Trundholm sun chariot | |
---|---|
Material | Bronze |
Created | Nordic Bronze Age, c. 1500-1300 BC |
Discovered | 1902 Odsherred, Denmark |
Present location | National Museum of Denmark, Copenhagen |
The Trundholm sun chariot (Danish : Solvognen) is a Nordic Bronze Age artifact discovered in Denmark. It is a representation of the sun chariot, a bronze statue of a horse and a large bronze disk, which are placed on a device with spoked wheels.
The sculpture was discovered with no accompanying objects in 1902 in a peat bog on the Trundholm moor in Odsherred in the northwestern part of Zealand, (approximately 55°55′N11°37′E / 55.917°N 11.617°E ). It is now in the collection of the National Museum of Denmark in Copenhagen. [1] It is featured on the 1000-krone banknote of the 2009 series. [2]
The horse stands on a bronze rod supported by four wheels. The rod below the horse is connected to the disk, which is supported by two wheels. All of the wheels have four spokes. The artifact was cast in the lost wax method. The whole object is approximately 54 cm × 35 cm × 29 cm (21 in × 14 in × 11 in) in size (width, height, depth). [3] [1] Aspects of the decoration suggest a Danubian influence in the object, although it was produced locally. [4] [5]
The disk has a diameter of approximately 25 cm (9.8 in). It is gilded on one side only, the right-hand side (when looking at the horse from behind). It consists of two bronze disks that are joined by an outer bronze ring, with a thin sheet of gold applied to one face. The disks were then decorated with punches and gravers with zones of motifs of concentric circles, with bands of zig-zag decoration between borders. The gold side has an extra outer zone which may represent rays, and also a zone with concentric circles linked by looping bands that "instead of flowing in one direction, progress like the steps of the dance, twice forward and once back". The main features of the horse are also highly decorated. [6]
The two sides of the disk have been interpreted as an indication of a belief that the Sun is drawn across the heavens from East to West during the day, presenting its bright side to the Earth and returns from West to East during the night, when the dark side is being presented to the Earth. A continuation around a globe would have the same result. It is thought that the chariot was pulled around during religious rituals to demonstrate the motion of the Sun in the heavens. [7]
Two similar discs have been found in Ireland: the Lattoon gold disc [8] [9] and the bronze Cooke disc, the latter dated to c. 1500–1300 BC. The Cooke disc has similar fittings to the Trundholm chariot, suggesting that it was also originally connected to a sun horse and mounted on wheels. [10]
The sculpture is dated to about 1400 BC, [3] or Montellius period II (c. 1500-1300 BC). [11]
Evidence for horse-drawn chariots first appears in Scandinavia around 1700 BC, in the form of petroglyphs, chariot bits and whip handles. [12] [13] [14]
Some authors have suggested that the decoration on the disc numerically encodes a calendar. [15] [16] The archaeologist Christoph Sommerfeld argues that both sides of the disc encode knowledge of the 19-year lunisolar Metonic cycle. [17] The Metonic cycle is also thought to be encoded on the later Berlin Gold Hat, dating from c. 1000 BC. [18] [19]
The chariot has been interpreted as a possible Bronze Age predecessor to Skinfaxi, [20] the horse that pulled Dagr, the personification of day, across the sky.
The sky god Taranis is typically depicted with the attribute of a spoked wheel.
The Rigveda in Hindu scriptures also reflects the mention of the Sun chariot. RV 10.85 mentions the sun god's bride as seated on a chariot pulled by two steeds. The relevant verses are the following (trans. Griffith):
10. Her spirit was the bridal car; the covering thereof was heaven: Bright were both Steeds that drew it when Surya approached her husband's home.
11. Thy Steeds were steady, kept in place by holy verse and Sama-hymn: All car were thy two chariot wheels: thy path was tremulous in the sky,
12. Clean, as thou wentest, were thy wheels, wind was the axle fastened there. Surya, proceeding to her Lord, mounted a spirit-fashioned car. [21]
In Greek mythology, the solar deity Helios was said to wear a radiant crown as his horse-drawn chariot raced across the sky, bringing daylight. [22]
A chariot is a type of cart driven by a charioteer, usually using horses to provide rapid motive power. The oldest known chariots have been found in burials of the Sintashta culture in modern-day Chelyabinsk Oblast, Russia, dated to c. 1950–1880 BCE and are depicted on cylinder seals from Central Anatolia in Kültepe dated to c. 1900 BCE. The critical invention that allowed the construction of light, horse-drawn chariots was the spoked wheel.
A spoke is one of some number of rods radiating from the center of a wheel, connecting the hub with the round traction surface.
