Transformation is a short story written by Mary Shelley and first published in 1831 for The Keepsake . Guido, the narrator, tells the story of his encounter with a strange, misshapen creature when he was a young man living in Genoa, Italy, around the turn of the fifteenth century. He makes a deal with the creature to exchange bodies, but the creature does not reappear at the appointed time to take his own body back. Guido discovers that the creature is pretending to be him, kills it and therefore 'himself', and eventually awakens in his own body.
Guido il Cortese describes how he is sometimes compelled to tell the story of a strange encounter he had with a mysterious creature many years before, when Guido was a young man living in Genoa, Italy. In those days, Guido says, he was reckless and profligate, determined to live a life of pleasure, especially after his father's death left him the master of his family fortune. He became engaged to his childhood playmate Juliet, the beautiful and virtuous daughter of his father's lifelong friend Torella. But before they married, Guido journeyed to Paris, where he squandered his family fortune. Paris was a place of dissipation at this time, during the reign of Charles VI, but the political turmoil that followed the murder of the Duke of Orleans changed this. Guido returned to Genoa, to Torella's house and to Juliet, but Torella told him that by squandering his family fortune, Guido had voided the contract of marriage. Torella, who viewed Guido as a son, offered to settle a fortune on him on the condition that he adhere to certain restrictions. Guido refused to be controlled in this way and left Torella's villa. He attempted to abduct Juliet twice, once with her father, but was unsuccessful. After the second attempt, Guido was banished from Genoa and refused Torella's offers of help.
Guido was penniless and alone, and wandered along the seashore in despair. He imagined his revenge on Torella and the people of Genoa, but knew he was completely powerless without fortune. Suddenly, a storm appeared over the water, and Guido watched in horror as a ship was wrecked on the nearby rocks. He could hear the sailors' agony but was powerless to help them. But he saw a strange figure floating to shore, and discovered it to be a misshapen creature—possibly human—riding on a chest.
The creature reached the shore and frightened Guido with his blasphemy and horrible appearance. Guido told him a little of his story, and the creature encouraged him to take revenge. When Guido lamented that his lack of wealth prevented this, the creature offered a deal: he would have Guido's body for three days in exchange for the chest he was riding, which was full of treasure. Guido would inhabit the creature's body in the meantime, and would be supplied with food and water while he waited for the creature to return. Guido was horrified, but tempted by the promise of wealth, and agreed. The creature performed the necessary ritual, which included the exchange of blood, and Guido lost consciousness. When he awoke, he was in the body of the creature. He immediately regretted his avarice, but decided to wait the three days for the creature to return. The three days passed, but the creature did not return, and after waiting three more days in despair, Guido in desperation decided to pursue him back to Genoa. He did this with great difficulty in the strange body, travelling at night to avoid being seen. He eventually arrived at Torella's villa, only to discover that the impostor had assumed Guido's rightful place in Torella's family and would shortly be married to Juliet. Enraged, and fearing for Juliet if the marriage were to take place, Guido attacked the creature. They were both severely wounded in the fight, the creature fatally. Guido awakened in his own body once again, and once he recovered, he and Juliet were married. They lived a long, happy life together, but Guido never fully recovers from his injuries, and is haunted by his memory of the encounter with the strange creature.
"Transformation" was first published in The Keepsake for 1831, a British literary annual. It was accompanied by an engraving called Juliet, from a painting by Louisa Sharpe (attributed to "Miss Sharpe"), engraved by J. C. Edwards. [1] It has been collected in several anthologies since. [2]
"Transformation" is one of several Gothic tales that Mary Shelley published in The Keepsake . Others include "Ferdinando Eboli" (1829), "The Evil Eye" (1830), "The Invisible Girl" (1832), "The Dream" (1833), and "The Mortal Immortal" (1834). Like "Ferdinando Eboli" and Shelley's novel Frankenstein , "Transformation" explores the Gothic motif of the double, or doppelgänger. This motif is common in nineteenth-century Gothic fiction, including, for example, James Hogg's The Private Memoirs and Confessions of a Justified Sinner (1824), Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Oscar Wilde's The Picture of Dorian Gray (1890).
"Transformation" may have been influenced by Lord Byron's unfinished drama The Deformed Transformed (1824), which Mary Shelley transcribed between 1822 and 1823. [2]
In terms of form, "Transformation" is a variation on the Gothic fragment, exemplified by Anna Letitia Aiken's "Sir Bertrand: A Fragment" (1773). Although it is often categorized as a short story, that form was not named until the 1880s in Britain. [3] It is more accurately classified as a Gothic tale, a story about an experience of the strange or supernatural, often narrated in the first or third person. [2] [3]
John William Polidori was a British writer and physician. He is known for his associations with the Romantic movement and credited by some as the creator of the vampire genre of fantasy fiction. His most successful work was the short story "The Vampyre" (1819), the first published modern vampire story. Although the story was at first erroneously credited to Lord Byron, both Byron and Polidori affirmed that the author was Polidori.
Frankenstein's monster or Frankenstein's creature, often referred to as simply "Frankenstein", is a fictional character who first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as the main antagonist. Shelley's title thus compares the monster's creator, Victor Frankenstein, to the mythological character Prometheus, who fashioned humans out of clay and gave them fire.
Mary Shelley's Frankenstein is a 1994 science fiction horror film directed by Kenneth Branagh who also stars as Victor Frankenstein, with Robert De Niro portraying Frankenstein's monster, and co-stars Tom Hulce, Helena Bonham Carter, Ian Holm, John Cleese, Richard Briers and Aidan Quinn. Considered the most faithful film adaptation of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus, despite several differences and additions in plot from the novel, the film follows a medical student named Victor Frankenstein who creates new life in the form of a monster composed of various corpses' body parts.
