This article needs additional citations for verification .(April 2014) |
The University of Arizona Poetry Center in Tucson, Arizona, is among the most extensive collections of contemporary poetry in the United States. [1] [ citation needed ] It is the largest such collection which is "open shelf."[ citation needed ]
The University of Arizona Poetry Center was founded in 1960 by Ruth Stephan as a place "to maintain and cherish the spirit of poetry. [2] " The Poetry Center's mission is to promote poetic literacy and sustain, enrich and advance a diverse literary culture. The Poetry Center sponsors numerous programs, including readings, lectures, classes and workshops, writing residencies, writers-in-the-schools, writers-in-the-prisons, contests, exhibitions and online resources, including standards-based poetry curricula.
An area of special emphasis within the College of Humanities, the Poetry Center is open and fully accessible to the public. In fall 2007, the Poetry Center moved into a 17,000-square-foot (1,600 m2) building named for Tucson arts patron Dr. Helen S. Schaefer. The Poetry Center's new building, designed by Line and Space, LLC, makes the Center's entire collection of contemporary poetry fully accessible for the first time in decades. The facility also provides meeting and gathering spaces for the Center's extensive literary programs and activities.
Ruth Walgreen Stephan (1910–1974) was a writer and philanthropist who began visiting Tucson in the 1950s. [3] She grew up in Chicago, the daughter of Charles Rudolph Walgreen (the founder of the national drug store chain Walgreens) and attended Northwestern University. Her first notable publication, a poem titled "Identity," appeared in Harper's Magazine in 1937. Her work soon began appearing in other leading magazines, such as Poetry and Forum . In the 1940s and 1950s she wrote both poetry and novels (The Flight and My Crown, My Love) and with her husband, the artist John Stephan, published an influential international quarterly of art and literature called The Tiger's Eye. After spending a year in Peru, she compiled and translated the first English-language collection of Quechua songs and tales. She also produced a series of records, The Spoken Anthology of American Literature, for international audiences. She lived in Japan for a while and made a documentary film on Zen Buddhism.
In 1954 Ruth Stephan began spending winters in Tucson, staying in a cottage near the University of Arizona campus. In 1960, she presented the property to the University. If the Poetry Center's initial home was modest, its founder's vision was not. She wanted to create a welcoming place and a distinguished collection that could encourage students, faculty and community members "to encounter poetry without intermediaries."
In 1960 Robert Frost arrived in Tucson by train to read at the dedication of the new Poetry Center on November 17. Ruth Stephan presided at the dedication with Arizona Congressman Stewart Udall and University President Richard Harvill. During this historic visit, Congressman Udall asked Frost to consider reading a poem at John F. Kennedy's upcoming Presidential inauguration.
For decades after her initial gift, Ruth Stephan made additional donations of land, stocks, cash and books to the Center. In 1963 the University of Arizona awarded Ruth Stephan an honorary PhD for "high achievement as a poet, novelist, translator and editor with an international reputation and as a sponsor and patron of imaginative literature." She served as an active member of the Center's Advisory Board until shortly before her death in 1974.
Ruth Stephan seeded The Poetry Center's collection with a gift of several hundred books. Her collection focused on contemporary poetry in English and also included translations of great poets from around the world. In her "Notes on Establishing and Maintaining a Poetry Collection," Stephan wrote:
The collection should consist of poetry, of biographies and bibliographies of poets, volumes of poets' letters and of prose and plays by poets. There should be no books of criticism or essays on poetry unless these books were written by poets: for example Francis Thompson's exquisite piece on Shelley, and T. S. Eliot's essays. Occasionally poets have written novels, as did William Carlos Williams, and these should be included for a rounded understanding of a poet."
Ms. Stephan's founding collection of books includes works by Ezra Pound, Kenneth Rexroth, Kenneth Patchen, Stanley Kunitz, W. H. Auden, John Berryman, Edna St. Vincent Millay and others, most of which are editions published in the 1940s and 1950s. Also included are a number of volumes of Asian and French poetry as well as classic works.
Intending the collection to have national and international significance, Ms. Stephan regularly shopped for books for the Poetry Center on her journeys, and she urged the staff to acquire materials demonstrating the widest possible range of poetry, from its known beginnings in chants and song to contemporary experiments. According to Poetry Center annual reports, the collection grew by 100 volumes during the 1962-1963 academic year and had reached 900 volumes by Spring 1963. By 1975 the total number of volumes had increased to 4,060 and there was "a large collection of poetry periodicals and poetry recordings."
The library collection, supported by an acquisitions endowment provided by Ms. Stephan and her mother Myrtle Walgreen in the mid-1970s, has grown to include over 70,000 items. These works include 40,000 books of poetry, 300 broadsides, 3000 photographs, and 1500 recordings, many of which record the Poetry Center's Reading Series (founded in 1962). The Poetry Center's catalog is accessible through Worldcat (OCLC). The collection is non-circulating.
