Topsy Tjulyata

Last updated

Topsy Tjulyata
Born1931 (age 9293)
NationalityAustralian
Occupation(s)Sculptor, craftswoman, painter
Years active1980–present
OrganizationMaṟuku Arts
Style Pokerwork, Western Desert art
Spouse Walter Pukutiwara
Children Rene Kulitja

Topsy Tjulyata is an Aboriginal artist from central Australia. She makes wooden objects, known in Western Desert languages as puṉu. She makes these by carving the wood and then engraving patterns (walka) into its surface with a burning wire. [1] [2] This technique is called pokerwork. The wood she uses is sourced locally from the area around Uluṟu, where she lives. She makes both decorative sculptures and traditional tools. The patterns engraved into the objects depict Tjukurpa, spiritual stories about creation ancestors from the Dreamtime.

Contents

Early life and education

Topsy began working in arts and crafts at Ernabella in the late 1940s. She specialised in wood carving. [1] While she was living there, she married Walter Pukutiwara, a shepherd who also crafted tools. They later moved to Amaṯa.

Artwork and career

In 1981, Topsy and Walter went to Uluṟu and set up a tent at the base of Uluṟu. From there they sold their puṉu works to tourists for over two weeks. [3] They did this trip with other artists from Amaṯa, including Pulya Taylor and Tony Tjamiwa, and their friends Peter Yates and Pat D'Arango. [4] In 1983, this group travelled around to artist communities in the Aṉangu Pitjantjatjara Yankunytjatjara Lands. This was to discuss the idea of setting up a new craft centre at Uluṟu that would sell artworks from around the region to tourists. The couple moved to Muṯitjulu so that they could help set up Maṟuku Arts. [5] [6] Topsy and Water were some of the first artists for the centre, [5] and worked together closely until Walter's death in 2004. Topsy is still a member of the organisation's Governing Committee. [1] [7]

Notable collections

A collection of wooden bowls made by Topsy are held in the National Gallery of Australia. The patterns engraved on the surfaces depict stories about the Seven Sisters. [2] Both the Powerhouse Museum and the National Museum of Australia contain examples of Topsy's sculptures. The sculptures are of Wati Ngiṉṯaka, the perentie man. [1] [8]

Related Research Articles

<span class="mw-page-title-main">Uluṟu-Kata Tjuṯa National Park</span> Protected area in the Northern Territory, Australia

Uluṟu-Kata Tjuṯa National Park is a protected area in the Northern Territory of Australia. The park is home to both Uluru and Kata Tjuta. It is located 1,943 kilometres (1,207 mi) south of Darwin by road and 440 kilometres (270 mi) south-west of Alice Springs along the Stuart and Lasseter Highways. The park covers 1,326 square kilometres (512 sq mi) and includes the features it is named after: Uluru and, 40 kilometres (25 mi) to its west, Kata Tjuta. The location is listed as a UNESCO World Heritage Site for natural and cultural landscape.

<span class="mw-page-title-main">Indigenous Australian art</span> Art made by Aboriginal and Torres Strait Islander peoples of Australia

Indigenous Australian art includes art made by Aboriginal Australians and Torres Strait Islanders, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sandpainting; art by Indigenous Australians that pre-dates European colonisation by thousands of years, up to the present day.

<span class="mw-page-title-main">Pitjantjatjara</span> Aboriginal people of Central Australia

The Pitjantjatjara are an Aboriginal people of the Central Australian desert near Uluru. They are closely related to the Yankunytjatjara and Ngaanyatjarra and their languages are, to a large extent, mutually intelligible.

Minyma Kutjara Arts Project formerly Irrunytju Arts, is an Aboriginal Australian art centre based in the community of Irrunytju (Wingellina), Western Australia.

Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.

<span class="mw-page-title-main">Chen Clan Ancestral Hall</span> Former academic temple in Guangzhou, China

The Chen Clan Ancestral Hall or Chen Clan Academy is an academic temple in Guangzhou, China, built by the 72 Chen clans for their juniors' accommodation and preparation for the imperial examinations in 1894 during the Qing dynasty. Later it was changed to be the Chen Clan's Industry College, and then middle schools afterward. Now it houses the Guangdong Folk Art Museum.

Wood carving is a common art form in the Cook Islands. Sculpture in stone is much rarer although there are some excellent carvings in basalt by Mike Tavioni. The proximity of islands in the southern group helped produce a homogeneous style of carving but which had special developments in each island. Rarotonga is known for its fisherman's gods and staff-gods, Atiu for its wooden seats, Mitiaro, Mauke and Atiu for mace and slab gods and Mangaia for its ceremonial adzes. Most of the original wood carvings were either spirited away by early European collectors or were burned in large numbers by missionary zealots.

<span class="mw-page-title-main">Rene Kulitja</span>

Rene Kulitja, also known as Wanuny Kulitja, is an Aboriginal Australian artist. She works with a range of media, including paint, glass and ceramics. Her most famous design is probably Yananyi Dreaming, which covers a Qantas Boeing 737.

Tjayanka Woods is an Australian Aboriginal artist. She was one of the pioneers of the art movement across the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara lands, which began in 2000. She is best known for her paintings, but also a craftswoman who makes baskets and other woven artworks. Her paintings are held in the Art Gallery of Western Australia, National Gallery of Victoria, and the National Gallery of Australia.

