Twilight of Honor, released in the UK as The Charge is Murder, is a 1963 film directed by Boris Sagal and starring Richard Chamberlain, Nick Adams, Claude Rains, and featuring Joey Heatherton and Linda Evans in their film debuts. Twilight of Honor is a courtroom drama based on Al Dewlen's novel, with a screenplay by Henry Denker. Like the 1959 courtroom drama Anatomy of a Murder, it continued a recent trend of descriptions of things previously never mentioned in American cinema, such as vivid accounts of sexual assault, adultery, and prostitution.
David Mitchell (Richard Chamberlain), a widowed lawyer in a small city in New Mexico, is appointed by Judge Tucker to defend Ben Brown (Nick Adams) who has been charged with murder. Norris Bixby, an ambitious local prosecutor, has been assigned to try the case, hoping to fill the shoes of Art Harper (Claude Rains), a famed local prosecutor as well as David's friend and mentor, who is retired.
Mitchell goes to see Art Harper that night to ask for advice and receives a pep-talk from Harper, demanding he use every legal trick in the book to defend his new client. They are interrupted by Susan (Joan Blackman), Harper's daughter, who has romantic feelings for David and who has arrived back in town from Chicago.
During dinner Mitchell says that Ben Brown confessed to the killing and that the prosecution is asking for the gas chamber. He knows that Brown is unlikely to get a fair trial in town, and even he confesses to having preconceived notions about him.
Harper says he played a role in Mitchell's being appointed as the defense on the case, and that while he himself is not healthy enough to defend the case personally, he will help Mitchell try to obtain justice for the accused. Susan also volunteers to be his legal secretary, hoping to spend time with Mitchell.
The next morning, Mitchell goes to the prison to see his new client. He runs into Ben's wife, Laura-Mae Brown (Joey Heatherton), who turned her husband in and who reveals that she despises her husband, and "hopes he croaks," claiming Ben frequently beat her.
She says he murdered a man in a bungled robbery attempt, then fled in the man's car. She also claims that her husband is a compulsive liar and that Mitchell didn't run into her by chance; Bixby wanted her to talk to him, to make it appear the trial will be fair. Despite what his wife said about him, Ben appears to be only concerned with his wife's freedom, claiming he wants her to have a good lawyer. Ben says that he was starved, threatened, and beaten into signing the confession. He also reveals that a second confession was sought and that parts of the first were purposely left off, including Ben's assertion that the murdered man, Cole Clinton, an off-duty police officer, was committing adultery with his wife before the murder.
Mitchell and Harper research New Mexico law, and find a precedent which states that a murder that occurs during the adultery of a man's spouse is deemed justifiable homicide. Mitchell also reveals that the entire jury list is consisting of friends of Clinton, who was a popular man in town. Despite this, they feel that they finally have a solid defense for the case. After Harper goes to bed, Susan tells Mitchell she loves him.
The next morning, Mitchell, Morris Bixby, and Judge Tucker arrive to pick the jury. Mitchell and Bixby argue over the fairness of the case, and when picking the jury, Judge Tucker refuses to disqualify Clinton's friends and club members. At lunch, David finds that a local paper is being sold outside the court in view of the jurors and that the front page story features Ben's confession. Mitchell learns that Bixby leaked the confession to the press, knowing that the jurors will read it.
Back in court, a witness claims that Ben was abusive towards his wife in a bar and that he was eyeing Clinton's money. Another witness claims that Ben saw Clinton drop his money and that he clearly knew he had a large wad of bills on him. When Mitchell asserts that Clinton intended to spend the night with Laura-Mae, Mrs. Clinton faints.
After the day in court, Mitchell visits Mrs. Clinton at her request. She reveals that Mitchell's suspicions are true and that for the last few years, her husband was chasing younger women. She offers to plea for mercy for Ben if David drops his adultery defense out of respect for Clinton's daughter, who idolized her father. Mitchell refuses her offer, hoping to help Ben avoid being found guilty altogether.
Although an autopsy wasn't performed, Clinton's doctor alleges that he wasn't in the act of sexual intercourse during death. Bixby calls Clinton's widow to the stand despite Mitchell's objections. She says the accusations against her late husband are false, and although Mitchell could prove her wrong, he feels pity and refuses to cross-examine her.
