Trevor Mack | |
---|---|
Born | Trevor Ryan Mack June 28, 1992 Vancouver, British Columbia, Canada |
Occupation(s) | Film Director, Film Producer, Writer, Philosopher |
Years active | 2010-present |
Notable work | The Blanketing, Clouds of Autumn, ʔEtsu (Grandmother), In the Valley of Wild Horses, Portraits from a Fire |
Awards | B.C. Emerging Filmmaker, 2021 Vancouver International Film Festival Best Director, 2021 American Indian Film Festival One to Watch, 2021 Vancouver Film Critics Circle Kevin Tierney Emerging Producer Award, 2021 Indiescreen Awards Best Director, 2022 Leo AwardsContents |
Website | www.trevormack.ca |
Trevor Mack (born June 28, 1992) is a Tsilhqot'in Canadian filmmaker, writer, philosopher and former Crashed Ice extreme sports athlete.
He is best known for writing, directing, and producing the feature-film Portraits from a Fire , along with his short films The Blanketing, [1] [2] Clouds of Autumn [3] and In the Valley of Wild Horses. [4] His debut feature-length film Portraits from a Fire made its world premiere at the 2021 Atlantic International Film Festival [5] and was the first ever narrative feature film written and directed by a Tsilhqot'in filmmaker.
He competed in the Canadian tour of the Red Bull Crashed Ice World Championships from 2011 to 2015.
At 15 years old, Mack started his pursuit in film by editing together footage from the popular Xbox video game series Halo to create montages in which he posted to on-line forums and YouTube. As he gained popularity with his Halo montages, he helped co-found a freelance video editing, motion graphics, and videography group called 'Viral Design' that produced product promotional videos for companies such as Red Bull, SteelSeries, and Gunnar Optiks. [6]
In 2011, Mack enrolled in the 'Motion Picture Arts' film program at Capilano University in North Vancouver, BC. Having failed his first year, Mack dropped out in his second year of courses.
The day after he dropped out of film school he started working with the Provincial Health Services Authority in a suicide-awareness pilot program titled 'Cuystwi'. Throughout the several years of working on the project, Mack collaborated with Indigenous filmmakers such as Damien Bouchard, Amanda Strong, and Asia Youngman. The filmmakers would routinely travel to reserve communities in British Columbia that registered for the pilot program to teach children how to express themselves through filmmaking. [7]
The Blanketing is a fictional, alternative-history story that combines two distinct and crucial events within the Tsilhqot'in-Colonial historical canon. Both the 1864 Tsilhqot'in War and 1862 Pacific Northwest smallpox epidemic were combined, narratively, to showcase how devastating the events were towards the Tsilhqot'in people. Yet, the film ends on uplifting and defying imagery—a theme Mack would continually bring to his future films. In the fall of 2011, Mack started a Crowd funding campaign asking for funds for his first short film The Blanketing. After 10 months of development and pre-production he began principal photography in the summer of 2012. [8]
After he premiered the short film in his home town of Williams Lake, British Columbia on May 3, 2013, the short film was accepted into the following film festivals: [9]
Clouds of Autumn follows a brother and sister whose carefree childhood in a Tsilhqot'in community is torn apart when the sister is forced to attend a Canadian residential school in the early 1970s.
Interestingly, Mack collaborated with non-Indigenous filmmaker Matthew Taylor Blais, whom Mack was roommates with at the time. The purpose of the collaboration was to learn about one another's culture by deliberately telling such a controversial story together.
Mack's maternal grandmother gave birth to 13 children, 10 of whom—including his mother—were taken away to Canadian residential schools in the interior of British Columbia, Canada. Some were as young as 6 years old when they were taken away for the entire school year.
After receiving a production grant from Canada Council for the Arts, Mack started principal photography for Clouds of Autumn in August 2014. [10] The film had its North American premiere at the 2015 Toronto International Film Festival [11] and also screened at the following festivals, among others:
'Best Canadian Short Drama', 2015 imagineNATIVE Film + Media Arts Festival [17] [18]
'Prix Jeunesse', 2016 Festival Cine Alter'Natif [19]
'Achievement in Cinematography', 2016 Air Canada EnRoute Film Festival [20]
With only a $500 budget, Mack collaborated with actor Elias Louie (Clouds of Autumn) in the summer of 2017. The short film is a POV-styled portrait of child abuse and family relations on an isolated reserve in Canada. The film premiered at the 2017 Toronto International Film Festival [21] and played at the 2017 Vancouver International Film Festival. [22]
Partnering with the Xeni Gwe'tin First Nations and TELUS Originals, Mack co-directed the short documentary with fellow Indigenous filmmaker Asia Youngman. The film follows the Xeni Gwet'in Youth Wagon trip, a 200-km, 8-day horse-and-wagon trip beginning from Nemiah Valley and ending at Williams Lake. The film premiered at the 2018 Vancouver International Film Festival, among others:
Portraits from a Fire is Trevor Mack's debut feature-length film. The project was a collaboration between Mack and writers Manny Mahal and Derek Vermillion, as well as with cinematographer Kaayla Wachell and producers Kate Kroll and Rylan Friday. The inception of the story came from Mack's healing process after being assaulted and mugged in downtown Vancouver in 2016. Portraits from a Fire is a coming-of-age film following an eccentric misfit named Tyler who spends his days recording and vlogging his Indigenous community and hanging out with his grandparents. That is until he meets Aaron—an older, influential teenager who pushes him to show his latest work about his family to the community, leading to a reckoning between the past and the future, life and death, parents and son. The film made its world premiere at the 2021 Atlantic International Film Festival in Halifax, Nova Scotia, as well as played in the following festivals:
As of January 2023, Portraits from a Fire has accumulated 15 awards:
While also producing his first short films, Mack was simultaneously competing in the Canadian tour of the Red Bull Crashed Ice World Championships. From 2011 to 2015, Red Bull Crashed Ice hosted Canadian tours of the World Championships in Quebec City, Niagara Falls, and Edmonton.