The Urnfield culture was a late Bronze Age culture of Central Europe, often divided into several local cultures within a broader Urnfield tradition. The name comes from the custom of cremating the dead and placing their ashes in urns, which were then buried in fields. The first usage of the name occurred in publications over grave sites in southern Germany in the late 19th century. Over much of Europe, the Urnfield culture followed the Tumulus culture and was succeeded by the Hallstatt culture. Some linguists and archaeologists have associated this culture with a pre-Celtic language or Proto-Celtic language family. By the end of the 2nd millennium BC, the Urnfield Tradition had spread through Italy, northwestern Europe, and as far west as the Pyrenees. It is at this time that fortified hilltop settlements and sheet‐bronze metalworking also spread widely across Europe, leading some authorities to equate these changes with the expansion of the Celts. These links are no longer accepted.
The Hallstatt culture was the predominant Western and Central European archaeological culture of the Late Bronze Age from the 12th to 8th centuries BC and Early Iron Age Europe from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic speaking populations.
The Nebra sky disc is a bronze disc of around 30 cm (12 in) diameter and a weight of 2.2 kg (4.9 lb), having a blue-green patina and inlaid with gold symbols. These symbols are interpreted generally as the Sun or full moon, a lunar crescent, and stars.
The Pomeranian culture, also Pomeranian or Pomerelian Face Urn culture was an Iron Age culture with origins in parts of the area south of the Baltic Sea, from the 7th century BC to the 3rd century BC, which eventually covered most of today's Poland.
A sun cross, solar cross, or wheel cross is a solar symbol consisting of an equilateral cross inside a circle.
The Nordic Bronze Age is a period of Scandinavian prehistory from c. 2000/1750–500 BC.
The Tumulus culture was the dominant material culture in Central Europe during the Middle Bronze Age.
The King's Grave is an archaeological site. It is situated near Kivik in the southeastern portion of Scania, Sweden. The site is what remains of an unusually grand Nordic Bronze Age double burial dating from circa the 15th century BC.
Golden hats are a very specific and rare type of archaeological artifact from Bronze Age Europe. So far, four such objects are known. The objects are made of thin sheet gold and were attached externally to long conical and brimmed headdresses which were probably made of some organic material and served to stabilise the external gold leaf. The following conical golden hats are known as of 2012:
The European Bronze Age is characterized by bronze artifacts and the use of bronze implements. The regional Bronze Age succeeds the Neolithic and Copper Age and is followed by the Iron Age. It starts with the Aegean Bronze Age in 3200 BC and spans the entire 2nd millennium BC, lasting until c. 800 BC in central Europe.
The Berlin Gold Hat or Berlin Golden Hat is a Late Bronze Age artefact made of thin gold leaf. It served as the external covering on a long conical brimmed headdress, probably of an organic material. It is now in the Neues Museum on Museum Island in Berlin, in a room by itself with an elaborate explanatory display.
The Golden Cone of Ezelsdorf-Buch is a Late Bronze Age artefact discovered in 1953 between the villages of Ezelsdorf and Buch in Southern Germany. A tall, cone-shaped object made of thin sheet gold, it is seen as belonging to a group of artifacts referred to as Bronze Age Golden hats. It was presumably worn by special functionaries on ceremonial occasions.
The National Museum of Denmark (Nationalmuseet) in Copenhagen is Denmark's largest museum of cultural history, comprising the histories of Danish and foreign cultures, alike. The museum's main building is located a short distance from Strøget at the center of Copenhagen. It contains exhibits from around the world, from Greenland to South America. Additionally, the museum sponsors SILA - The Greenland Research Center at the National Museum of Denmark to further archaeological and anthropological research in Greenland.
Sinauli is an archaeological site in western Uttar Pradesh, India, at the Ganga-Yamuna Doab. The site gained attention for its Bronze Age solid-disk wheel carts, found in 2018, which were interpreted by some as horse-pulled "chariots".
The Veksø helmets are a pair of Bronze Age ceremonial horned helmets found near Veksø in Zealand, Denmark.
The Caergwrle Bowl is a unique object dating to the Middle Bronze Age, c. 1300 BC, originally manufactured from shale, tin and gold, and found in Caergwrle, Flintshire, north east Wales. It is thought to represent a boat, with its applied gold decoration signifying oars and waves, and either sun discs or circular shields. At both ends of the boat is a pair of oculi or 'eyes'.
The Balkåkra Ritual Object is an item from the Bronze Age found in Balkåkra, Sweden in 1847. Its use and purpose remain unknown.
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