This article needs additional citations for verification .(July 2015) |
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Company type | Private |
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Industry | Musical instruments |
Founded | 1960 |
Founder | Thomas Walter Jennings |
Defunct | 1987 |
Headquarters | , |
Area served | Global |
Products | Electric and acoustic guitars Bass guitars Amplifiers Electronic keyboards Effects units |
Parent | Korg |
Website | VintageUnivox.com (archive site) |
Univox was a musical instrument brand of Unicord from the early 1960s, when they purchased the Amplifier Corporation of America of Westbury, New York, and began to market a line of guitar amplifiers. Univox also distributed guitars by Matsumoku, effects units by Shin-Ei Companion, and synthesizers by Crumar and Korg.
In 1985, the Wickes Companies sold Unicord to Korg, and the Univox brand was phased out.
In 1964, Unicord (a manufacturer of electric transformers acquired by Gulf and Western Industries in 1959) purchased the Amplifier Corporation of America and began marketing a line of amplifiers under the name of Univox.
Univox-branded fretted instruments (electric and acoustic guitars and electric basses) began being imported from Japanese contract manufacturer Matsumoku in 1968,[ citation needed ] In 1978 Unicord phased out the Univox line of guitars and equipment. They switched to an original guitar line called "Westbury", and an amp line called Stage which lasted until about 1982. The Unicord Corporation was purchased by Korg in 1985, effectively ending the line.
Univox was best known for its copies of instruments from better-known companies such as Fender, Gibson, Rickenbacker, Ampeg/Dan Armstrong, Epiphone and others. The Univox Hi-Flier was based loosely on the distinctive Mosrite "reverse swept" shape; it was popularized in the early 1990s by Kurt Cobain, almost two decades after original production had ceased.
The Univox name developed a market reputation as cheap because Unicord had copied amplifier designs from companies such as Shure and Electro-Voice instead of doing major original research and development. Univox used time-proven electronic circuits and quality components, but to avoid the negative market perception Unicord introduced the Stage brand; the only difference between the Univox and Stage equipment was the nameplate, attached prior to shipping.
Unicord was also the U.S. distributor for both Marshall amplifiers and Korg synthesizers.
The Marshalls used EL34 output tubes, but as they could barely reach the rated output wattage Unicord replaced them with KT88 tubes before shipping to U.S. vendors.
Unicord had begun as a manufacturer of electrical transformers. When the original Marshalls came to the U.S., Unicord's engineers were concerned that the output transformers could not reliably handle the full output. Unicord redesigned the output transformers and told Marshall to use the Unicord design in all units shipped to the U.S., and Marshall could use the design outside the U.S. if they wanted to. Marshall did adopt the Unicord design for all their tube amps.
Tony Frank, the design engineer at Unicord, created the dual-volume-control two-stage pre-amp that Marshall introduced with their 4140 and 2150 amplifiers, which allowed a "super-dirty" fuzz even at extremely low volumes.
A number of tube and solid-state amplifiers were produced by Univox over the years. These ranged from small practice combo amps to powerful heads with separate cabinets. Some models had built-in spring reverb and tremolo effects. In 1971, Univox introduced the B Group amplifiers, covered in two-toned blue or gray Tolex with distinctive ovaloid cosmetics. [1] The C-Group (UX) line of amps were used by The Jeff Beck Group and Led Zeppelin. [2]
In 1962, Gulf and Western acquired Merson Musical Products, an importer of various headstock-brand guitars such as Tempo, Giannini and Hagström. Around 1968, they started producing Univox-branded guitars. Unicord and Merson split in 1975, but Unicord continued to make Univox guitars until about 1978, even adding some newer models. [3]
Univox had many effects units, generally made by Shin-Ei, but perhaps their most well known was the Super-Fuzz Pedal, used by Pete Townshend. [3] Univox also produced the Uni-Vibe, a chorus/vibrato that attempted to emulate a Leslie speaker effect, popularized by Jimi Hendrix.
An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
An audio power amplifier amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address, home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.
Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg.
