Uniform title

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A uniform title in library cataloging is a distinctive title assigned to a work which either has no title or has appeared under more than one title. Establishing a uniform title is an aspect of authority control. The phrases conventional title and standard title are sometimes used; [1] Resource Description and Access uses preferred title; while the 2009 Statement of International Cataloguing Principles [2] deprecates "uniform title" in favour of authorized access point.

There are many instances in which a uniform title can be used. Anonymous works such as sacred texts and folk tales may lack an obvious title: for instance, the Bible, Epic of Gilgamesh , Beowulf , or the Chanson de Roland . Works of art and music may contain no text that can be used for reference. A uniform title allows all versions of the work to collocate under one title and will reference all of the items to which the uniform title applies.

For example, if a library has 10 copies of Crime and Punishment , each in a different language, an online library catalogue can display all of the copies of the book together under the chosen uniform title. The library could also list any copies of Crime and Punishment in other media, such as film adaptations or abridged editions, under the same uniform title. This can help a library patron when searching the online catalog find all of the versions of Crime and Punishment at once instead of searching for each foreign title or film individually.

Uniform titles are particularly useful when cataloguing music, where pieces of music are often known by multiple valid titles and those titles are known in multiple languages, or when an individual work has been adapted as a contrafactum.

The Library of Congress provides an example of how books of the New Testament are referred to in the Anglo-American Cataloging Rules:

- Bible. N.T. Acts
- Bible. N.T. Colossians
- Bible. N.T. Corinthians, 1st
- Bible. N.T. Corinthians, 2nd
- Bible. N.T. Ephesians ... [3]

Example:

edition being cataloged: Othello / William Shakespeare

established uniform title: Shakespeare, William ... Othello

no uniform title assigned to the edition being cataloged

Example:

edition being cataloged: The tempest / William Shakespeare

established uniform title: Shakespeare, William ... Tempest

The complementary situation occurs with a single work that exists with more than one title, especially when translated into another language, excerpted or collected with other works. In this case, the name of the language or a phrase such as 'Selections' is added to distinguish works with the same uniform title.

The MARC 21 standard uses fields 240, 243, 630, 730 and 830 for uniform titles.

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According to Dr. Naseeb Shaheen, Shakespeare, in writing his plays, "seldom borrows biblical references from his sources, even when those sources contain many references." Roy Battenhouse notes that the Shakespearean tragedy "frequently echoes Bible language or paradigm, even when the play's setting is pagan." Similarly, Peter Milward notes that despite their secular appearance, Shakespeare's plays "conceal an undercurrent of religious meaning which belongs to their deepest essence." Further, Milward maintains that although Shakespeare "may have felt obliged by the circumstances of the Elizabethan stage to avoid Biblical or other religious subjects for his plays," such obligation "did not prevent him from making full use of the Bible in dramatizing his secular sources and thus infusing into them a Biblical meaning." Milward continues that, in writing his plays, Shakespeare "shows the universal relevance of the Bible both to the reality of human life 'in this harsh world' and to its ideal in the heart of God." Steven Marx suggests "a thorough familiarity with the Scriptures" is a prerequisite to understanding the Biblical references in the plays, and that the plays' references to the Bible "illuminate fresh and surprising meanings in the biblical text." Marx further notes that "it is possible that Shakespeare sometimes regarded his own role of playwright and performer as godlike, his own book as potent and capacious as 'The Book'." It is important to note, as a recent study points out “The diversity of versions reflected in Shakespeare’s writing indicates that ‘Shakespeare’s Bible’ cannot be taken for granted as unitary, since it consists of a network of different translations”

The Cambridge Shakespeare is a long-running series of critical editions of William Shakespeare's works published by Cambridge University Press. The name encompasses three distinct series: The Cambridge Shakespeare (1863–1866), The New Shakespeare (1921–1969), and The New Cambridge Shakespeare (1984–).

<i>The Family Shakespeare</i> 19th-century expurgated edition of the plays of William Shakespeare

The Family Shakespeare is a collection of expurgated Shakespeare plays, edited by Thomas Bowdler and his sister Henrietta ("Harriet"), intended to remove any material deemed too racy, blasphemous, or otherwise sensitive for young or female audiences, with the ultimate goal of creating a family-friendly rendition of Shakespeare's plays. However, despite this mission, The Family Shakespeare is most often cited in modern times as a negative example of literary censorship, despite its original family-friendly intentions. The Bowdler name is also the origin of the term "bowdlerise", meaning to omit parts of a work on moral grounds.

References

  1. Harrod, Leonard Montague (2005-01-01). Harrod's Librarians' Glossary and Reference Book: A Directory of Over 10,200 ... - Raymond John Prytherch. ISBN   9780754640387 . Retrieved 2015-07-09.
  2. "STATEMENT OF INTERNATIONAL CATALOGUING PRINCIPLES" (PDF). Ifla.org. Retrieved 2015-07-09.
  3. "Series/Uniform Title Browse Help (Library of Congress Online Catalog)". Catalog.loc.gov. 2008-06-25. Retrieved 2015-07-09.