Two Water Mills with an Open Sluice, also known as Two Watermills and an Open Sluice, Two Undershot Water Mills with an Open Sluice is a 1653 painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the Getty Museum in Los Angeles. [1]
The painting shows two working undershot water mills, with the major one being half-timbered with a cob-facade construction, tie beams, and vertical plank gable. This is characteristic of the water mills in the Bentheim area in Germany, to where Ruisdael had travelled in the early 1650s. [1] This painting is one of six known variations on this theme and the only one that is dated. [2]
Although other Western artists had depicted water mills before, Ruisdael was the first to make it the focal subject in a painting. [3] Meindert Hobbema, Ruisdael's pupil, started working on the water mills subject in the 1660s. Today Hobbema is more strongly associated with water mills than his teacher. [4]
The painting is known by various names. The painting is called Two Water Mills with an Open Sluice in Seymour Slive's 2001 catalogue raisonné of Ruisdael, catalogue number 119. [4] In his 2011 book on Ruisdael's mills and water mills Slive calls it Two Undershot Water Mills with an Open Sluice. [1] The Getty Museum calls it Two Watermills and an Open Sluice on their website, object number 82.PA.18. [2]
Meindert Lubbertszoon Hobbema was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, The Avenue at Middelharnis, shows a different type of scene.
Jacob Isaackszoon van Ruisdael was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular.
Seymour Slive was an American art historian, who served as director of the Harvard Art Museums from 1975 to 1984. Slive was a scholar of Dutch art, specifically of the artists Rembrandt, Frans Hals, and Jacob van Ruisdael.
The Windmill of Wijk bij Duurstede is an oil-on-canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Two Watermills and an Open Sluice near Singraven is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the National Gallery.
The Watermill is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the National Gallery of Victoria.
Landscape with a Cottage and Trees (1646) is an oil-on-panel painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the Kunsthalle in Hamburg.
Bentheim Castle (1653) is an oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the National Gallery of Ireland in Dublin.
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Grainfield at the Edge of a Wood, also known as The Cornfield, is a 1648 etching by the Dutch Golden Age artist Jacob van Ruisdael. There are five versions known about the etching. The first state is at the British Museum in London. The second state, in which a few lines in the sky have been added, is at the Rijksmuseum in Amsterdam. On the later states "JvRuysdael" has been added by another hand than Jacob's.
Dune Landscape near Haarlem, also known as The Bush and The Thicket near Haarlem, is an oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the Louvre in Paris.
Evening Landscape: A Windmill by a Stream is a 17th-century oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of Queen Elizabeth II, on display at the Queen's Gallery at Buckingham Palace. It was acquired by King George IV in 1810.
A Thatch-Roofed House with a Water Mill, also known as Water Mill near a Farm, is a 17th-century oil on panel painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the Museum Boijmans Van Beuningen in Rotterdam.
View of the Dam and Damrak at Amsterdam, also known as The Damrak in Amsterdam, is a 17th-century oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. Since 1866 it is in the collection of the Museum Boymans van Beuningen in Rotterdam.
View of the Dam and Damrak at Amsterdam, also known as Quay at Amsterdam, is a 17th-century oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. It is since 1910 in the Frick Collection in New York. It is currently not on view.
Landscape with a Windmill Near a Town Moat is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in a private collection.
The Avenue at Middelharnis is a Dutch Golden Age painting of 1689 by Meindert Hobbema, now in the National Gallery, London. It is in oil on canvas and measures 103.5 by 141 centimetres. It shows a road leading to the village of Middelharnis on the island of Goeree-Overflakkee in the Meuse delta in South Holland, the Netherlands.
Landscape with a Windmill is an oil-on-panel painting executed by the Dutch artist Jacob van Ruisdael in 1646, early in his career. It is now in the Cleveland Museum of Art in Ohio. It had initially been loaned to them by the Mr and Mrs William H. Marlatt fund, who had bought it in 1967 from Kunsthandlung F. Kleinberger & Co, a New York art dealer, who had in turn bought it at the auction of the Cook collection at Christie's in London on 25 November 1966.