The Ruth Stephan and Myrtle Walgreen Collection includes, on a representative level, the work of most poets writing in English in the 20th and 21st centuries. Poets from earlier centuries and translations into English are represented on a more selective level. Stephan's original vision for the collection has been maintained, with the addition of some acquisitions of critical works by major critics (e.g., Bloom, Vendler, and Perloff).
Audio-Video Collection - voca
The University of Arizona Poetry Center's Audio Video Library features recordings from the Center's long-running Reading Series and other readings presented under the auspices of the Center. The earliest of these recordings is a Robert Creeley reading from 1963. "voca" includes multiple recordings of poets who have read for the Poetry Center numerous times over the years. All recordings are made available with the permission of the reader. [4]
Rare Book Room
The Rare Book Room safeguards important items of the collection in a temperature- and humidity-controlled environment, preserving them for future generations of researchers and readers. Limited-edition works, books which are central to the poetry tradition, and artist-made books and collaborative book projects are included. In this archive, scholars will find materials only available in a few libraries around the world.
Children's Corner
The Poetry Center's children's collection includes hundreds of volumes of poetry for young people, as well as an assortment of curricular and pedagogical materials for use in teaching poetry to children, including the Poetry Center's own publication VERSE! Poetry for Young Children. Activities for children, school groups, and community organizations and families are regularly presented in this area.
Exhibitions
The Jeremy Ingalls Gallery in the reception area of the Poetry Center features permanent and regular special exhibitions highlighting work from the collection and the Rare Book Room. The Wall of Poets features a selection of black-and-white photographs of writers who have visited the Poetry Center since 1960. This photographic tradition, started by the Poetry Center's first director, LaVerne Harrell Clark, continues to this day.
Beginning in 1962 with readings by Stanley Kunitz and Kenneth Rexroth, the Poetry Center has presented over 1000 writers, including most major U.S. poets of this era, significant international visitors, and emerging writers. Lectures by visiting and local writers and scholars are held throughout the year. Symposia with visiting and local writers focused on a wide variety of literary topics are also presented.
Part of the Poetry Center's first home was a small house reserved for poets and writers visiting Tucson. The residence, or "Poet's Cottage," has always been a part of the Center's special character. The Fieries and Snuffies wrought-iron legend displayed over the door refers to the creative process. Ruth Stephan wrote that poets and writers "work in fiery bursts of creativity and snuff out most of the results with an eraser." In 1994, the Poetry Center inaugurated a residency program to offer poets a month-long opportunity to develop work and to access the Center's archives. The residencies are awarded through a national juried competition. [5] The residence in the new Poetry Center building carries on the tradition of the Poet's Cottage by providing a secluded studio apartment and private garden patio within the complex.
The Poetry Center administers a diverse range of programs and educational activities that create poetic literacy and cultivate a wide literary readership.
Adult Programs
Throughout the year, the Poetry Center offers non-credit creative writing workshops as well as classes and seminars on poetry and prose. Shop Talk discussion groups offer mini-lectures on featured poets, followed by a conversation on the poet's work. The Closer Look Book Club provides an opportunity for in-depth conversation about prose literature. The Poetry Center also provides support to the Arizona State Prison Creative Writing Workshops founded by University of Arizona Regents' Professor Richard Shelton and supported by a grant from the Lannan Foundation. Inmates attend weekly workshops, write, edit and submit work to a dedicated journal, Rain Shadow, which is available at the Poetry Center.
Pre-K to 12 Programs
The Poetry Center offers a monthly Family Days activity program for children of all ages and their families. It also offers online poetry resources and lesson plans for teachers of all grade levels. High school outreach includes a statewide Bilingual Corrido Contest [6] and Southern Arizona support of the National Poetry Out Loud Competition.
Contests
The Poetry Center sponsors a number of annual contests to benefit and reward writers. In addition to the Corrido Contest, the Center sponsors a national writer's residency, and writing contests for University of Arizona graduate and undergraduate students.
The Poetry Center and the University of Arizona Humanities Seminars Program formed a partnership to provide a permanent home for the Seminars within the new Poetry Center. Founded by Dorothy Rubel in 1984 to satisfy the intellectual needs of the growing adult population of Southern Arizona, the Humanities Seminars Program offers non-credit courses led by University faculty throughout the year. [7]
The University of Arizona Poetry Center is located at 1508 E. Helen St. in Tucson, Arizona, 85721.
Rita Frances Dove is an American poet and essayist. From 1993 to 1995, she served as Poet Laureate Consultant in Poetry to the Library of Congress. She is the first African American to have been appointed since the position was created by an act of Congress in 1986 from the previous "consultant in poetry" position (1937–86). Dove also received an appointment as "special consultant in poetry" for the Library of Congress's bicentennial year from 1999 to 2000. Dove is the second African American to receive the Pulitzer Prize for Poetry, in 1987, and she served as the Poet Laureate of Virginia from 2004 to 2006. Since 1989, she has been teaching at the University of Virginia in Charlottesville, where she held the chair of Commonwealth Professor of English from 1993 to 2020; as of 2020, she holds the chair of Henry Hoyns Professor of Creative Writing.