Victor Frankenstein is a fictional character and the main protagonist and title character in Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus. He is an Italian-Swiss scientist who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature. Victor later regrets meddling with nature through his creation, as he inadvertently endangers his own life and the lives of his family and friends when the creature seeks revenge against him. He is first introduced in the novel when he is seeking to catch the monster near the North Pole and is saved from near death by Robert Walton and his crew.
"The Outsider" is a short story by American horror writer H. P. Lovecraft. Written between March and August 1921, it was first published in Weird Tales, April 1926. In this work, a mysterious individual who has been living alone in a castle for as long as he can remember decides to break free in search of human contact and light. "The Outsider" is one of Lovecraft's most commonly reprinted works and is also one of the most popular stories ever to be published in Weird Tales.
Frankenstein: The True Story is a 1973 British television movie loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It was directed by Jack Smight, and the screenplay was written by novelist Christopher Isherwood and his longtime partner Don Bachardy.
Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the famous character of Frankenstein's monster, have influenced popular culture for at least a century. The work has inspired numerous films, television programs, video games and derivative works. The character of the Monster remains one of the most recognized icons in horror fiction.
This is a bibliography of works by Mary Shelley, the British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Until the 1970s, Mary Shelley was known mainly for her efforts to publish Percy Shelley's works and for Frankenstein. Recent scholarship has yielded a more comprehensive view of Mary Shelley’s achievements, however. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826), and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–46) support the growing view that Mary Shelley remained a political radical throughout her life. Mary Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and Enlightenment political theories.
Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.
St. Irvyne; or, The Rosicrucian: A Romance is a Gothic horror novel written by Percy Bysshe Shelley in 1810 and published by John Joseph Stockdale in December of that year, dated 1811, in London anonymously as "by a Gentleman of the University of Oxford" while the author was an undergraduate. The main character is Wolfstein, a solitary wanderer, who encounters Ginotti, an alchemist of the Rosicrucian or Rose Cross Order who seeks to impart the secret of immortality. The book was reprinted in 1822 by Stockdale and in 1840 in The Romancist and the Novelist's Library: The Best Works of the Best Authors, Vol. III, edited by William Hazlitt. The novella was a follow-up to Shelley's first prose work, Zastrozzi, published earlier in 1810. St. Irvyne was republished in 1986 by Oxford University Press as part of the World's Classics series along with Zastrozzi and in 2002 by Broadview Press.
The Keepsake was an English literary annual which ran from 1828 to 1857, published each Christmas from 1827 to 1856, for perusal during the year of the title. Like other literary annuals, The Keepsake was an anthology of short fiction, poetry, essays, and engraved illustrations. It was a gift book designed to appeal to young women, and was distinctive for its binding of scarlet dress silk and the quality of its illustrations. Although the literature in The Keepsake and other annuals is often regarded as second-rate, many of the contributors to The Keepsake are canonical authors of the Romantic period.
"The Mortal Immortal" is a short story from 1833 written by Mary Shelley. It tells the story of a man named Winzy, who drinks an elixir which makes him immortal. At first, immortality appears to promise him eternal tranquility. However, it soon becomes apparent that he is cursed to endure eternal psychological torture, as everything he loves dies around him.
Monster literature is a genre of literature that combines good and evil and intends to evoke a sensation of horror and terror in its readers by presenting the evil side in the form of a monster.
Mary Wollstonecraft Shelley was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction and one of her best-known works. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft.
Wolfstein; or, The Mysterious Bandit is an 1822 chapbook based on Percy Bysshe Shelley’s 1811 Gothic horror novel St. Irvyne; or, The Rosicrucian.
"The Evil Eye" is a piece of short fiction written by Mary Shelley and published in The Keepsake for 1830. The tale is set in Greece and is about a man known as Dmitri of the Evil Eye. Dmitri's wife was murdered and his daughter abducted many years before the story begins. Dmitri's friend Katusthius Ziani enlists him to help recover his rightful inheritance, and during their journey they abduct a boy whom Dmitri discovers to be his grandson.
"The Dream" is a Gothic tale written by Mary Shelley and first published in The Keepsake for 1832. Set in France around the turn of the seventeenth century, it is the story of a young woman named Constance who is in love with Gaspar, the son of her father's enemy. Because their fathers killed each other in battle, Constance feels she cannot marry Gaspar, even though he loves her too. She spends a night on St. Catherine's Couch, a ledge of rock overlooking a river, in the hope that St. Catherine will offer her guidance in her dreams. She does, and Constance and Gaspar are married the next day.
The Invisible Girl is a Gothic tale written by Mary Shelley and first published in The Keepsake for 1833. The tale is set in Wales, and tells the story of a young woman named Rosina, who lives with her guardian, Sir Peter Vernon, and is secretly engaged to his son, Henry. Henry is away from home when their relationship is discovered, and Sir Peter casts Rosina out of the house. Sir Peter regrets his harshness and searches for her, but assumes she is dead when she cannot be found. Henry returns home to the news of Rosina's death and is heartbroken. He joins the search for her body, and the villagers tell him about the Invisible Girl, a ghostly figure who wanders the woods at night. Henry finds Rosina hiding in a remote ruin and discovers that she is really the Invisible Girl. Sir Peter forgives them for their secret engagement, and they are married.
Ferdinando Eboli is a Gothic tale written by Mary Shelley and published in The Keepsake for 1829. It is set in Italy during the Napoleonic Wars and tells the story of an Italian man named Count Ferdinando Eboli whose identity is stolen by his illegitimate older brother.
Wolfstein, The Murderer; or, The Secrets of a Robber’s Cave is an 1850 chapbook based on Percy Bysshe Shelley’s 1811 Gothic horror novel St. Irvyne; or, The Rosicrucian.