Tuesdays with Morrie | |
---|---|
Genre | Biographical drama |
Based on | Tuesdays with Morrie by Mitch Albom |
Written by | Thomas Rickman |
Directed by | Mick Jackson |
Presented by | Oprah Winfrey |
Starring | |
Music by | Marco Beltrami |
Country of origin | United States |
Original language | English |
Production | |
Executive producers |
|
Cinematography | Theo van de Sande |
Editor | Carol Littleton |
Running time | 89 minutes |
Production company | Harpo Films |
Original release | |
Network | ABC |
Release | December 5, 1999 |
Tuesdays with Morrie is a 1999 American biographical drama television film directed by Mick Jackson and written by Thomas Rickman, based on journalist Mitch Albom's 1997 memoir of the same title. In the film, Albom (Hank Azaria) bonds with his former professor, Morrie Schwartz (Jack Lemmon), who is dying of ALS, over a series of visits.
Tuesdays with Morrie was produced by Oprah Winfrey's Harpo Films, and was filmed in Los Angeles and Santa Clarita, California. It aired on ABC on December 5, 1999, as part of the "Oprah Winfrey Presents" series. It received positive reviews and numerous accolades, including Primetime Emmy Awards for Outstanding Television Movie, Outstanding Lead Actor for Lemmon, and Outstanding Supporting Actor for Azaria; a Directors Guild of America Award for Jackson; and a Writers Guild of America Award and a Humanitas Prize for Rickman.
In 1995 Detroit, Mitch Albom becomes caught up in his career as a sports commentator and journalist. His girlfriend Janine, a backup singer, feels he never places her as a priority. One evening, while on the phone with Janine, Mitch flips through TV channels and lands on an edition of Nightline where his former professor Morrie Schwartz is being interviewed by Ted Koppel. Morrie discusses his current health and reveals he is dying of amyotrophic lateral sclerosis, often referred to as "Lou Gehrig's disease" or ALS. Morrie, a retired sociology professor from Brandeis University living in Boston, comes on the show to describe his final journey.
Over the following days, Mitch feels bothered he never got a chance to visit his old professor. Feeling so moved by the interview, Mitch reaches out for a visit with Morrie after sixteen years of no contact. Morrie loves food, which becomes a regular endeavor with his visits with Mitch. Office hours during university were on Tuesdays, where Morrie would grade papers and critique students' assignments, and Mitch now makes it a habit to visit him every Tuesday. Connie, Morrie's home nurse, is his primary caretaker. After leaving Morrie, Mitch continues working and cannot find a groove with Janine.
Mitch returns and witnesses a living funeral where friends and family come to honor a still alive Morrie, per the latter's request. As the two get reacquainted, they participate in conversations about substantial topics. Morrie divulges on his time as a young boy and how his relationships unfolded between his mother, stepmother, and father. Back home, Mitch continues with his busy career, and while out on a story, he receives a call from Janine breaking up with him.
Another visit prompts Mitch to bring a recording device to capture all of Morrie's pieces of advice and anecdotes about death, love, marriage, family, and relationships. The time spent with Morrie starts to affect Mitch's position at work, he argues with his boss and decides to prioritize his visits with Morrie. Mitch, being so immersed in this new world asks Connie to teach him skills to aid Morrie when no one else is around. New tasks Mitch learns include: helping Morrie in and out of his wheelchair, using his oxygen tank, feeding Morrie, and even special massages.
Finding meaning in Morrie's advice, Mitch proposes to Janine via letter. She rejects him but comes along on a visit to Morrie's home. Janine notices a change in Mitch's personality in the way he knows what to do around Morrie from the oxygen tank assistance to cleaning Morrie's crying eyes. Janine and Morrie speak without Mitch in the room. Later, on their way home, Mitch and Janine make up and decide a proper proposal should take place.
On a rainy visit, Mitch brings Morrie food, but learns he has not been able to eat solid foods for some time. Charlotte, Morrie's wife tells Mitch his visits have a great impact on Morrie. Mitch notices how the illness is worsening. They continue to speak about topics like regret, spiritual life, forgiveness, and love. Morrie reiterates that we all, as humans, must love one another or die. He recounts the story of his father's death. Mitch receives a call from Walter, his boss, and they find middle ground to allow Mitch to write again. Mitch takes Janine to the islands and proposes to her there. Back home, Mitch requests to have all of his Tuesdays off to continue his visits with Morrie.
On a snowy visit, Mitch asks Morrie what a perfect day would be like. According to Morrie, it would be one spent with friends, family, food, dancing, and choosing his burial site. Morrie asks Mitch to visit once he has passed. Moved, Mitch cries and hugs Morrie. Mitch then promises to come back next Tuesday. Morrie dies Saturday morning. Charlotte keeps his funeral small, and all the people in his perfect day are included. The funeral is held on a Tuesday.
The film was produced by Oprah Winfrey's Harpo Films. After reading the memoir, Winfrey promoted it on her television show and lobbied for the film rights. Albom doubted the film would be made: "There are no car crashes, no explosions, no intricate terrorist plots. It's just two people talking. What producer in their right mind would want to take that on?" [1]
The producers did believe that a straight adaptation of the memoir would be "limp and static", so the story was changed to place more emphasis on Albom, including scenes with his girlfriend and at his workplace. According to executive producer Kate Forte, director Mick Jackson was inspired by the German action film Run Lola Run to quicken the film's pace. [1] Filming took place in Los Angeles and Santa Clarita, California. [2]
Tuesdays with Morrie aired on ABC on December 5, 1999, as part of the "Oprah Winfrey Presents" series. [2]
The review aggregator Rotten Tomatoes give it a 71% rating based on 7 reviews. [3] Fred Topel from About.com says, "Movie of the week with film caliber performances". [4] Common Sense Media Editors states, "Oprah Winfrey presents a three-hanky weepfest". [5]
The film brought in a 15.2/22 rating/share, and was watched by 22.5 million viewers, ranking as the most watched program that week. [6] [7]
Henry Albert "Hank" Azaria is an American actor. He is known for voicing many characters in the long-running animated sitcom The Simpsons since 1989, including Moe Szyslak, Chief Wiggum, Superintendent Chalmers, Comic Book Guy, Snake Jailbird, Professor Frink, Kirk Van Houten, Duffman, Apu Nahasapeemapetilon, Lou, Carl Carlson, among others. Azaria joined the show with little voice acting experience, but became a regular in its second season. For his work on the show, he has won four Primetime Emmy Awards.
Mitchell David Albom is an American author, journalist, and musician. As of 2021, he has sold 40 million books worldwide. Having achieved national recognition for sports writing in his early career, he turned to writing inspirational stories and themes—a preeminent early one being Tuesdays with Morrie—themes that now weave their way through his books, plays, and films and stage plays.
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Tuesdays with Morrie: An Old Man, A Young Man and Life's Greatest Lesson is a 1997 memoir by American author Mitch Albom. The book is about a series of visits Albom made to his former Brandeis University sociology professor, Morrie Schwartz, as Schwartz was dying from amyotrophic lateral sclerosis (ALS). Albom's subsequent memoir has been widely reviewed and has received critical attention after features by The Boston Globe and Nightline about Schwartz's dying.
Morris S. Schwartz was an American professor of sociology at Brandeis University and an author. He was the subject of the best-selling book Tuesdays with Morrie, written by Mitch Albom, a former student of Schwartz. He was portrayed by Jack Lemmon in the 1999 television film adaptation of the book.
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