The Supremes was an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
Mary Wilson was an American singer. She gained worldwide recognition as a founding member of The Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.
"Back in My Arms Again" is a 1965 song recorded by The Supremes for the Motown label.
Farewell is a 1970 live album by Diana Ross & the Supremes. The album was recorded over the course of the group's final engagement together at the New Frontier Hotel and Casino in Las Vegas, Nevada, including the final night on January 14, 1970. The show marked Diana Ross' penultimate performance with fellow Supremes members Mary Wilson and Cindy Birdsong. At the conclusion of the show, new Supremes lead singer Jean Terrell was brought onstage and introduced to the audience.
Peter Criss is the first solo studio album by Peter Criss, the drummer of American hard rock band Kiss. It was one of four solo albums released by the members of Kiss on September 18, 1978. The album was produced by Vini Poncia, who went on to produce the Kiss albums Dynasty (1979) and Unmasked (1980). Criss covered "Tossin' and Turnin'", which was a No. 1 hit for Bobby Lewis in the U.S. during the summer of 1961. The song was subsequently covered by Kiss on their 1979 tour.
Vernessa Ann Mitchell is an American contemporary Christian and gospel recording artist whose vocal versatility has been heralded by R&B and House audiences.
Lady Sings the Blues is the soundtrack to the Billie Holiday biopic of the same name, which starred Diana Ross in her 1972 screen debut. It became Ross' fourth #1 album, though the only one as a solo artist. It was certified gold in the UK for sales of over 100,000 copies. It was the fourth best-selling R&B album and fifth best-selling Pop album of 1973 in the US.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Love Child is the fifteenth studio album released by Diana Ross & the Supremes for the Motown label in 1968. The LP was the group's first studio LP not to include any songs written or produced by any member of the Holland–Dozier–Holland production team, who had previously overseen most of the Supremes' releases.
High Inergy was an American R&B and soul girl group who found fame on Motown Records in the late 1970s. They are best known for the hit song, "You Can't Turn Me Off ".
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
What About Me? is the sixteenth studio album by American singer Kenny Rogers, released by RCA Nashville in 1984. The album's title track, "What About Me?", is sung in trio with R&B singer James Ingram and Kim Carnes, which reached number one on the AC charts and was also a pop and country hit, giving co-writer Richard Marx his first number one hit as a writer. Marx's second number one hit as a writer was the song "Crazy", which was included on the album.
All This Love is the second studio album by DeBarge, released by Gordy Records on July 22, 1982.
"You Can't Turn Me Off (In the Middle of Turning Me On)" is the debut single by R&B girl group High Inergy, released in 1977. The song was written by Pam Sawyer and Marilyn McLeod and was produced by Kent Washburn and arranged by Sylvester Rivers. It was the first single off their debut album, Turnin' On.
Shoulda Gone Dancin' was the third album by High Inergy and the first after the departure of lead vocalist Vernessa Mitchell. Now reduced to a trio, this album features Barbara Mitchell on lead vocals. It peaked at #72 on Billboard's R&B Album charts and #147 on the Pop Album charts. The album spawned one chart single, the title track, which was a moderate dance and R&B hit.
Hold On was the fifth album by High Inergy. Like their previous three albums, this one was a commercial and critical disappointment. It peaked at #70 on Billboard's R&B Album charts and failed to make the Top 200 Pop Album charts. The album spawned one chart single, a cover of Bettye Swann's #1 R&B hit, "Make Me Yours", which Andrew Hamilton in his All Music Guide review described as "better-than-the-original." Unfortunately, High Inergy's version failed to achieve the chart success of the original, peaking at just #68.
Mr. Excitement! is a 1992 Rhino Records three disc compilation album of the music of R&B singer Jackie Wilson, covering his entire career from 1956 through the early 1970s, including his early work with Billy Ward and His Dominoes. Wilson was one of the most successful R&B artists ever, entering the charts over 50 times. The album contains 72 tracks and, in 2003, it was ranked number 235 on the Rolling Stone's 500 Greatest Albums of All Time, and 236 in a 2012 revised list.
Steppin' Out was the second album by the group High Inergy. It was released on Motown's Gordy label in 1978.
Clarence R. "Clay" Drayton is an American songwriter, arranger, producer, and sideman best known for his work at Motown. He was the arranger on Diana Ross’s certified gold record, “Love Hangover.”
Marilyn McLeod was an American songwriter and occasional singer. McLeod began her career as a songwriter for Motown. Together with Pam Sawyer, she wrote the 1976 Diana Ross hit "Love Hangover".
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