Related Research Articles
The Art Workers' Guild is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of William Morris and the Arts and Crafts movement. The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art. It opposed the professionalisation of architecture – which was promoted by the Royal Institute of British Architects at this time – in the belief that this would inhibit design. In his 1998 book, Introduction to Victorian Style, University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".
John Birnie Philip was a nineteenth-century English sculptor. Much of his work was carried out for the architect Sir George Gilbert Scott.
Edward Carter Preston was an English artist, renowned as a sculptor and medallist.
Walter Marsden (1882–1969) was an English sculptor born in Lancashire. He saw active service in the First World War and was awarded the Military Cross. After the war, like many other sculptors who were also ex-servicemen, he carried out sculptural work on war memorials. Most of these were erected in Lancashire.
Vernon Hill (1887–1972), born in Halifax, Yorkshire, England, was a sculptor, lithographer, illustrator and draughtsman.
Ferdinand Victor Blundstone (1882–1951) was a Swiss-born sculptor who worked in England. His father was Charles Blundstone, an India rubber merchant who was born in Manchester, England. He studied at the South London Technical Art School and Royal Academy Schools.
Radnor Walk is a residential street in the Royal Borough of Kensington & Chelsea off the King's Road in London. The houses are mid and late Victorian and the street is part of the Royal Hospital Conservation Area. It was originally called Radnor Street, and was named after John Robartes, 1st Earl of Radnor who died in Chelsea in 1685. It was renamed Radnor Walk in 1937.
William Robert Colton was a British sculptor. After completing his studies in London and Paris, Colton established himself with solid, career-long business relationships, secured admission to exhibitions at the Royal Academy and the Salon in Paris. His works included commissions for busts, statues and war memorials. His clientele included royalty in England and India.
Alfred Turner was an English sculptor notable for several large public monuments. These included statues of Queen Victoria, works in the Fishmonger's Hall in London and several war memorials, both in the Britiah Isles and abroad.
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951 is an online database of sculptors and their works. It is the result of a three-year research programme, funded by the Arts and Humanities Research Council and the British Academy. The project was a partnership between University of Glasgow, the Victoria and Albert Museum and the Henry Moore Institute, with systems development being carried out by the Humanities Advanced Technology and Information Institute.
Hermann Nonnenmacher (1892–1988) was a sculptor, painter and teacher, born in Coburg, Germany, who later lived in London.
The Black Lion is a Grade II* listed public house at 274 Kilburn High Road, Kilburn, London.
Frederick Thomas Callcott was a British sculptor and artist.
Robert Alexander Lewcock (1846–1932) was a British architect.
Charles Leighfield Jonah Doman FRBS was a sculptor from Nottingham.
The West London School of Art founded in either 1861 or 1862 as the Marylebone and West London School of Art, was an educational establishment in London, England. The school worked with the Science and Art Department in South Kensington and offered lessons including architectural and life drawing.
The Parlanti Foundry was an art bronze foundry located at the Albion Works, 59 Parsons Green Lane in Parsons Green, London, and was in operation from 1895 until 1917.
Alice Lindley-Millican (1885–1930) was a British sculptor known for her figurative works.
M. Lilian Simpson (c.1871–1897) was a British sculptor.
References
- 1 2 3 Settlement and building: Artists and Chelsea. A History of the County of Middlesex. Vol. 12. 2004. pp. 102–106. Retrieved 23 January 2014.
- ↑ "278 Kings Road Chelsea, Manresa Road: 1882 by Edward Lingwood". Museum of London . Retrieved 23 January 2014.
- ↑ "2 Trafalgar Studios, Manresa Road, Chelsea F.C., London SW3, England , University of Glasgow History of Art and HATII, online database 2011". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art and HATII. Retrieved 23 January 2014.
- ↑ "S&SWM PR papers L201 – L400". Pitt Rivers Museum. 2013. Retrieved 22 January 2014.
- ↑ Barrow, A. (2011). Quentin and Philip: A Double Portrait. Pan Macmillan. ISBN 9781447210238 . Retrieved 13 August 2015.
- 1 2 3 4 "11 Trafalgar Studios, Manresa Road, Chelsea F.C., London SW3, England , University of Glasgow History of Art and HATII, online database 2011". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art and HATII. Retrieved 23 January 2014.
- ↑ "11–12 Trafalgar Studios, Manresa Road, Chelsea F.C., London SW3, England , University of Glasgow History of Art and HATII, online database 2011". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art and HATII. Retrieved 23 January 2014.
- 1 2 3 "12 Trafalgar Studios, Manresa Road, Chelsea F.C., London SW3, England , University of Glasgow History of Art and HATII, online database 2011". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art and HATII. Retrieved 23 January 2014.
- ↑ Address given on 15 May 1902 at marriage to Mary Linton
- ↑ "London, England, Church of England Marriages and Banns, 1754-1931". Ancestry. Ancestry Information Operations Unlimited Company. Retrieved 4 December 2017.
- 1 2 Craig, E.G.; Kessler, H.; Newman, L.M.; Modern Humanities Research Association (1995). The Correspondence of Edward Gordon Craig and Count Harry Kessler, 1903–1937. W.S. Maney for the Modern Humanities Research Association and the Institute of Germanic Studies, University of London. p. 24. ISBN 9780901286598 . Retrieved 13 August 2015.
- 1 2 3 "14 Trafalgar Studios, Manresa Road, Chelsea F.C., London SW3, England, University of Glasgow History of Art and HATII, online database 2011". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art and HATII. Retrieved 23 January 2014.
- ↑ Horner, L.; Naylor, G. (2007). Frank Brangwyn 1867–1956. Leeds Museums and Galleries. p. 34. ISBN 9780901981738 . Retrieved 13 August 2015.
- 1 2 "15 Trafalgar Studios, Manresa Road, Chelsea F.C., London SW3, England, University of Glasgow History of Art and HATII, online database 2011". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art and HATII. Retrieved 23 January 2014.
- ↑ "16 Trafalgar Studios, Manresa Road, Chelsea F.C., London SW3, England, University of Glasgow History of Art and HATII, online database 2011". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art and HATII. Retrieved 23 January 2014.
- ↑ Peake, C. (2011). Under a Canvas Sky: Living Outside Gormenghast. Little, Brown Book Group. ISBN 9781849017473 . Retrieved 13 August 2015.
- ↑ De Morgan, Evelyn (1996). Evelyn de Morgan : oil paintings. Catherine Gordon, Andrew Michael, Judy Oberhausen, Patricia Yates, Russell-Cotes Art Gallery and Museum. London: De Morgan Foundation. p. 11. ISBN 0-9528141-0-2. OCLC 36021039.