The next day. Ben's commanding officer from his time in the Air Force testifies Ben changed after being married, going AWOL repeatedly to see his wife, becoming moody, and showing signs of mental instability. After being denied leave to look for his wife, he attempted to hang himself as well.
Mitchell then calls Ben to the stand. Ben tells how he first met his wife in a bar after seeing her dancing seductively at the jukebox. He was smitten by her and they danced and talked for hours. She accompanied him to his room, and despite just meeting her, Ben proposed marriage. She was arrested for prostitution, and after getting her out of jail, they began hitchhiking cross country where they met Mr. Clinton, who picked them up after seeing Laura-Mae. He showed his badge and gun, telling him not to worry about tickets. At a motel, Ben found Laura-Mae and Clinton together. He ran in as Clinton pulled his gun. In the struggle, Ben grabbed the gun and beat him to death with it. They fled in Clinton's car. Ben also tearfully admits he still loves his wife, and bears no ill will, even though she turned him in and applied for the reward money. Bixby begins his cross examination, asserting that Ben pimped his wife to Clinton, beating him to death when he refused. Bixby legally can't call Laura-Mae to the stand to testify against her husband, so he goads Mitchell into calling her, which he does. The judge dismisses the court before she can testify.
David visits Laura-Mae to get her to agree to tell the truth and realizes she is about to have company. He waits around and sees a man enter her room. Looking through the window, he realizes it is Judson Elliot, Bixby's co-prosecutor, and that he is having an affair with her despite being married and having four kids. In court the next morning, Laura-Mae takes the stand. As Bixby begins his cross examination, David reveals in the judge's quarters that he saw them and that he will reveal the story if they cross-examine her. He also finds out that Elliot is carrying Clinton's money clip, which Laura-Mae gave to him. After dismissing Elliot, Bixby refuses to compromise, and as court resumes, Harper arrives and is wheeled into the courtroom by Mitchell.
Mitchell begins his closing statement. He goes over all of the points of the trial as well as the conniving done by the state to protect Mr. Clinton's reputation and advance Bixby's career. Bixby's rebuttal emphasizes the confession and plays on the emotions of the jury, most of whom were friends with Clinton. He claims that they can't find Ben innocent without finding Clinton guilty. The jury retires to deliberate, and Harper jovially challenges Mitchell to declare his intentions for Susan.
Ben is found not guilty on all counts. Bixby is outraged at the loss, knowing it will hurt his career and curtail his ambitions. Harper confesses that Mitchell's newfound fame will make him the target of anyone in the Southwest in serious trouble, and passes the mantle to him. Mitchell declares his intentions for Susan, and the film ends with them sharing a kiss in front of the courthouse, then walking home.
The film was based on a novel by Al Dewlin which won the McGraw-Hill Fiction Award in 1961.[1] The New York Times called the book "absorbing".[2] The Los Angeles Times called it "intensely compelling entertainment."[3]
Film rights to the book were bought by the team of George Seaton and William Pearlberg who had a unit at MGM. They decided Pearlberg would produce but they would get in a new director while Seaton was making 36 Hours.[4] Henry Denker wrote a script. In September 1962 Nick Adams signed to star.[5]
In March 1963 the lead went to Richard Chamberlain, who was under contract to MGM and had become internationally famous playing Dr Kildare on television. This was slightly controversial because Chamberlain had a clean cut image and the novel was considered very adult. Boris Sagal, best known at the time for his work in television, signed to direct.[6]
Joey Heatherton was cast off the back of her success in The Nurses. The cast also featured Linda Evans who was under contract to MGM at the time.[7]
Filming took place in May 1963, during a break from filming Dr Kildare.[8] It was part of a slate of movies that were among the first made by new MGM president Robert O'Brien.[9]
Johnny Green returned to MGM for the first time in five years to write the music.[10]
Wilfred Bailey Everett Bixby III was an American actor, director, producer, and frequent game-show panellist. Bixby's career spanned more than three decades, including appearances on stage, in films, and on television series. He is known for his roles in the CBS sitcom My Favorite Martian as Tim O'Hara, in the ABC sitcom The Courtship of Eddie's Father as Tom Corbett, in the NBC crime drama series The Magician as stage Illusionist Anthony Blake, and the CBS science-fiction drama series The Incredible Hulk as Dr. David Banner.
