Transitions | ||||
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Studio album by | ||||
Released | October 1983 | |||
Recorded | October 1983 | |||
Studio | Mastermind Sound Studios, New York | |||
Genre | Jazz | |||
Length | 35:12 | |||
Label | Concord Jazz | |||
Producer | Carl E. Jefferson | |||
Emily Remler chronology | ||||
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Transitions is the third studio album by jazz guitarist Emily Remler. She was accompanied by John D'earth on the trumpet and by bassist Eddie Gomez and drummer Bob Moses in the rhythm section.
In the liner notes of this album Leonard Feather gathered Emily Remler's opinion about her choice of this group of musicians for this recording. She said: "Basically this is a guitar trio with a horn added" and "This left me responsible for all the harmony in the accompaniment", explaining that "I'm describing the chord changes, with nobody else behind me, which is quite a responsibility — specially on my own tunes, which have hard changes. Also, I have to supply the harmonic aspects of the accompaniments to solos." [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Rolling Stone Jazz & Blues Album Guide | [4] |
For the AllMusic reviewer Scott Yanow "this is one of the strongest of the six Emily Remler Concord recordings" he stated that it "was a strong step forward, as she started to really get away from her early Wes Montgomery/Herb Ellis influence and find a voice of her own". [2]
Journalist Michael J. West wrote in JazzTimes that "Transitions" "marked an increasing focus on her own compositions and a step away from bebop conservatism." [5]
The authors of The Penguin Guide to Jazz Recordings praised Remler's "instinct for fine, unexplored melody," and remarked: "All round, it's a remarkable performance and contributes to one of the very best guitar jazz records of the decade." [6]
The Washington Post's Mike Joyce stated: "there's no piano... As a result, the harmonic responsibilities for the group... rest with Remler, and she meets the challenge head-on... Throughout, each of the musicians develops a distinctive voice, yet together they achieve a smooth, cohesive blend." [7]
No. | Title | Length |
---|---|---|
1. | "Nunca mais" (Emily Remler) | 4:56 |
2. | "Searchin'" (Duke Ellington-Steve Allen) | 6:08 |
3. | "Transitions" (Emily Remler) | 7:56 |
4. | "Del Sasser" (Sam Jones) | 6:44 |
5. | "Coral" (Keith Jarrett) | 6:07 |
6. | "Ode To Mali" (Emily Remler) | 4:41 |
"Hot House" is a bebop standard, composed by American jazz musician Tadd Dameron in 1945. Its harmonic structure is identical to Cole Porter's "What Is This Thing Called Love?". The tune was made famous by Dizzy Gillespie and Charlie Parker as a quintet arrangement and become synonymous with those musicians; "Hot House" became an anthem of the bebop movement in American jazz. The most famous and referred to recording of the tune is by Parker and Gillespie on the May 1953 live concert recording entitled Jazz at Massey Hall, after previously recording it for Savoy records in 1945 and at Carnegie Hall in 1947. The tune continues to be a favorite among jazz musicians and enthusiasts:
Emily Remler was an American jazz guitarist, active from the late 1970s until her death in 1990.
A Night at the "Village Vanguard" is a live album by American jazz saxophonist Sonny Rollins recorded at the Village Vanguard in New York City on November 3, 1957 and released on Blue Note the following year. Rollins played three sets, one in the afternoon and two in the evening, with different rhythm sections: Donald Bailey and Pete LaRoca, and Wilbur Ware and Elvin Jones, respectively.
Star People is a 1983 album recorded by Miles Davis and issued by Columbia Records. It is the second studio recording released after the trumpeter's six-year hiatus, the first to feature electric guitarist John Scofield, who was recommended by saxophonist Bill Evans, and the last to be produced by long-standing collaborator Teo Macero.
