The National Science and Media Museum, located in Bradford, West Yorkshire, is part of the national Science Museum Group in the UK. The museum has seven floors of galleries with permanent exhibitions focusing on photography, television, animation, videogaming, the Internet and the scientific principles behind light and colour. It also hosts temporary exhibitions and maintains a collection of 3.5 million pieces in its research facility.
Tony Ray-Jones was an English photographer.
Thomas Wood is an Irish street photographer, portraitist and landscape photographer, based in Britain. Wood is best known for his photographs in Liverpool and Merseyside from 1978 to 2001, "on the streets, in pubs and clubs, markets, workplaces, parks and football grounds" of "strangers, mixed with neighbours, family and friends." His work has been published in several books, been widely shown in solo exhibitions and received awards. He has a retrospective exhibition at the Walker Art Gallery in Liverpool until 7 January 2024.
Paul Graham is a British fine-art and documentary photographer. He has published three survey monographs, along with 26 other dedicated books.
Grace Robertson was a British photographer who worked as a photojournalist, and published in Picture Post and Life. Her photographic series, including "Mother's Day Off" (1954) and "Childbirth" (1955), mainly recorded ordinary women in postwar Britain.
Nick Waplington is a British / American artist and photographer. Many books of Waplington's work have been published, both self-published and through Aperture, Cornerhouse, Mack, Phaidon, and Trolley. His work has been shown in solo exhibitions at Tate Britain and The Photographers' Gallery in London, at Philadelphia Museum of Art in the USA, and at the National Museum of Photography, Film & Television in Bradford, UK; and in group exhibitions at Venice Biennale, Italy and Brooklyn Museum, New York City. In 1993 he was awarded an Infinity Award for Young Photographer by the International Center of Photography. His work is held in the permanent collections of the Solomon R. Guggenheim Museum in New York City, Victoria and Albert Museum and Government Art Collection in London, National Gallery of Australia, the Philadelphia Museum of Art, and Royal Library, Denmark.
Donovan Wylie is a Northern Irish photographer, based in Belfast. His work chronicles what he calls "the concept of vision as power in the architecture of contemporary conflict" – prison, army watchtowers and outposts, and listening stations – "merging documentary and art photography".
Steve Pyke MBE is a British photographer living in New Orleans, Louisiana. From 1981 to 1984, he worked for diverse publications including The Face and NME. Pyke was a staff photographer at The New Yorker from 2004 through 2010.
The Deutsche Börse Photography Foundation Prize is awarded annually by the Deutsche Börse Photography Foundation and the Photographers' Gallery to a photographer who has made the most significant contribution to the photographic medium in Europe during the past year.
Melanie Friend is a photographer/artist. From 2003 to 2019 Friend was Reader in Photography in the School of Media, Film and Music at University of Sussex, England.
Vanessa Winship HonFRPS is a British photographer who works on long term projects of portrait, landscape, reportage and documentary photography. These personal projects have predominantly been in Eastern Europe but also the USA. Winship's books include Schwarzes Meer (2007), Sweet Nothings (2008) and She Dances on Jackson (2013).
Impressions Gallery is an independent contemporary photography gallery in Bradford, England. It was established in 1972 and located in York until moving to Bradford in 2007. Impressions Gallery also runs a photography bookshop, publishes its own books and sells prints. It is one of the oldest venues for contemporary photography in Europe.
Val Williams is a British curator and author who has become an authority on British photography. She is the Professor of the History and Culture of Photography at the London College of Communication, part of the University of the Arts London, and was formerly the Curator of Exhibitions and Collections at the Hasselblad Center.
Lisa Barnard is a documentary photographer, political artist, and a reader in photography at University of South Wales. She has published the books Chateau Despair (2012), Hyenas of the Battlefield, Machines in the Garden (2014) and The Canary and the Hammer (2019). Her work has been shown in a number of solo and group exhibitions and she is a recipient of the Albert Renger-Patzsch Award.
Chris Harrison is an English photographer known for his work which has explored ideas of home, histories and class.
Clare Strand is a British conceptual photographer based in Brighton and Hove in the UK. She makes, as David Campany puts it, "black-and-white photographs that would be equally at home in an art gallery, the offices of a scientific institute, or the archive of a dark cult. ... They look like evidence, but of what we cannot know."
Mimi Mollica is an Italian photographer, based in London. His work concerns "social issues and topics related to identity, environment, migration and macroscopic human transitions."
Paddy Summerfield was a British photographer who lived and worked in Oxford all his life.
Stephen McLaren is a Scottish photographer, writer, and curator, based in Los Angeles. He has edited various photography books published by Thames & Hudson—including Street Photography Now (2010)—and produced his own, The Crash (2018). He is a co-founder member of Document Scotland. McLaren's work has been shown at FACT in Liverpool as part of the Look – Liverpool International Photography Festival and in Document Scotland group exhibitions at Impressions Gallery, Bradford and at the Scottish National Portrait Gallery, Edinburgh. His work is held in the collection of the University of St Andrews.
David Moore is a British photographer, artist and educator working in and around documentary photography. He has had solo exhibitions of his work at The Photographers' Gallery, London, Impressions Gallery, Bradford and at Wolverhampton Art Gallery. His work is held in the collection of the University of Warwick. He is Principal Lecturer for Documentary Photography and Photojournalism at the University of Westminster, London.