Song of the Thin Man is a 1947 American murder mystery-comedy film directed by Edward Buzzell. The sixth and final film in MGM's Thin Man series, starring William Powell and Myrna Loy as Nick and Nora Charles, characters created by Dashiell Hammett. Nick Jr. is played by Dean Stockwell. Phillip Reed, Keenan Wynn, Gloria Grahame, and Jayne Meadows are featured in this story set in the world of nightclub musicians.
I Want to Live! is a 1958 American biographical neo noir drama film directed by Robert Wise and starring Susan Hayward, Simon Oakland, Virginia Vincent and Theodore Bikel. It follows the life of Barbara Graham, a prostitute and habitual criminal who is convicted of murder and faces capital punishment. The screenplay, written by Nelson Gidding and Don Mankiewicz, was adapted from personal letters written by Graham in addition to newspaper articles written by Pulitzer Prize-winning journalist Ed Montgomery. The film presents a highly fictionalized version of the case, indicating the possibility that Graham may have been innocent.
George Richard Chamberlain is an American actor and singer who became a teen idol in the title role of the television show Dr. Kildare (1961–1966). He subsequently appeared in several miniseries, such as Shōgun (1980) and The Thorn Birds (1983) and was the first to play Jason Bourne in the 1988 television film The Bourne Identity. Chamberlain has also performed classical stage roles and worked in musical theatre.
After the Funeral is a work of detective fiction by Agatha Christie and first published in the US by Dodd, Mead and Company in March 1953 under the title of Funerals are Fatal and in UK by the Collins Crime Club on 18 May of the same year under Christie's original title. The US edition retailed at $2.50 and the UK edition at ten shillings and sixpence (10/6).
Davenie Johanna "Joey" Heatherton is an American actress, dancer, and singer. A sex symbol of the 1960s and 1970s, she is best known for her many television appearances during that time, particularly as a frequent variety show performer, although she also appeared in acting roles. She performed for over a decade on USO tours presented by Bob Hope and starred in several feature films, including My Blood Runs Cold (1965) and The Happy Hooker Goes to Washington (1977).
"Jess-Belle" is an episode of the American television science fiction and fantasy anthology series The Twilight Zone. In this episode, a young woman, whose name sounds like "Jezebel", spurned by the man she loves, becomes a witch in order to make him love her.
The Sandpiper is a 1965 American drama film directed by Vincente Minnelli and starring Elizabeth Taylor and Richard Burton, the third of eleven films starring the power couple.
The Yellow Rolls-Royce is a 1964 British dramatic composite film written by Terence Rattigan, produced by Anatole de Grunwald, and directed by Anthony Asquith, the trio responsible for The V.I.P.s (1963).
Where Love Has Gone is a 1964 American Technicolor drama film in Techniscope made by Embassy Pictures, Joseph E. Levine Productions and Paramount Pictures. It was directed by Edward Dmytryk and produced by Joseph E. Levine from a screenplay by John Michael Hayes based on the 1962 novel of the same name by Harold Robbins. The music score was by Walter Scharf, the cinematography by Joseph MacDonald and the costume design by Edith Head.
Confession of Pain is a 2006 Hong Kong crime drama film directed by Andrew Lau and Alan Mak, starring Tony Leung, Takeshi Kaneshiro, Shu Qi and Xu Jinglei.
Confession is a 1937 American drama film directed by Joe May and starring Kay Francis, Ian Hunter, Basil Rathbone and Jane Bryan. It was a scene-for-scene remake of the 1935 German film Mazurka starring Pola Negri, which Warner Brothers Studios acquired the American distribution rights for and then shelved in favour of the remake. With an estimated $513,000 budget, it started production in March 1937 and was released August 19, 1937 in New York City.
