Underworld U.S.A. | |
---|---|
Directed by | Samuel Fuller |
Screenplay by | Samuel Fuller |
Based on | articles in The Saturday Evening Post 1956 by Joseph F. Dinneen |
Produced by | Samuel Fuller |
Starring | Cliff Robertson Dolores Dorn Beatrice Kay Richard Rust |
Cinematography | Hal Mohr |
Edited by | Jerome Thoms |
Music by | Harry Sukman |
Color process | Black and white |
Production company | Globe Enterprises |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 98 minutes |
Country | United States |
Language | English |
Budget | $1 million [1] |
Underworld U.S.A. (also known as Underworld USA) is a 1961 American neo-noir [2] crime film produced, written, and directed by Samuel Fuller. It tells the story of a 14-year-old boy who goes to enormous lengths to get revenge against the mobsters who beat his father to death. It stars Cliff Robertson, Dolores Dorn, and Beatrice Kay. [3]
The 14-year-old Tolly Devlin and his mother figure (Beatrice Kay) see four hoods beat his father to death. Tolly vows to avenge his father, but he discovers that Farrar, the one perpetrator he recognized when his father was being beaten, has been arrested and imprisoned for life. Tolly becomes a petty criminal and safecracker. Many years later, during a stint in prison, Tolly discovers that Farrar is on his deathbed in the prison medical ward. Tolly manipulates his way into the room and tricks Farrar into revealing the names of the other three killers before he dies.
The remaining killers have risen to be powerful lieutenants in the crime syndicate, so Tolly works his way into their organization. In the process, he saves and then begins a romance with a low-level syndicate money-runner named Cuddles (Dolores Dorn). Becoming a secret informant for the police, Tolly ends up playing both sides in his cagey campaign to bring down the remaining mobsters. Tolly's machinations convince syndicate boss Connors to have each of the three lieutenants murdered by the syndicate's ruthless assassin, Gus.
Having accomplished his goal, Tolly plans to go straight and marry Cuddles. The police warn him that without bringing down Connors, he has no chance of getting out alive, but Tolly does not believe them. As Tolly prepares to leave, Gus arrives and informs him that Connors has assigned them to kill Cuddles and several other innocent witnesses. Tolly realizes that Connors must be stopped. He knocks out Gus and turns him in to the police, and then confronts Connors and his men. Tolly kills Connors, but is shot during the struggle. He stumbles into an alley and dies.
Producer Ray Stark asked Fuller to write and direct a film based on the title of a magazine article written by Joseph F. Dinneen. Fuller also was inspired by a book, Here Is to Crime, by newspaperman Riley Cooper. [4] : 383–384
An opening scene with a Union of Prostitutes was deleted by Sam Briskin and other Columbia executives. [4] : 383–384 Fuller's character Tolly is a loner motivated by revenge using the United States government and his own devices to even the score. Fuller heard the reaction of a real-life gangster who reportedly said, "If only my son would have that kind of affection for me!" [4] : 390
Film critic Dennis Schwartz liked the film, and wrote, "Samuel Fuller's revenge crime thriller is shot in the same brisk and violent manner he shoots his war films". [5]
A wanted poster of Tolly Devlin appears in a police station in Columbia's film of Sail a Crooked Ship (1961).
The Academy Film Archive preserved Underworld U.S.A. in 2000. [6]
Joseph Anthony Doto, known as Joe Adonis, was an Italian-American mobster who was an important participant in the formation of the modern Cosa Nostra crime families in New York City and the National Crime Syndicate. Doto became a powerful caporegime in the Luciano crime family.
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Jewish-American organized crime initially emerged within the American Jewish community during the late 19th and early 20th centuries. In media and popular culture, it has variously been referred to as the Jewish Mob, the Jewish Mafia, the Kosher Mob, the Kosher Mafia, the Yiddish Connection, and Kosher Nostra or Undzer Shtik. The last two of these terms are direct references to the Italian Cosa Nostra; the former is a play on the word for kosher, referring to Jewish dietary laws, while the latter is a calque of the Italian phrase 'cosa nostra' into Yiddish, which was at the time the predominant language of the Jewish diaspora in the United States.
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This is a list of organized crime in the 1930s, arranged chronologically.