Red Bull Crashed Ice, now known as Ice Cross Downhill, is a winter extreme sporting event which involves direct competitive downhill skating on a walled track featuring sharp turns and high vertical drops. Ice cross downhill is similar to ski cross and boardercross, except with ice skates on an ice track, instead of using skis or snowboards on a snow track.
Events were held under the name Red Bull Crashed Ice from 2001-2019, and have been sanctioned by the ATSX since 2019.
Mack has credited his latest film work on his experiences with Psychedelic plant medicine, namely psilocybin mushrooms, LSD, and Yopo.
On June 20, 2021, Mack was invited to speak about alongside famed author and professor Wade Davis, plant medicine teacher Jazmin Pirozek, and Kim Haxton for the inaugural World Psychedelics Day, which featured an eclectic roster of talks with speakers such as Dr. Dennis McKenna, Paul Stamets, Dr. Gabor Mate, Dr. Andrew Weil, and Alex and Allyson Grey. The panel Mack spoke to was titled 'Indigenous Sovereignty & Plant Medicines'.
In the same year, Mack was named as one of two indigenous advisors for the Canadian Psychedelic Association of Canada. [29]
In April 2023, Mack led the initiative to bring together several Tsilhqot'in delegates to the Brooklyn Museum to reconvene with several Tsilhqot'in sacred baskets. [30] The baskets were taken from the Tsilhqot'in territory in an expedition in 1905 which were then eventually sold to the Brooklyn Museum. The process of bringing the baskets back to the Tsilhqot'in people is currently underway.
The Vancouver International Film Festival (VIFF) is an annual film festival held in Vancouver, British Columbia, Canada, for two weeks in late September and early October.
The imagineNATIVE Film + Media Arts Festival is the world's largest Indigenous film and media arts festival, held annually in Toronto. The festival focuses on the film, video, radio, and new media work of Indigenous, Aboriginal and First Peoples from around the world. The festival includes screenings, parties, panel discussions, and cultural events.
Helen Haig-Brown is a Tsilhqot'in filmmaker working primarily with indigenous and First Nations themes. Many of these derive from her maternal roots in the Tsilhqot'in First Nation.
Haida Modern is a 2019 Canadian documentary film about the art and activism of Haida artist Robert Davidson. The film was directed by Charles Wilkinson, filmed, produced and edited by Wilkinson and Tina Schliessler and executive produced by Kevin Eastwood. It premiered at the 2019 Vancouver International Film Festival.
Sonia Boileau is a Canadian First Nations filmmaker belonging to the Mohawk Nation of the Haudenosaunee Confederacy.
Adam Garnet Jones is a Canadian filmmaker and screenwriter whose works largely focuses on indigenous peoples in Canada.
Zoe Leigh Hopkins is a Canadian Heiltsuk/Mohawk writer and film director who began her career in acting in 1991 and later pursued filmmaking.
Elle-Máijá Apiniskim Tailfeathers is a Canadian filmmaker, actor, and producer. She has won several accolades for her film work, including multiple Canadian Screen Awards.
Haida Gwaii: On the Edge of the World is a 2015 Canadian feature documentary film directed by Charles Wilkinson, and produced by Charles Wilkinson, Tina Schliessler, and Kevin Eastwood for the Knowledge Network. The film premiered on April 28, 2015 at the Hot Docs Canadian International Documentary Festival where it won the award for Best Canadian Feature Documentary.
Jeff Barnaby was a Mi'kmaq and Canadian film director, writer, composer, and film editor. He is known for his films Rhymes for Young Ghouls and Blood Quantum.
Lisa Jackson is a Canadian Screen Award and Genie Award-winning Canadian and Anishinaabe filmmaker. Her films have been broadcast on APTN and Knowledge Network, as well as CBC's ZeD, Canadian Reflections and Newsworld and have screened at festivals including HotDocs, Edinburgh International Film Festival, Melbourne, Worldwide Short Film Festival and Berlin International Film Festival.
Edge of the Knife is a 2018 Canadian drama film co-directed by Gwaai Edenshaw and Helen Haig-Brown. It is the first feature film spoken only in the Haida language. Set in 19th-century Haida Gwaii, it tells the classic Haida story of a traumatized and stranded man transformed into Gaagiixiid, the wildman.
Brother, I Cry is a Canadian drama film, directed by Jessie Anthony and released in 2020. The film stars Justin Rain as Jon, a young First Nations man struggling with drug addiction.
Portraits from a Fire is the first narrative feature film written and directed by a Tsilhqot'in filmmaker.
The Vancouver International Film Festival Award for Best Canadian Film is an annual award, presented by the Vancouver International Film Festival to honour the film selected by a jury as the best Canadian film screened at VIFF that year.
Kathleen Jayme is a Canadian documentary filmmaker from Vancouver, British Columbia. She is most noted for the films Finding Big Country and The Grizzlie Truth, which examine the history of the ill-fated Vancouver Grizzlies of the National Basketball Association.
The Cave is a Canadian short science fiction film, directed by Helen Haig-Brown and released in 2009. The first science fiction film shot in an Indigenous Canadian language, the film adapts a Tsilhqot'in tale about a man who discovers a portal to the spirit world while hunting a bear.
Asia Youngman is a Cree-Métis filmmaker from Canada.
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