Shadow on the Wall is a 1950 American psychological thriller film directed by Patrick Jackson and starring Ann Sothern, Zachary Scott and Gigi Perreau and featuring Nancy Davis. It is based on the 1943 story Death in the Doll's House by Hannah Lees and Lawrence P. Bachmann.
Joy House is a 1964 French mystery–thriller film starring Jane Fonda, Alain Delon and Lola Albright. It is based on the 1954 novel of the same name by Day Keene.
The Suspicions of Mr Whicher is a British series of television films made by Hat Trick Productions for ITV, written by Helen Edmundson and Neil McKay. It stars Paddy Considine in the title role of detective inspector Jack Whicher of the Metropolitan Police. The first film, The Murder at Road Hill House, was based on the real-life Constance Kent murder case of 1860, as interpreted by Kate Summerscale in her 2008 book The Suspicions of Mr Whicher or The Murder at Road Hill House, which was the winner of Britain's Samuel Johnson Prize for Non-Fiction in 2008, and was read as BBC Radio 4's Book of the Week in April the same year.
Crescentia is an Early Middle High German language chivalric romance, included in the Kaiserchronik about 1150. Other versions appeared in the thirteenth and fourteenth centuries, in prose and verse.
DCI Jill Marsden is a fictional character in the BBC soap opera EastEnders, played by Sophie Stanton. She made her first appearance on 5 March 2001 investigating the shooting of Phil Mitchell, which was part of the whodunit storyline "Who Shot Phil?". Marsden returned in 2002, 2003 and 2009. She returned on 5 January 2012 for her third whodunit storyline, "Who's Stalking Phil?", departing four months later on 10 May 2012. Marsden returned for two episodes on 17 August 2012 to conclude the latter storyline. On 16 July 2015, she returned for part of the "Who Killed Lucy Beale?" whodunit storyline.
My Blood Runs Cold is a 1965 American neo noir dark thriller film starring Troy Donahue, Joey Heatherton and Barry Sullivan. It was directed by William Conrad. It was the second of three thrillers Conrad made for Warner Bros. A young woman falls in love with a man who may be insane.
Over the Hill is a 1931 American Pre-Code black-and-white melodrama film directed by Henry King for Fox Film Corporation. Starring Mae Marsh, James Dunn, Sally Eilers, and Olin Howland, the story concerns a young mother who devotedly cares for her children but when they grow up, most of them turn their backs on her and she has no choice but to go live in the poorhouse. The film is a remake of the 1920 silent film Over the Hill to the Poorhouse, which had been a major box-office hit for Fox. The story was based on a pair of poems by Will Carleton. Over the Hill also inspired the South Korean film adaptation Over the Ridge (1968). The production marked Marsh's first sound film and the second pairing of Dunn and Eilers, who had achieved celebrity in Fox's Bad Girl released earlier in the year.
References
↑ Books -- Authors New York Times 26 July 1961: 29.
↑ As Crude As Life: TWILIGHT OF HONOR. By Al Dewlen. 328 pp. New York: McGraw Hill Book Company. $4.95. By LILLIAN DE LA TORRE. New York Times 17 Dec 1961: BR7
↑ Anatomy of a Murder---Texas Style Carrier, Warren. Los Angeles Times 14 Jan 1962: B20.
↑ Who Really Wants the Second Feature?: Single Bills Again Demanded; Lee Thompson, Publicist Pals Scheuer, Philip K. Los Angeles Times 5 Sep 1962: C11.
↑ Red Skelton Is Touched by Antique Shop Incident Hopper, Hedda. Chicago Daily Tribune 7 Sep 1962: b10.
↑ Chamberlain Gets a Change of Pace Chicago Tribune 29 June 1963: b11.
↑ That Gal Joey Reaches Stardom at Age of 18 Blakesley, Richard. Chicago Tribune 23 Nov 1963: a3.
↑ FILM EVENTS: 'Robin' Goes to Warners Los Angeles Times 16 May 1963: C6.
↑ 3.6-MILLION LOSS SHOWN BY M-G-M: Film Concern Attributes Dip Partly to Poor Box Office Production-Distribution Losses Loss of 3.6 Million Is Shown For Metro-Goldwyn-Mayer New York Times 13 July 1963: 22.
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