Hector Tjupuru Burton was an Australian Aboriginal artist. He is a leading artist from Amaṯa, in north-western South Australia. His work has been shown in exhibitions since 2003, in several cities in Australia and other countries. His first solo exhibition was held in 2004 in Melbourne. Examples of his paintings are held in the National Gallery of Victoria, the Art Gallery of South Australia, the Art Gallery of New South Wales, and Flinders University.

Walter Pukutiwara was an Aboriginal artist from central Australia.

Pulya Taylor is an Aboriginal artist from central Australia. She makes wooden objects, known in the Western Desert as puṉu. She makes these by carving the wood and then engraving patterns into its surface with a burning wire. This technique is called pokerwork. The wood she uses is sourced locally from the area around Uluṟu, where she lives.

Ruby Tjangawa Williamson was a Pitjantjatjara artist from Amaṯa, in central Australia. She made acrylic paintings and traditional wood carvings, and was one of the most successful artists from the region. Her paintings have attracted critical acclaim for her unusually modern style. Ruby painted sacred stories from the Dreamtime that have morals or lessons from her people's traditional law. She used the typical style of the Western Desert, but the techniques and imagery were more modern. Her style is said to be experimental.

<span class="mw-page-title-main">Michelle Holzapfel</span>

Michelle Holzapfel is an American woodturner and a participant in the American Craft movement. She has five decades of experience turning and carving native hardwoods in Marlboro, Vermont, where she has lived her adult life. Holzapfel fits the definitions of both Studio artist and Material movement artist. A product of the revolutionary back-to-the-earth movement of 1960s and 1970s, she attributes the expressiveness of her turned and carved forms to the idealism of those years. Raised in rural Rhode Island, she has worked alone in her Vermont studio—shared only with her husband, the furniture maker and educator David Holzapfel—since 1976. Her wood pieces which feature intricate carvings have been exhibited in museums and galleries in the U.S., Australia and Europe. Publications featuring her work include but are not limited to House Beautiful, American Craft, Woodworking, and Fine Woodworking.

<span class="mw-page-title-main">Mabel Pakenham-Walsh</span> English painter

Mabel Pakenham-Walsh was a British painter, sculptor and designer, and pioneering female artist in post-war European figurative art. She worked in many mediums, but is particularly well known for her colourful wooden relief sculptures. Her work was significantly influenced by primitive and outsider art, and created primarily from recycled materials, earning her recognition as an early eco artist.

Imiyari "Yilpi" Adamson is an Aboriginal artist from central Australia. She is known for her work in a range of art forms, including painting, sculpture, weaving, knitting and batik.

Angkuna Kulyuru is an Aboriginal Australian artist. She is perhaps best known for her batik and printing works. She also does weaving, basketry, and carved wooden sculptures. Her batik designs display the fluid, abstract style that is distinctive in Ernabella Arts. There are no specific meanings to her designs, but they are inspired by the natural environment.

Billy Wara was an Australian Aboriginal craftsman who made wooden sculptures. He is best known for his sculptures of goannas, made from wood that is native to the central Australian desert. His sculptures were carved by hand and decorated by burning patterns into the wood. He also crafted traditional hunting tools, such as spears and spear-throwers.

<span class="mw-page-title-main">Rachel Reckitt</span> British wood engraver and sculptor

Rachel Reckitt (1908–1995) was a British artist, who in a long career worked as a wood engraver, as a sculptor and as a designer of wrought iron work. Her output included book illustrations, tombstones, church sculptures and pub signs.

<span class="mw-page-title-main">Bryant Fedden</span> Letter cutter and sculptor

Bryant Olcher Fedden was a self-taught letter-cutter, glass engraver and sculptor who developed his craft in a workshop environment with craftspeople whom he taught and supported. He was a member of the Gloucestershire Guild of Craftsmen for more than forty years. He was a founder member of the Letter Exchange, a professional organisation promoting lettering in all its forms. Bryant Fedden has work in the Victoria and Albert Museum Collections.

References

  1. 1 2 3 4 "2004/15/3 Carved animal, 'Ngintaka' (goanna)". Powerhouse Museum, Australia. Retrieved 14 January 2013.
  2. 1 2 "Tjulyata, Topsy". Collection Online. National Gallery of Australia. Retrieved 14 January 2013.
  3. "From a speech by the Member for Stuart, Dr Peter Toyne, MLA" (PDF). Hansard of the 9th Assembly of the Northern Territory Government. 1 December 2004. Retrieved 14 January 2013.
  4. Tim Acker; John Carty, eds. (2012). Ngaanyatjarra: Art of the Lands. Sussex Academic Press. p. 141. ISBN   9781742583914.
  5. 1 2 Wells, Kathryn (February 2011). "Clive Scollay, Maruku Arts, Punu work: history, tradition and innovation, interview". Craft Australia. Retrieved 13 January 2013.
  6. Hodge, Su; James, Judith; Lawson, Amanda (September 1998). "Miles ahead: marketing that works in regional Australia" (PDF). Australia Council. p. 40.{{cite web}}: CS1 maint: multiple names: authors list (link)
  7. Finnane, Kieran (27 October 1999). "Bucks and bouquets: centre's art goes overseas". Alice Springs News.
  8. "Works by Topsy Tjulyata". Collection Online. National Museum of Australia. Retrieved 14 January 2013.
This article includes text from the Powerhouse Museum, Australia, which has been licensed under CC BY-SA.