University of Brighton Design Archives

Last updated

The University of Brighton Design Archives centres on British and global design organisations of the twentieth century. It is located within the University of Brighton Grand Parade campus in the heart of Brighton and is an international research resource. It has many archival collections that were generated by design institutions and individual designers [1]

Contents

History

The University of Brighton Design Archives has its origins in the deposit of the archive of the Design Council (formerly the Council of Industrial Design) in 1994. The organisation was restructured by recommendation of the 1993–94,"Future Design Council" report (also known as the Sorrell Report) and consequently its records needed to be relocated. [2] Various repositories were considered and the University of Brighton was selected since it offered the newly established Design History Research Centre (DHRC) led by Professor Jonathan Woodham and Dr Patrick Maguire, who provided research expertise in the area of design and the state. In 1996 an award from the Getty Foundation Archive Program supported not only the acquisition of the Design Council Archive but also the appointment of a curator and a research officer. [3]

Collections development

The Design Archives has developed its collections since the 1990s and each archive has been acquired according to a specific collecting policy; to document aspects of twentieth-century design history with a strategic focus on the connections between them. Acquisitions have included the archives of James Gardner and FHK Henrion, who both worked with the Council of Industrial Design (later the Design Council) in the early parts of their career. Subsequent additions of individual designer's archives include those of Alison Settle a journalist and editor of British Vogue, and Council member in the 1950s; whose archive had been deposited in the university's library.

The archives of Bernard Schottlander, Paul Clark, and Barbara Jones, designers from different periods each having connections with the Design Council's work. Communication designers HA Rothholz, Edwin Embleton and Anthony Froshaug. Architects Joseph Emberton and Theo Crosby, and the display and set designer, Natasha Kroll.

The archive also holds a collection of papers reflecting all aspects of the work of engineer, designer and former senior project officer at the Design Council, WH Mayall.

The acquisition of the archive of the International Council of Graphic Design Associations (ICOGRADA) in 2002-3 marked the development of an international perspective for the collection. ICOGRADA is the professional world body for graphic design and visual communication, founded in London in 1963. The ICOGRADA archive comprises a significant body of documentation relating to governance, administration and educational activities, an important collection of 1500 posters from around the world, and library holdings. [4] In 2007 the International Council of Societies of Industrial Design (ICSID) archive came to the University of Brighton and further extended the international reach of the Design Archives.

Online access

Since 2005 the Design Archives has contributed catalogue data to the Archives Hub, a gateway to thousands of archives across more than 200 UK institutions. Records are added regularly as part of the Design Archives' ongoing cataloguing programme. Increasingly, digital objects are being added to these records.

Online access to the Design Archives' visual resources has been available in digital form since 1997–1998 with the JIDI: JISC Image Digitisation Initiative, which funded the digitisation of parts of the Design Council Photographic Library, including the 1951 Festival of Britain material. In 1999, the Archives participated in Scran (Scottish Cultural Resources Access Network), contributing images of exhibits at the 1947 Enterprise Scotland Exhibition. A further 3,000 images were added to the Visual Arts Data Service for free public access in 2001.

In 2000, the Design Archives developed a more structured e-learning resource, 'Designing Britain 1945–1975: The Visual Experience of Post-War Society'. A £132,000 grant from Jisc supported the creation of seven modules, each containing around 100 visual records and contextual texts by subject specialists. [5]

The Design Archives was one of eleven image collections to take part in the JISC-funded 'Digital Images for Education' project, receiving £43,000 in funding, and delivering over 2,300 images from across the wealth of its holdings to this subscription-based service, launched in 2011. The key emphasis of this resource is on film and digital images that capture local history, UK history, and world history during the preceding 25 years. The Archives was also among nine Higher Education partners contributing data and expertise to the "Look Here!" Project, funded and led by the Visual Arts Data Service. In 2015 the Design Archives won funding [6] from the Arts and Humanities Research Council for the project Exploring British Design, a prototype web portal to connect information about British design held in different museums, archives and libraries.

Recent recognition

In 2009 the Design Archives team was expanded as a result of further investment by the University of Brighton.

In recognition of its national and international role in higher education, the Design Archives received a 3-year Higher Education Funding Council for England (HEFCE) grant of £180,000 in 2010. [7] The award followed a review of university museums and galleries, led by Sir Muir Russell, which resulted in HEFCE widening its definition of university collections eligible for support. In 2017, the Design Archives successfully reapplied for funding from this competitive source for the next four years.

The Design Archives now form part of a group of 33 university museum, galleries and collections to receive this direct support. [8] The industry publication Design Week named the Design Archives as one of the five key design research collections in the UK. [9]

In October 2018, it was announced that the University of Brighton Design Archives had been awarded the prestigious Sir Misha Black Award for Innovation in Design Education. [10] In his oration, Professor Sir Christopher Frayling said the award was "primarily, for their pioneering work since the early 2000s in the areas of access and digitisation — engaging their various publics, specialist and non-specialist — in both processes and content, and putting the Brighton Design Archives at the forefront of debate about the very nature and significance of archival work today." [11]

Exhibitions

The Design Archives initiates exhibitions and contributes to exhibitions at other institutions. [12] Some examples include:

Publications

Related Research Articles

<span class="mw-page-title-main">Festival of Britain</span> 1951 national exhibition in the United Kingdom

The Festival of Britain was a national exhibition and fair that reached millions of visitors throughout the United Kingdom in the summer of 1951.

Dame Sonia Dawn Boyce is a British Afro-Caribbean artist and educator, living and working in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.

<span class="mw-page-title-main">Design Council</span> British organization

The Design Council, formerly the Council of Industrial Design, is a United Kingdom charity incorporated by royal charter. Its stated mission is "to champion great design that improves lives and makes things better". It was instrumental in the promotion of the concept of inclusive design.

