Toi Tangata | |
Former name | Ilam School of Fine Arts, College of Arts, Canterbury College School of Art |
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Type | Public art school |
Parent institution | University of Canterbury |
Dean | Kevin Watson |
Location | 43°31′28″S172°35′00″E / 43.52442058663028°S 172.58339937277614°E |
Website | canterbury.ac.nz/arts-faculty |
The Canterbury College School of Art headed by David Blair [1] was established on 1 March 1882. It is now known as the Ilam School of Fine Arts and is a faculty of Arts at the University of Canterbury.
In its original rendition the school was modelled on the late Victorian Arts and Crafts Movement centred in London's South Kensington School of Design. Its Mission was to give instruction focussing on the “arts and crafts” and their “practical application to the requirements of trade and manufactures,” [2] By 1884 student artworks of sufficient quality to being shown at the Wellington Art Society's Annual Exhibition in the company of J C Richmond, John Gully and C D Barraud [3] and two years later as part of an exhibition of Colonial art in the Royal Albert Hall, London. [4] By 1912 the college had 365 attending students although as reporters pointed out many of them were doing classes normally provided by Technical Colleges. [5] In 1920 the New Zealand painter and past student of the School Archibald Nicholl was appointed and would remain Head of School to 1927. [6] Along with David Blair previous heads of the school were, G.H. Elliott and R. Herdman Smith. Nicholl was followed by R Wallwork (1927–1945). [7]
Initially the school was based in the Girls High School building on the corner of Rolleston Avenue and Hereford Street now part of The Art Centre after Girl's High moved to Cranmer Square. [2] However, in1929 a standalone site on the corner of Gloucester and Montreal Streets was purchased. [8] In 1957 the art school was the first faculty of the university to move to Ilam where it was situated in Oakover House on the Ilam campus. [9] The following years John Simpson was appointed Senior lecturer and in 1961, aged 38, was made first Professor of Fine Arts at the School of Art Canterbury University. [10] Simpson headed the school for nearly 30 years retiring in 1990. [11] During his time as head of school he oversaw its relocation on the Ilam campus in 1979 in what would be its first purpose built structure. [2] He also introduced Graphic Design in 1963 [12] and film in 1966 [13] as subjects. Art history was included in 1974, the Bachelor of Fine Arts degree introduced in 1982 and Art Theory available as a subject from 1985. [14]
In 1991 the School of Fine Arts celebrated their Māori students past and present with an exhibition "He Tol Tutanga Na Ngaa Toa O Te WhareWaananga O Waltaha". One of the earliest Māori artists to attend Ilam was Buck Nin (Ngati Raukawa), [15] who trained under Rudi Gopas and gained a Diploma of Fine Arts from Ilam in 1966 becoming the first Māori to graduate from the school. [2] Other Māori students who have graduated from the school include: Matt Pine 1962, [16] Gavin Bishop (Waikato, Ngati Awa) 1964–1968, Jonathan Mane-Wheoki [Nga Puhi] 1966–1969, Eruera (Ted) Te Whiti Nia 1970–1973, [17] Kura Te Waru-Rewiri (Nga Puhi)1970-1973, Shane Cotton (Nga Puhi) 1985–1988, Peter Robinson (Kai Tahu) 1985–1988, Chris Heaphy (Ngai Tahu) 1987- 1990, Darryn George [Ngapuhi) 1989-1991 and John Walsh Aitanga a Hauiti/ New Zealand Irish 1973–1974.
Since its inception the staff of the school have largely been drawn from practicing artists many of whom were students at the school themselves. They have included: Archibald Nichol, Florence Atkins, Evelyn Page, Colin Lovell-Smith, Frances Shurrock, Cecil Kelly, Elizabeth Kelly, Sydney Lough Thompson, John Weeks, W.A. Sutton, Doris Lusk, Eileen Mayo, Tom Taylor, Rudi Gopas, Don Peebles, Maurice Askew, John Panting, Barry Cleavin, Quentin Macfarlane.
Rita Angus, Leonard Booth, [18] Grace Butler, James Cook, [19] Rhona Haszard, Cecil Kelly, Elizabeth Kelly, Rata Lovell-Smith, Ngaio Marsh, Owen Merton, Raymond McIntyre, Evelyn Polson ( Evelyn Page), Daisy Osborn, Flora Scales, Olivia Spencer-Bower, Sydney Thompson, William Thomas Trethewey, Alfred Walsh. [20]
Rita Angus, Kathleen Brown, Russell Clark, James Coe, Austen Deans, Margaret Frankel, Ivy Fife, Molly Macalister,Frances Rutherford, W A Sutton, John Weeks, Toss Woolaston.
Gavin Bishop Philippa Blair, Philip Clairmont, John Coley, Barry Cleavin, Bill Culbert, Neil Dawson, Michael Dunn, Tony Fomison, Dick Frizzell, Murray Grimsdale, Gil Hanly, Patrick Hanly, Bill Hammond, Ronnie van Hout, Hamish Keith, Tom Kreisler, Vivian Lynn, Maria Olsen, Jonathan Mane-Wheoki, Quentin McFarlane, Trevor Moffat, Eruera (Ted) Te Whiti Nia, Buck Nin, Matt Pine, Gaylene Preston, Philip Trusttum, Boyd Webb.