An instrument amplifier is an electronic amplifier that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, produced by a power amplifier, to drive one or more loudspeaker that can be heard by the performers and audience.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a combo amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Marshall Amplification is a British company that designs and manufactures music amplifiers and speaker cabinets. Founded in London by shop owner and drummer Jim Marshall, the company is based in Bletchley, Milton Keynes, England. Since March 2023, Marshall Amplification has been one of several divisions of the Swedish conglomerate, the Marshall Group.
A valve audio amplifier (UK) or vacuum tube audio amplifier (US) is a valve amplifier used for sound reinforcement, sound recording and reproduction.
The Vox AC30 is a guitar amplifier manufactured by Vox. It was introduced in 1958 to meet the growing demand for louder amplifiers. Characterised by its "jangly" high-end sound it has become widely recognized by British musicians and others, such as George Harrison and John Lennon of the Beatles, Bill Wyman of the Rolling Stones, Brian May of Queen, Dave Davies of the Kinks and Hank Marvin.
A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, grunge and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
The Univox Hi-Flier is an electric guitar marketed and sold by Univox from roughly 1967 to 1980. With its reversed offset body, the Hi-Flier has an intentional resemblance to the Mosrite Ventures model. A bass version of the Hi-Flier was also available.
Matsumoku Industrial was a Japanese manufacturing company based in Matsumoto, Nagano, between 1951 and 1987. Established in 1951 as a woodworking and cabinetry firm, Matsumoku is remembered as a manufacturer of guitars and bass guitars, including some Epiphone and Aria guitars.
Luxman is a brand name of Japanese Luxman Corporation (ラックスマン株式会社) that manufactures luxury audio components. Luxman produces a variety of high-end audio products, including turntables, amplifiers, receivers, tape decks, CD players and speakers.
Kalamazoo is the name for two different lines of instruments produced by Gibson. In both cases Kalamazoo was a budget brand. The first consisted of such instruments as archtop, flat top and lap steel guitars, banjos, and mandolins made between 1933 and 1942, and the second, from 1965 to 1970, had solid-body electric and bass guitars.
The Univox Super-Fuzz was a fuzzbox produced by the Univox company, primarily for use with the electric guitar or bass.
Lyle guitars were made in Japan between 1960 and the late 1970s in the Matsumoku guitar factory, which also produced Univox, Arai, Aria and other guitar brands. Some Lyle guitars were made in Korea, including the C-600 classical model.
TYM Guitars is a manufacturer of custom guitars and bass guitar based in Brisbane, Australia, as well as custom instruments the company also repairs, restores, refinishes vintage instruments. The line of custom guitars and basses built by TYM Guitars are influenced by manufacturers such as Mosrite, Rickenbacker, Epiphone, Danelectro, Fender and other models from the 1950s and 1960s, with several replicas and hybrids between different models being built to fit customer demand. TYM Guitars also has a retail shop that sells new and secondhand instruments and accessories from their own line of products and other manufacturers.
The Vox Custom 24 was one of a group of guitars produced in Japan by the Matsumoku company between 1980 and 1985, which included the Custom and Standard 24 and Custom and Standard 25 guitars. Custom and Standard bass guitars were also included in the range. Matsumoku had already produced guitars for Aria and other brands such as Westbury. These were recognised as leaders in performance, innovation and quality. The electronics in these guitars were designed by Adrian Legg. The guitars are passive but the complex switching allows for a wide variety of sounds, making them extremely versatile instruments.
Dr. Z Amplification is an American manufacturer of boutique guitar amplifiers.
Vintage musical equipment is older music gear, including instruments, amplifiers and speakers, sound recording equipment and effects pedals, sought after, maintained and used by record producers, audio engineers and musicians who are interested in historical music genres. While any piece of equipment of sufficient age can be considered vintage, the term is typically applied to instruments and gear from the 1970s and earlier. Guitars, amps, pedals, electric keyboards, sound recording equipment from the 1950s to 1970s are particularly sought after, while musical equipment from the 1940s and earlier is generally far more expensive and sought out mainly by museums or collectors to preserve historical equipment, rather than to perform with.