Ernest Miller Hemingway was an American novelist, short-story writer and journalist. Known for an economical, understated style that influenced later 20th-century writers, he has been romanticized for his adventurous lifestyle and outspoken, blunt public image. Some of his seven novels, six short-story collections and two non-fiction works have become classics of American literature, and he was awarded the 1954 Nobel Prize in Literature.
Ringgold Wilmer Lardner was an American sports columnist and short story writer best known for his satirical writings on sports, marriage, and the theatre. His contemporaries—Ernest Hemingway, Virginia Woolf, and F. Scott Fitzgerald—all professed strong admiration for his writing, and author John O'Hara directly attributed his understanding of dialogue to him.
A Farewell to Arms is a novel by American writer Ernest Hemingway, set during the Italian campaign of World War I. First published in 1929, it is a first-person account of an American, Frederic Henry, serving as a lieutenant in the ambulance corps of the Italian Army. The novel describes a love affair between the American expatriate and an English nurse, Catherine Barkley.
Henri Barbusse was a French novelist, short story writer, journalist, poet and political activist. He began his literary career in the 1890s as a Symbolist poet and continued as a neo-Naturalist novelist; in 1916, he published Under Fire, a novel about World War I based on his experience which is described as one of the earliest works of the Lost Generation movement or as the work which started it; the novel had a major impact on the later writers of the movement, namely on Ernest Hemingway and Erich Maria Remarque. Barbusse is considered one of the important French writers of 1910–1939 who mingled the war memories with moral and political meditations.
Literature about World War I is generally thought to include poems, novels and drama; diaries, letters, and memoirs are often included in this category as well. Although the canon continues to be challenged, the texts most frequently taught in schools and universities are lyrics by Siegfried Sassoon and Wilfred Owen; poems by Ivor Gurney, Edward Thomas, Charles Sorley, David Jones and Isaac Rosenberg are also widely anthologized. Many of the works during and about the war were written by men because of the war's intense demand on the young men of that generation; however, a number of women created literature about the war, often observing the effects of the war on soldiers, domestic spaces, and the home front more generally.
John Roderigo Dos Passos was an American novelist, most notable for his U.S.A. trilogy.
Raymond Radiguet was a French novelist and poet whose two novels were noted for their explicit themes, and unique style and tone.
Across the River and Into the Trees is a novel by American writer Ernest Hemingway, published by Charles Scribner's Sons in 1950, after first being serialized in Cosmopolitan magazine earlier that year. The title is derived from the last words of Confederate States Army General Thomas J. "Stonewall" Jackson, who was mortally wounded by friendly fire during the American Civil War: “Let us cross over the river and rest under the shade of the trees.” In the 19th century, this was understood to refer to the Jordan River and the passage to death and afterlife in Christianity.
Generals Die in Bed is an anti-war novella by the Canadian writer Charles Yale Harrison. Based on the author's own experiences in combat, it tells the story of a young soldier fighting in the trenches of World War I. It was first published in 1930 by William Morrow.
A war novel or military fiction is a novel about war. It is a novel in which the primary action takes place on a battlefield, or in a civilian setting, where the characters are preoccupied with the preparations for, suffering the effects of, or recovering from war. Many war novels are historical novels.
One of Ours is a 1922 novel by Willa Cather that won the 1923 Pulitzer Prize for the Novel. It tells the story of the life of Claude Wheeler, a Nebraska native in the first decades of the 20th century. The son of a successful farmer and an intensely pious mother, he is guaranteed a comfortable livelihood. Nevertheless, Wheeler views himself as a victim of his father's success and his own inexplicable malaise.
"Big Two-Hearted River" is a two-part short story written by American author Ernest Hemingway, published in the 1925 Boni & Liveright edition of In Our Time, the first American volume of Hemingway's short stories. It features a single protagonist, Hemingway's recurrent autobiographical character Nick Adams, whose speaking voice is heard just three times. The story explores the destructive qualities of war which is countered by the healing and regenerative powers of nature. When it was published, critics praised Hemingway's sparse writing style and it became an important work in his canon.
Frédéric Rousseau is a French historian, specializing in the social history of soldiers in World War I. He is notable as one of the first historians to discuss the suppression of sexuality in combatants, and early use of the term and view "demodernization" (2000). He teaches at the University of Montpellier, and is a director of Laboratoire CRISES.
Paul Vaillant-Couturier was a French writer and communist. He participated in the founding of the French Communist Party (PCF) in 1920.
Paul Pouderoux was a French officer.
The First World War, which was fought between 1914 and 1918, had an immediate impact on popular culture. In the over a hundred years since the war ended, the war has resulted in many artistic and cultural works from all sides and nations that participated in the war. This included artworks, books, poems, films, television, music, and more recently, video games. Many of these pieces were created by soldiers who took part in the war.
William Fitzwater Wray, who wrote under the pseudonym Kuklos, was a British journalist who was one of the most widely read cycling journalists of his era. He wrote in national newspapers in Britain and in cycling journals. Through his writing ran the conviction that "on every real bicycle there is the unseen pennant of progress, the standard of democracy, (and) the banner of freedom." He also gave magic lantern shows, predecessor of slide shows, which were in demand in the 1920s and 1930s and to which cyclists rode "prodigious distances."
