Under the Pavement Lies the Strand | |
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Directed by | Helma Sanders-Brahms |
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Produced by |
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Narrated by | Helma Sanders-Brahms |
Cinematography | Thomas Mauch |
Edited by | Elfie Tillack |
Music by | Wolfgang Amadeus Mozart |
Production companies |
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Release date |
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Running time | 106 minutes |
Country | Germany |
Language | German |
Under the Pavement Lies the Strand (German : Unter dem Pflaster ist der Strand) is a 1975 West German black and white drama film directed by Helma Sanders-Brahms. This low-budget film was her first feature film. [1] Prior to making the film, Sanders-Brahms had little to no distinct contact with the women's rights movement. [2]
The film deals with the aftermath of the 1968 student rebellions in Germany as experienced by two fervent participants. Though the country experienced sweeping reforms in the years following, two radicals-turned-successful Berlin stage actors and lovers grapple with their growing insignificance and the demands of adulthood. After a night of intense debate about the past and their future, the couple begins garnering support to fight a new abortion bill. However, their rekindled zeal is complicated by an unexpected pregnancy.
The film was released on DVD by Facets Multi-Media in 2008. [3]
Wendy Ellen Everett and Axel Goodbody, editors of Revisiting Space: Space and Place in European Cinema, said that it "became a cult film in the German feminist movement." [1] The film's main actress and actor won the Deutscher Filmpreis (Filmband in Gold) in 1975 [4] and it was called one of Sanders-Brahms' best films by Salon critic Andrew O'Hehir. [5] PopMatters critic Stuart Henderson referred to the film as a "revelation" and "fascinating and important film." [6] The Philadelphia City Paper stated that the film was "hailed as a cult film for the feminist movement." [7]
Gottfried Benn was a German poet, essayist, and physician. He was nominated for the Nobel Prize in Literature five times. He was awarded the Georg Büchner Prize in 1951.
New German Cinema is a period in West German cinema which lasted from 1962 to 1982, in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences. These filmmakers included Percy Adlon, Harun Farocki, Rainer Werner Fassbinder, Peter Fleischmann, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner Schroeter, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders. As a result of the attention they garnered, they were able to create better-financed productions which were backed by the big US studios. However, most of these larger films were commercial failures and the movement was heavily dependent on subsidies. By 1977, 80% of a budget for a typical West German film was ensured by a subsidy.
DEFA was the state-owned film studio of the German Democratic Republic throughout the country's existence. Since 2019, DEFA's film heritage has been made accessible and licensable on the PROGRESS archive platform. The DEFA Foundation is a non-profit organisation that was established in order to preserve the films in the DEFA library as well as the film studios, and make them accessible to the public.
Helma Sanders-Brahms was a German film director, screenwriter and producer.
Helke Sander is a German feminist film director, author, actor, activist, and educator. She is known primarily for her documentary work and contributions to the women's movement in the seventies and eighties.
Platz der Luftbrücke is a Berlin U-Bahn station located on the U6. It is located under Platz der Luftbrücke and the south end of Mehringdamm on the border between Kreuzberg and Tempelhof, near the former Tempelhof International Airport, and is now named for the square there with its memorial to the victims of the Berlin Airlift.
Ernst Gerhard Ludwig Jacobi-Scherbening, professionally called Ernst Jacobi, was a German actor. He was known for serious character roles, especially in the 1979 film The Tin Drum, as Hans in Germany, Pale Mother (1980), as Adolf Hitler in Hamsun (1996), and as the narrator in The White Ribbon (2009). He appeared in over 200 television productions and worked at the Burgtheater in Vienna from 1977 to 1987, and at the Schauspielhaus Zürich from 1987 to 1992. In 1975 he won the Berliner Kunstpreis for his portrayal of Alexander März in the television film Das Leben des schizophrenen Dichters Alexander März.
Liane, Jungle Goddess is a 1956 West German film directed by Eduard von Borsody. It was based on the 1956 novel Liane, das Mädchen aus dem Urwald by Anne Day-Helveg. The film attracted considerable attention due to Marion Michael appearing topless.
Werner Richard Heymann, also known as Werner R. Heymann, was a German-Jewish composer active in Germany and in Hollywood.
The 32nd annual Berlin International Film Festival was held from 12–23 February 1982. The Golden Bear was awarded to Veronika Voss directed by Rainer Werner Fassbinder.
No Mercy, No Future is a 1981 West German drama film directed by Helma Sanders-Brahms.
The Future of Emily is a 1984 West German drama film directed by Helma Sanders-Brahms. Barbara Kosta, author of Recasting Autobiography: Women's Counterfictions in Contemporary German Literature and Film, states that The Future of Emily, along with Laputa, "pursue[s] traditional narrative patterns" compared to Germany, Pale Mother, and "lapse[s] further into awkward melodrama." Christian Schröder, author of Hildegard Knef: Mir sollten sämtliche Wunder begegnen, wrote that the film appears "very French" and "very German" at the same time and compared it to the films of Éric Rohmer.
My Heart Is Mine Alone is a 1997 German experimental drama film directed by Helma Sanders-Brahms. A 1997 issue of Jewish Currents wrote that the film is "a kind of German movie that usually requires more than one screening to decipher and is made for avant-garde devotees."
Earthquake in Chile is a 1975 West German television drama film directed by Helma Sanders-Brahms. The film is an adaptation of the Heinrich von Kleist novella The Earthquake in Chile.
The Norwich Women's Film Weekend was a two-day annual event that ran for 10 years, from 1979 to 1989, at Cinema City in Norwich. It was organised to 'promote and encourage women film-makers and present the audience with films dealing with women's issues', as the first programme (1979) put it. It was the first event created, curated, managed and implemented by a group called Cinewomen. The NWFW lasted longer than any other women's film festival in the UK and forms part of the history of women's cinema and feminism more generally, and also the history of culture and the arts in Norwich.
Christel Magdalena Huber, known as Grischa Huber was a German theatre and film actress. She is known for the lead role in the film Under the Pavement Lies the Strand, a "cult film of the German feminist movement", which earned her the Filmband in Gold in 1975.