Whims of Chambers is a studio album by the Paul Chambers Sextet, recorded on September 21, 1956 and released on Blue Note circa January 1957. The sextet consists of trumpeter Donald Byrd, saxophonist John Coltrane, and rhythm section Kenny Burrell, Horace Silver, Chamber and ”Philly” Joe Jones.
John D'earth is an American post-bop/hard bop jazz trumpeter born in Framingham, Massachusetts, who has appeared on recordings by Dave Matthews and Bruce Hornsby as well as recording a number of CDs on his own. He currently resides in Charlottesville, Virginia.
Thinking of Home is an album by American jazz saxophonist Hank Mobley, recorded on July 31, 1970, but not released by Blue Note until 1980. The sextet features trumpeter Woody Shaw, pianist Cedar Walton, guitarist Eddie Diehl, bassist Mickey Bass, and drummer Leroy Williams. This was Mobley's 26th recording for Blue Note.
New Directions is an album by Jack DeJohnette, recorded in June 1978 and released on ECM later that year. The quartet features trumpeter Lester Bowie, guitarist John Abercrombie, and bassist Eddie Gomez.
Think All, Focus One is an album by Muhal Richard Abrams which was released on the Italian Black Saint label in 1995 and features performances of seven of Abrams' compositions by Abrams, Eddie Allen, David Gilmore, Eugene Ghee, Alfred Patterson, Brad Jones, and Reggie Nicholson.
In Europe is a live album by Jack DeJohnette and New Directions recorded in June 1979 and released on ECM September the following year. The quartet features trumpeter Lester Bowie, guitarist John Abercrombie, and bassist Eddie Gómez.
Jutta Hipp with Zoot Sims is an album by German jazz pianist Jutta Hipp recorded on July 28, 1956 and released on Blue Note the following year.
Firefly is the debut album by jazz guitarist Emily Remler. She was accompanied by pianist Hank Jones, bassist Bob Maize, and drummer Jake Hanna.
Old Friends, New Friends is an album by guitarist Ralph Towner, recorded in July 1979 and released on ECM Records in November of the same year. The quintet features trumpeter Kenny Wheeler, cellist David Darling, and rhythm section Eddie Gómez and Michael Di Pasqua.
A Genuine Tong Funeral is an album by vibraphonist Gary Burton featuring compositions by Carla Bley recorded in 1967 and released on the RCA label in 1968. It features Burton with Bley herself on keyboards and conducting an expanded ensemble consisting of trumpeter Michael Mantler, trombonist Jimmy Knepper, tenor saxophonist Gato Barbieri, soprano saxophonist Steve Lacy, baritone saxophonist Howard Johnson, guitarist Larry Coryell, bassist Steve Swallow and drummer Bob Moses.
Together is a jazz album by the American guitarists Larry Coryell and Emily Remler, released by Concord Jazz in 1985. They recorded it directly to two track the same year.
Blue Byrd is an album by American jazz guitarist Charlie Byrd. He is joined by his brother, Joe Byrd, on bass and Wayne Phillips on drums for this recording.
East to Wes is a studio album by the jazz guitarist Emily Remler. She was accompanied by the pianist Hank Jones, who had played on Firefly (1981), her first record, the double bass player Buster Williams and the drummer Marvin "Smitty" Smith.
Take Two is the second studio album by jazz guitarist Emily Remler. The record is credited to The Emily Remler Quartet, and Remler was joined on the recording by pianist James Williams, bassist Don Thompson, and drummer Terry Clarke. Williams was best known at the time for his four years with The Jazz Messengers, and Thompson and Clarke frequently worked together as part of the Jim Hall Trio.
Catwalk is an album by guitarist Emily Remler. She was accompanied by John D'earth on trumpet, Eddie Gomez on bass and Bob Moses on drums. The seven compositions were written by Remler.
This is Me is the seventh studio album by jazz guitarist Emily Remler. It was her first excursion into electric jazz-pop and her last recording, completed shortly before her death. It is an ambitious production in which up to 14 musicians participated at the 11 original Remler cuts that make up this work.