Satellite Rides is the fifth studio album by American country/rock band Old 97's, first released in the second quarter of 2001. Though track 9, "Weightless", refers to outer space while the chorus croons "ride on, ride on" to an unspecified audience, the album's title does not appear in the lyrics but was later used for the song "In The Satellite Rides A Star" on the band's follow-up album, 2004's Drag It Up.
The Instigator is the second studio album by American country/rock band performer, Rhett Miller, lead singer of the Old 97's. Miller's first album came more than a decade earlier. Miller is joined by idol Robyn Hitchcock on "Point Shirley" and the album's title comes from the song "The El."
Hit By A Train: The Best of Old 97's is a best-of compilation album by American country/rock band Old 97's, first released on June 20, 2006.
X – Live in Los Angeles is a live album by American rock band X released May 10, 2005, by Shout! Factory on compact disc and DVD. The concert was recorded on Thanksgiving 2004 as a tribute to the 25th anniversary of their debut album, Los Angeles. DVD bonus features included acoustic duets by Exene Cervenka and John Doe on "See How We Are" and "True Love" and a photo gallery from Billy Zoom.
The Grand Theatre, Volume One is the title of the eighth studio album from alternative country/rock band the Old 97's, released on October 12, 2010. The band took up a week-long residency at Sons of Hermann Hall in Dallas, Texas, simulating the concert experience to test out new material. The songs which the band felt worked were then taken to Treefort Studios in Austin, Texas, for proper recording. Over two dozen songs were recorded during these sessions. The remaining material was released as The Grand Theatre, Volume Two in 2011.
The Modern Sounds of the Knitters is the second album by The Knitters, released in 2005. It has received mixed critical reviews.
Skating Polly is an American rock band formed in Oklahoma City, Oklahoma, United States, in 2009. The band was founded by multi-instrumentalist step-siblings Kelli Drew Mayo and Peyton Mckenna Bighorse, who were 9 and 14 years old respectively. Kelli's brother Kurtis Lee Mayo joined the band on drums in 2017 so that Peyton and Kelli could focus on guitar and bass respectively. The band is noted for their alternating instruments among each member, poetic lyrics, intense live shows, melodic arrangements, and an eclectic array of songs that vary in style from riot grrrl to grunge to piano-based indie pop.
Old 97's & Waylon Jennings is an EP consisting of 1996 demo recordings by American country/rock band Old 97's and two unreleased duets with country music legend Waylon Jennings. It was released on October 1, 2013 by Omnivore Recordings.
"Destroying Angels" is a 2018 stand-alone single released by alternative rock band Garbage with John Doe and Exene Cervenka of the American punk rock band X. The song was written and recorded for 2018's Black Friday Record Store Day event in North America, with a digital release worldwide the following year.
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