Too Much Weekend | ||||
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Studio album by | ||||
Released | July 27, 1992 | |||
Studio | KALA Studios (Atlanta, GA) | |||
Genre | Blues | |||
Length | 39:20 | |||
Label | Ichiban | |||
Producer | Gary B.B. Coleman | |||
Gary B.B. Coleman chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Virgin Encyclopedia of the Blues | [2] |
Too Much Weekend is a studio album by American bluesman Gary B.B. Coleman. [3] The album was released on July 27, 1992 by Ichiban Records label. [4] This is his seventh and final album for Ichiban. [5] Too Much Weekend was re-released on CD on December 13, 2010.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Too Much Weekend" | Coleman | 6:10 |
2. | "The Elk Slide" | Coleman | 4:04 |
3. | "The Sky Is Crying" | Elmore James | 9:06 |
4. | "Uncle Bud" | Coleman | 3:52 |
5. | "Welfare Cadillac" | Guy Drake | 5:56 |
6. | "Crosscut Saw" | R.G. Ford | 6:02 |
7. | "Neckbone" | Coleman | 4:10 |
Total length: | 39:20 |
The Rutles were a rock band that performed visual and aural pastiches and parodies of the Beatles. This originally fictional band, created by Eric Idle and Neil Innes for a sketch in Idle's mid-1970s BBC television comedy series Rutland Weekend Television, later toured and recorded, releasing two studio albums and garnering two UK chart hits. The band toured again from 2002 until Innes' death in 2019.
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Spandau Ballet were an English pop band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.
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Singin' the Blues is the first LP album by American bluesman B.B. King, released in 1957 by the Bihari brothers on their Crown budget label. It is a compilation album whose songs were issued between 1951 and 1956 on singles by RPM Records and most had reached the Top 10 on Billboard's Race/R&B singles charts. King continued to perform and record several of the songs throughout his career, such as "Every Day I Have the Blues", "Woke Up This Morning", and "Sweet Little Angel".
Ichiban Records was an American independent record label, founded in 1985 by John Abbey and Nina Easton in Atlanta, Georgia, United States.
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Nothin' but the Blues is a debut studio album by American blues musician Gary B. B. Coleman. The album was initially released by Coleman via his own Mister B.s Records label in 1986 and re-released in 1987 by Ichiban Records label to positive critical reviews.
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