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"Que Habría Sido de Mí" is a song written by Omar Alfanno and performed by Puerto Rican singer Víctor Manuelle on his fifth studio album, Ironías(1998), and was released as the second single from the album. It became his seventh number song on the Tropical Airplay chart. AllMusic critic José A.Estévez, Jr. cited it as one of the songs from where the album where Ramón Sánchez's arrangements allows Manuelle to "drive the best of the talented improviser, belting it out with all his might". This sentiment was shared by Billboard editor John Lannert who called it one of the album's "well-crafted tracks". Parry Gettelman praised the performance of both the bassist and the pianist in the track. On the former, she noted that Ruben Rodriguez "provides a graceful bass line that subtly builds tension released in the soaring chorus". It was nominated "Tropical/Salsa Hot Track of the Year" at the 1999 Latin Billboard Music Awards, but lost to "Suavemente" by Elvis Crespo. In 2000, it was recognized as one of the best-performing songs of the year at the American Society of Composers, Authors and Publishers Awards under the salsa category.
"Agua Pasada" is a song written by Gil Francisco and performed by American salsa singer Frankie Negrón on his second studio album No Me Compares (1998). It was released as the lead single from the album. It became his third number one on the Tropical Airplay chart. On the review of the album, the Newsday critic Richard cited "Agua Pasada" and the title track where George and Negrón "deliver the salsa goods". John Lannert of Billboard called it a "sizzling leadoff single". "Agua Pasada" was nominated in the category of Tropical Song of the Year at the 11th Annual Lo Nuestro Awards, but lost to "Suavemente" by Elvis Crespo. It was acknowledged as an award-winning song at the 2000 BMI Latin Awards.
"Píntame" is a song by Puerto Rican American singer Elvis Crespo from his 1999 second studio album of the same name. The song was written by Crespo with Luis Angel Cruz and Robert Cora handling its productions. It is a merengue song in which Crespo asks an artist to materialize his lover by painting her. The song was met with positive reactions from three music critics who found the song to be catchy. An accompanying music video for the single features Crespo dancing with other performers in a white background.
References
- ↑ "Hot Latin Songs". Billboard. Vol. 110, no. 31. Nielsen Business Media Inc. 1 August 1998. p. 57. Retrieved 20 March 2016.
- 1 2 "Hot Latin Songs > August 8, 1998". Billboard. Vol. 110, no. 32. Nielsen Business Media Inc. 8 August 1998. p. 45. Retrieved 20 March 2016.
- 1 2 3 "Hot Latin Songs > August 29, 1998". Billboard. Vol. 110, no. 35. Nielsen Business Media Inc. 29 August 1998. p. 66. Retrieved 20 March 2016.
- ↑ "Hot Latin Tracks > September 5, 1998". Billboard. Vol. 110, no. 36. Nielsen Business Media Inc. 5 September 1998. p. 88. Retrieved 20 March 2016.
- ↑ "Hot Latin Tracks > September 19, 1998". Billboard. Vol. 110, no. 38. Nielsen Business Media Inc. 19 September 1998. p. 72. Retrieved 20 March 2016.
- ↑ "Elvis Crespo Chart History > Hot Latin Tracks". Billboard . Prometheus Global Media . Retrieved 20 March 2016.
- ↑ "Elvis Crespo Chart History > Latin Pop". Billboard. Prometheus Global Media. Retrieved 20 March 2016.
- 1 2 Lannert, John (28 December 1998). "The Year in Music". Billboard. Vol. 110, no. 52. p. YE-28. Retrieved 20 March 2016.