Bing Daw, Denise Copeland, Shane Cotton, Darryn George, Chris Heaphy, Seraphine Pick, Julia Morrison, Peter Robinson, Kura Te Waru-Rewiri, Vincent Ward, Ruth Watson.
Gordon Frederick Walters was a Wellington-born artist and graphic designer who is significant to New Zealand culture due to his representation of New Zealand in his Modern Abstract artworks.
Charles Frederick Goldie was a New Zealand artist, best known for his portrayal of Māori dignitaries.
Kura Te Waru Rewiri is a New Zealand artist, academic and educator. Art historian Deidre Brown described her as "one of Aotearoa, New Zealand's most celebrated Māori women artists."
Shane William Cotton is a New Zealand painter whose work explores biculturalism, colonialism, cultural identity, Māori spirituality, and life and death.
William Alexander Sutton was a New Zealand portrait and landscape artist.
Rudolf Gopas was a New Zealand artist and art teacher. He was born in Šilutė, Germany. Gopas' works are held in the collections of the Auckland Art Gallery Toi o Tāmaki, the Museum of New Zealand Te Papa Tongarewa, Christchurch Art Gallery and the Hocken Library.
Darryn George is a New Zealand artist based in Christchurch.
Jonathan Ngarimu Mane-Wheoki was a New Zealand art historian, academic, and curator. He was a pioneer in the study of contemporary Māori and Pacific art history.
Emily Karaka, also known as Emare Karaka is a New Zealand artist of Māori descent Her work is recognised for "its expressive intensity, her use of high key colour, and her gritty address of political issues related to Māori land rights and the Treaty of Waitangi".
Arnold Manaaki Wilson was a New Zealand artist and educator of Māori descent. He is regarded as a pioneer of the modern Māori art movement.
Star Gossage is a New Zealand painter. In addition to painting, her practice includes theatre, film-making, poetry, and sculpture. While referencing European movements such as expressionism, impressionism and surrealism, her work incorporates Māori concepts such as whānau and whakapapa.
Marilynn Lois Webb was a New Zealand artist, noted for her contributions to Māori art and her work as an educator. She was best known for her work in printmaking and pastels, and her works are held in art collections in New Zealand, the United States, and Norway. She lectured at the Dunedin School of Art, and was made an emeritus principal lecturer in 2004.
Susan Margaret Smith, known as Huhana Smith, is a contemporary New Zealand artist and academic, and head of Whiti o Rehua School of Art at Massey University. Between 2003 and 2009, she was senior curator Māori at Te Papa.
Barry Vickerman Cleavin is a New Zealand fine art printmaker.
Catherine Elizabeth Brown was a New Zealand Māori tohunga raranga, ceramicist, educator and netball coach. She affiliated to the Ngāi Tahu iwi. Brown played a pivotal role during her lifetime in educating New Zealanders about Māori arts as well as organising workshops, hui, conventions, and exhibitions on Māori arts, particularly Māori weaving. As well as educating and organising, Brown was an acknowledged master weaver and artist whose work was exhibited both nationally and internationally. Brown was awarded a Queen's Service Medal in 1995 as well as the Ngā Tohu ā Tā Kingi Ihaka award in 2000 in recognition of her contribution to Māori arts.
Nigel John Floyd Borell is a New Zealand Māori artist, museum curator, and Māori art advocate. He curated the exhibition Toi Tū Toi Ora: Contemporary Māori Art at the Auckland Art Gallery Toi o Tāmaki in 2020, the largest exhibition since they opened. In 2021 the Art Foundation of New Zealand created an award to acknowledge the work of Borrell in this exhibition.
Selwyn Frederick Muru, also known as Herewini Murupaenga, was a New Zealand artist. Of Māori descent, his life's work included painting, sculpture, journalism, broadcasting, directing, acting, set design, theatre, poetry, and whaikōrero. Muru was awarded the Te Tohu Aroha mō Te Arikinui Dame Te Atairangikaahu | Exemplary/Supreme Award in 1990 at the Creative New Zealand Te Waka Awards.
Buck Loy Nin (1942–1996) was a New Zealand artist influential in the development of contemporary Māori art in New Zealand. His landscape paintings have been included in survey exhibitions of contemporary Māori art including Te Waka Toi: Contemporary Maori Art that toured the United States in 1992 and Toi Tū Toi Ora: Contemporary Māori Art curated by Nigel Borrell and opened in 2020. Selwyn Muru called him 'Buck Nin the Mythmaker'.
Ngarino Ellis is a New Zealand academic and author. She is one of only a few in her field of Māori art history and an educator. She is an associate professor at the University of Auckland. Her first book published in 2016 is titled A Whakapapa of Tradition: One Hundred Years of Ngāti Porou Carving 1830-1930 with photography by Natalie Robertson.
Quentin Manners Macfarlane was a New Zealand artist known for his abstract marine paintings.