| Wheat Fields | |
|---|---|
 | |
| Artist | Jacob van Ruisdael |
| Year | c. 1670 |
| Medium | Oil on canvas |
| Dimensions | 100 cm× 130.2 cm(39 in× 51.3 in) |
| Location | Metropolitan Museum of Art, New York |
Wheat Fields is a late 17th-century oil painting by Jacob van Ruisdael. The painting depicts a wheat field in the Netherlands.
Wheat Fields is a Dutch landscape painting created by Jacob van Ruisdael. The painting is one of twenty-seven works that Ruisdael produced concerning fields of grain. Ruisdael's work depicts a road passing between two fields of wheat. Beyond the fields, a small woods and a house can be seen. In the far left corner of the painting, the coastline and several ships at sea can be made out. Towering clouds drift in the sky above the scene, and several people can be seen coming and going along the road. In addition to familiar pastoral themes, Ruisdael included intricate depictions of various forms of flora. Attention was not only lavished on the uniform blocks of wheat, but also on the verdant tendrils of grass and weeds that has encroached upon the roadway. Trees, both alive and fallen, are also pictured. [1] [2]
At 100 cm by 130 cm, the painting is rather large. It was intended to hang in a high place, such as above a fireplace mantel. [1] This painting came into the collection via the bequest of Benjamin Altman in 1914. It was selected by the New York art historian Thomas Craven as one of Ruisdael's best landscape compositions. [3]
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The Jewish Cemetery is an oil-on-canvas painting by the Dutch landscape painter Jacob van Ruisdael, now at the Detroit Institute of Arts. While growing up in Haarlem, his father, Isaak van Ruisdael, and uncle Salomon van Ruisdael taught him painting. Jacob van Ruisdael painted an allegorical painting depicting hope and death in The Jewish Cemetery. Located on Amsterdam's outskirts, it is a prominent resting place for Amsterdam's large Jewish Portuguese community. These tomb monuments commemorate the leaders of the newly arrived Portuguese-Jewish community. The central elements of the painting, however, are different from how Ouderkerk appears to achieve the painting's compositional and allegorical intent. This painting is twice as large as the typical landscape painting from the 17th century. After being cataloged in England in 1835, the artwork, The Jewish Cemetery, disappeared. The Detroit Institution of Art acquired the painting in 1920 after rediscovering it in London.
Enclosed Field with Peasant is an oil painting by Dutch artist Vincent van Gogh, painted around 12 October 1889. The Size 30 painting, measuring 73 cm × 92 cm, depicts a scene of a ploughed field near the asylum at Saint-Rémy-de-Provence, with a lilac bush, a peasant carrying a wheatsheaf, several buildings, and the Alpilles mountains rising behind, with a small patch of sky. Van Gogh considered it a pendant painting to The Reaper executed earlier in 1889. It is currently part of the permanent collection at the Indianapolis Museum of Art.
Green Wheat Field with Cypress is an oil-on-canvas painting by Dutch Post-Impressionist Vincent van Gogh. It is held by the National Gallery Prague, displayed at the Veletržní palác in the district of Holešovice, where the painting is known as Zelené obilí.
View of Haarlem with Bleaching Fields is an oil on canvas painting by Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and Haarlempjes, a specific style of Dutch landscape painting that focuses on views of Haarlem.View of Haarlem with Bleaching Fields is now in the collection of the Kunsthaus Zürich. This painting demonstrates several critical characteristics of 17th-century Dutch landscape painting, including a low horizon line, expressions of Dutch pride of place, and disguised religious symbolism. Through this work, Ruisdael expresses his pride as not only a Dutch citizen but also a citizen of Haarlem. Painted shortly after the end of the Eighty Years' War and the independence of the Dutch Republic, View of Haarlem with Bleaching Fields, and many other Dutch Golden Age paintings, united the newly formed nation under depictions of pride in their land and the prosperity of their country. Ruisdael went on to paint many similar views of Haarlem and its bleaching fields. Even after his death, these views would continue to be painted by his followers and inspire future generations of landscape painters.
The Windmill of Wijk bij Duurstede is an oil-on-canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
View of Egmond aan Zee is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Nationalmuseum in Stockholm.
Landscape with Waterfall is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Winter Landscape near Haarlem is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Städel. This painting was documented by Hofstede de Groot in 1911, who wrote; "992. A WINTER LANDSCAPE. A snow-bound plain with trees to right and left. In the centre a road leads to the distance; away to the right is a cottage. In the centre foreground stands a solitary lamp-post. To the left of this are two travellers with a dog. Signed in full, according to the Sedelmeyer sale-catalogue, but the Frankfort catalogue does not mention a signature; canvas, 14 1/2 inches by 12 1/2 inches. Exhibited at Vienna, 1873, No. 165.
Haerlempjes refer to a specific genre of landscape painting that includes a view of Haarlem. It is used most often to refer to Jacob van Ruisdael's panoramic views of the city, but the term is derived from mentions in Haarlem archives as a type of painting included in household inventories. The diminutive suffix "pje" would denote a small, cabinet-sized painting, but even the largest landscapes may be referred to as Haerlempjes today.
Wooded Dunes, also known as Dune Landscape, Peasant Cottage in a Landscape, Wooded Dunes and Cottage in a Grove is a 1646 oil-on-panel painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the Hermitage Museum in St. Petersburg.
Panoramic view of the Amstel looking toward Amsterdam is a 17th-century oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the Fitzwilliam Museum in Cambridge.
Evening Landscape: A Windmill by a Stream is a 17th-century oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of Queen Elizabeth II, on display at the Queen's Gallery at Buckingham Palace. It was acquired by King George IV in 1810.
Portrait of Mrs. Bodolphe is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1643 as half of a pair of pendant marriage portraits and is still together with its pendant in the Yale University Art Gallery, New Haven, Connecticut.
Landscape with a Windmill is an oil-on-panel painting executed by the Dutch artist Jacob van Ruisdael in 1646, early in his career. It is now in the Cleveland Museum of Art in Ohio. It had initially been loaned to them by the Mr and Mrs William H. Marlatt fund, who had bought it in 1967 from Kunsthandlung F. Kleinberger & Co, a New York art dealer, who had in turn bought it at the auction of the Cook collection at Christie's in London on 25 November 1966.
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