<span class="mw-page-title-main">University of Brighton School of Art</span> Art school at the University of Brighton

Founded as the Brighton School of Art in 1859, the University of Brighton School of Art and Media is an organisational part of the University of Brighton, with courses in the creative arts, visual communication, media, craft and fashion and textile design.

<span class="mw-page-title-main">International Council of Design</span> International design organisation based in Canada

The International Council of Design is an international organisation representing the professions of design. The Council was founded in London in 1963 and celebrated its 50th anniversary on 27 April 2013. It is a non-profit, non-partisan, "member-based network of independent organisations and stakeholders working within the multidisciplinary scope of design."

Rita Donagh is a British artist, known for her realistic paintings and painstaking draughtsmanship.

<span class="mw-page-title-main">Robert L. Peters</span> Canadian graphic designer and educator (1954–2023)

Robert L. Peters was a Canadian graphic designer and educator.

Frederick Henri Kay Henrion, RDI, OBE, was a Nuremberg-born German graphic designer.

<span class="mw-page-title-main">Bernard Schottlander</span>

Bernard Schottlander (1924–1999) was a British, German-born designer and sculptor. His archive is located at the University of Brighton Design Archives.

<i>Britain Can Make It</i> 1946 British exhibition

Britain Can Make It was an exhibition of industrial and product design held at the Victoria and Albert Museum in London in 1946. It was organised by the Council of Industrial Design, later to become the Design Council.

<span class="mw-page-title-main">Tibor Reich</span> British textile designer (1916–1996)

Tibor Reich ATI, FSIA, FRSA was a British textile designer. His company, Tibor Ltd., produced designs featured in projects including the Festival of Britain, Concorde, Royal Yacht Britannia, Coventry Cathedral, Clarence House and the QE2. Reich was awarded a Design Council Award in 1957 and a Textile Institute Medal in 1973.

<span class="mw-page-title-main">Hans Arnold Rothholz</span> German-born graphic artist (1919–2000)

Hans Arnold Rothholz (1919–2000) was a poster designer and graphic artist born in Dresden, Germany, who immigrated to Britain in 1933. Interned as an enemy alien during the early part of the Second World War, he designed posters for the Royal Society for the Prevention of Accidents and other clients including Wembley Stadium, Ealing Studios and other major clients between 1942 and the 1960s. Along with fellow designers Tom Eckersley, George Him and Abram Games, he has been credited with "transform[ing] visual communication in Britain".

Natasha Kroll (1914–2004) was a display and production designer born in Moscow, who moved to Germany with her family in 1922. Most widely known for her production design at the BBC in the late 1950s and early 1960s, Kroll went on to design several feature films.

<span class="mw-page-title-main">James Gardner (designer)</span>

James "Leslie" Gardner OBE RDI was a British museum and exhibition designer. Although most widely known for his exhibition work, Gardner also undertook illustration and ship design work. His archive is located at the University of Brighton Design Archives.

William Maks de May (1917–1993), known as Willie de Majo, was a graphic designer, born in Vienna.

Maria Jane Balshaw CBE is director of the Tate art museums and galleries. The appointment was confirmed by Theresa May, the UK Prime Minister at the time, on 16 January 2017, making Balshaw the first female director of the Tate.

Yarom Vardimon is an Israeli designer, professor, dean of the Azrieli Faculty of Design at Shenkar and a laureate of the Israel Prize in design.

Dorothy Larcher (1884–1952) was an English designer of textiles, known for the printing workshops she shared with Phyllis Barron in Hampstead (1923–1930) and Painswick, Gloucestershire (1930–1940).

NIVAL (National Irish Visual Arts Library) is a public research resource which is dedicated to the documentation of twentieth- and twenty-first-century Irish visual art and design. It collects, stores and makes available for research documentation of Irish art and design in all media. NIVAL's collection policy encompasses Irish art and design from the entire island, Irish art and design abroad, and non-Irish artists and designers working in Ireland. NIVAL is sustained by material contributions from artists, arts organisations and arts workers. Information is also acquired from galleries, cultural institutions, critics, the art and design industries, and national and local authorities responsible for the visual arts. NIVAL is housed on the campus of the National College of Art and Design (NCAD) in Dublin.

Audrey Levy is a British artist and textile designer.

References

  1. University of Brighton, "Design Archives; Projects and Exhibitions" http://arts.brighton.ac.uk/collections/design-archives/projects (accessed 26 April 2013
  2. "Design Council website". Archived from the original on 15 August 2011. Retrieved 5 April 2013.
  3. Woodham, Jonathan; Lyon, Philippa, eds.. Art and Design at Brighton 1859–2009: from Arts and Manufactures to the Creative and Cultural Industries. (2009) p18 Brighton: University of Brighton. world war 2 ISBN   978-1-905593-58-3.
  4. "ICOGRADA Archive". University of Brighton Design Archives. Retrieved 23 October 2018.
  5. Designing Britain website
  6. "Amplification Awards". Arts & Humanities Research Council. Retrieved 17 March 2017.
  7. Snoad, Laura. "Design Archives gets higher education grant." Design Week 25, 32 (13 August 2010).
  8. "Cash for design archive.’ Times Higher Education Supplement (19 August 2010)
  9. Snoad, Laura. "Step into the Past." Design Week 25, no. 23 (10 June 2010): p. 9.
  10. "University of Brighton Design Archives | Misha Black Awards".
  11. "Citation for the Award | Misha Black Awards".
  12. "Projects and exhibitions | University of Brighton Design Archives".

The Design Archives collections are represented on these Web resources:

These online resources were created by Design Archives staff to increase understanding of the Archives, its activities and collections: