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Ulf Hoelscher (born 17 January 1942 in Kitzingen) is a German violinist.
He has been soloist with the Berlin Philharmonic, the Vienna Symphony, the BBC Symphony Orchestra and the New York Philharmonic. He has recorded numerous concertos by Schoeck, [1] Beethoven, Berg, Bruch, Schumann, Spohr, Saint-Saëns, and Tchaikovsky.
He teaches violin at the Musikhochschule Karlsruhe and the Accademia di Cervo in Italy.
He plays an 18th-century Guarneri violin.
Itzhak Perlman is an Israeli-American violinist. He has performed worldwide and throughout the United States, in venues that have included a state dinner for Elizabeth II at the White House in 2007, and at the 2009 inauguration of Barack Obama. He has conducted the Detroit Symphony Orchestra, the Philadelphia Orchestra, and the Westchester Philharmonic. In 2015, he was awarded the Presidential Medal of Freedom. Perlman has won 16 Grammy Awards, including a Grammy Lifetime Achievement Award, and four Emmy Awards.
James Ehnes, is a Canadian concert violinist and violist.
René-Charles "Zino" Francescatti was a French virtuoso violinist, renowned for his lyrical playing style.
Gil Shaham is an American violinist. His accolades include a Grammy Award in 1999, and he has performed as a soloist with such orchestras as the New York Philharmonic, Berlin Philharmonic, Vienna Philharmonic, Israel Philharmonic Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, San Francisco Symphony, Russian National Orchestra, Academy of St. Martin in the Fields, and the Orchestre de Paris.
The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at the peak of his artistic career. It is popularly known as the Organ Symphony, since, unusually for a late-Romantic symphony, two of the four movements use the pipe organ. The composer inscribed it as: Symphonie No. 3 "avec orgue".
The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Saëns was composed in 1868 and is probably Saint-Saëns' most popular piano concerto. It was dedicated to Madame A. de Villers. At the première on 13 May the composer was the soloist and Anton Rubinstein conducted the orchestra. Saint-Saëns wrote the concerto in three weeks and had very little time to prepare for the première; consequently, the piece was not initially successful. The capricious changes in style provoked Zygmunt Stojowski to quip that it "begins with Bach and ends with Offenbach."
The Piano Concerto No. 5 in F major, Op. 103, popularly known as The Egyptian, was Camille Saint-Saëns' last piano concerto. He wrote it in 1896, 20 years after his Fourth Piano Concerto, to play himself at his own Jubilee Concert on May 6 of that year. This concert celebrated the fiftieth anniversary of his début at the Salle Pleyel in 1846.
The Violin Concerto No. 3 in B minor, Op. 61, by Camille Saint-Saëns is a piece for violin and orchestra written in March 1880. Saint-Saëns dedicated the concerto to fellow composer-virtuoso Pablo de Sarasate, who performed the solo part at the premiere in October 1880 in Hamburg.
Erich Wolfgang Korngold composed his Violin Concerto in D major, Op. 35, in 1945.
Mats Lidström is a Swedish solo cellist, recording artist, chamber musician, composer, teacher and publisher.
Edouard van Remoortel was a Belgian conductor. He studied cello and conducting at the Brussels conservatory. He was affiliated with the Belgian National Orchestra as of 1951.
Jean Fournet was a French flautist and conductor.
Thierry Fischer is a Swiss orchestra conductor and flutist.
James Zuill Bailey, better known as Zuill Bailey is an American Grammy Award-winning cello soloist, chamber musician, and artistic director. A graduate of the Peabody Institute of the Johns Hopkins University and the Juilliard School, he has appeared in recital and with major orchestras internationally. He is a professor of cello and Director of the Center for Entrepreneurship at the University of Texas at El Paso. Bailey’s extensive recording catalogue are released on TELARC, Avie, Steinway and Sons, Octave, Delos, Albany, Sono Luminus, Naxos, Azica, Concord, EuroArts, ASV, Oxingale and Zenph Studios.
Jian Wang is a Chinese cellist. A soloist, chamber musician, recording artist and teacher, he was the first Chinese musician to ever sign an exclusive contract with Deutsche Grammophon.
Pierre Dervaux was a French operatic conductor, composer, and pedagogue. At the Conservatoire de Paris, he studied counterpoint and harmony with Marcel Samuel-Rousseau and Jean and Noël Gallon, as well as piano with Isidor Philipp, Armand Ferté, and Yves Nat. He also served as principal conductor of the Opéra-Comique (1947–53), and the Opéra de Paris (1956–72). In this capacity he directed the French première of Poulenc’s Dialogues des Carmélites. He was also Vice-President of the Concerts Pasdeloup (1949–55), President and Chief conductor of the Concerts Colonne (1958–92), Musical Director of the Orchestre des Pays de Loire (1971–79) as well as holding similar posts at the Quebec Symphony Orchestra (1968–75), where he collaborated with concertmaster Hidetaro Suzuki, and the Nice Philharmonic (1979–82).
The Violin Concerto No. 2 in C major, Op. 58, by Camille Saint-Saëns, was the composer's first violin concerto, written in 1858, although it was published in 1879 and so is numbered second. It was premiered in 1880 with Pierre Marsick as soloist.
Danny Driver is a British classical pianist.
Scipione Guidi was an Italian violinist and concertmaster of the National Symphony Orchestra and the New York Philharmonic under the direction of Willem Mengelberg and Arturo Toscanini during the 1920s.
The Violin Concerto No. 1 in A major, Op. 20, by Camille Saint-Saëns is a piece for violin and orchestra written in 1859 and premiered in 1867 in Paris. Despite its numbering, this concerto was Saint-Saëns' second for the violin because it was published first. This was the first in a string of collaborations with virtuoso violinist Pablo Sarasate, who was only 15 years old at the time. This concerto, along with No. 2 and No. 3, would result in a lifelong friendship and collaboration between Saint-Saëns and Sarasate. The work never gained much popularity during Saint-Saëns' lifetime, to his disappointment.
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