Charles Rudolph Walgreen was an American businessman and the founder of Walgreens.
Jesse Glass is an American expatriate poet, artist and folklorist.
Marianne Boruch is an American poet whose published work also includes essays on poetry, sometimes in relation to other fields and a memoir about a hitchhiking trip taken in 1971.
Ruth Ellen Kocher is an American poet. She is the recipient of the PEN/Open Book Award, the Dorset Prize, the Green Rose Prize, and the Naomi Long Madgett Poetry Award. She has received fellowships from the National Endowment for the Arts, the Vermont Studio Center, the MacDowell Colony, Yaddo, and Cave Canem. She is Professor of English at the University of Colorado - Boulder where and serves as Associate Dean for the College of Arts and Sciences and Divisional Dean for Arts and Humanities.
Joy Harjo is an American poet, musician, playwright, and author. She served as the 23rd United States Poet Laureate, the first Native American to hold that honor. She was also only the second Poet Laureate Consultant in Poetry to have served three terms. Harjo is a citizen of the Muscogee Nation and belongs to Oce Vpofv. She is an important figure in the second wave of the literary Native American Renaissance of the late 20th century. She studied at the Institute of American Indian Arts, completed her undergraduate degree at University of New Mexico in 1976, and earned an MFA degree at the University of Iowa in its creative writing program.
Ofelia Zepeda is a Tohono O'odham poet and intellectual. She is Regents' Professor of Tohono O'odham language and linguistics and Director of the American Indian Language Development Institute (AILDI) at The University of Arizona. Zepeda is the editor for Sun Tracks, a series of books that focuses on the work of Native American artists and writers, published by the University of Arizona Press.
Jane Hirshfield is an American poet, essayist, and translator, known as 'one of American poetry's central spokespersons for the biosphere' and recognized as 'among the modern masters,' 'writing some of the most important poetry in the world today.' A 2019 elected member of the American Academy of Arts & Sciences, her books include numerous award-winning collections of her own poems, collections of essays, and edited and co-translated volumes of world writers from the deep past. Widely published in global newspapers and literary journals, her work has been translated into over fifteen languages.
Martha Collins is a poet, translator, and editor. She has published eleven books of poetry, including Casualty Reports, Because What Else Could I Do, Night Unto Night, Admit One: An American Scrapbook, Day Unto Day, White Papers, and Blue Front, as well as two chapbooks and four books of co-translations from the Vietnamese. She has also co-edited, with Kevin Prufer and Martin Rock, a volume of poems by Catherine Breese Davis, accompanied by essays and an interview about the poet’s life and work.
Tina Chang is an American poet, professor, editor, organizer, and public speaker. In 2010, she was named Poet Laureate of Brooklyn.
Choman Hardi ,(born 29 January 1974) is a Kurdish poet and translator.
Ada Limón is an American poet. On July 12, 2022, she was named the 24th Poet Laureate of the United States by the Librarian of Congress. This made her the first Latina to be Poet Laureate of the United States. She is married to Lucas Marquardt.
Elizabeth Woody is an American Navajo/Warm Springs/Wasco/Yakama artist, author, and educator. In March 2016, she was the first Native American to be named poet laureate of Oregon by Governor Kate Brown.
Rebecca Seiferle is an American poet.
Alison Hawthorne Deming is an American poet, essayist and teacher, former Agnese Nelms Haury Chair in Environment and Social Justice and currently Regents Professor Emerita in Creative Writing at the University of Arizona. She received a 2015 Guggenheim Fellowship. She has two books out in 2025: the poetry collection "Blue Flax & Yellow Mustard Flower" and the anthology "The Gift of Animals: Poems of Love, Loss, & Connection". She received a 2021-24 Fellowship from the Borchard Foundation.
Patrick Donnelly is an American poet. He is the author of four poetry collections, The ChargeNocturnes of the Brothel of Ruin, Jesus Said, and Little-Known Operas. His poems have appeared in many journals, including The American Poetry Review, The Yale Review, The Virginia Quarterly Review, The Massachusetts Review, Ploughshares, Hayden's Ferry Review, and Slate, and in anthologies including The Book of Irish American Poetry from the 18th Century to the Present, and From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great.
Dora Malech is an American poet.
Beth Ann Fennelly is an American poet and prose writer and was the Poet Laureate of Mississippi.
Patricia Traxler, winner of the 2019 Kansas Book Award in Poetry, is an American poet, essayist, and fiction writer who lives in Salina, Kansas. She is the author of four volumes of poetry, a novel, and a short story collection. Born and raised in San Diego, California, one of eight children in a working-class family, Traxler was much influenced by her maternal grandmother, Nora Dunne, a poet from County Cork, Ireland, who lived with the family for several years during Traxler’s childhood.
Gabrielle Bates is a writer and visual artist from Birmingham, Alabama, and is known for her poetry comics. Her debut poetry collection Judas Goat was a Finalist for the Washington State Book Award. The book has been praised for its depiction of "encounters with nonhuman animals [which] reveal the deception, purchase, and stakes of human behavior." Bates currently lives in Seattle.