Unreleased (Columbia University 1973) | ||||
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Live album by | ||||
Released | 2018 | |||
Recorded | 1973 | |||
Venue | Columbia University, New York City | |||
Genre | Free jazz, funk, spiritual jazz | |||
Length | 30:58 | |||
Label | Dogtown Records DGTWN-002 | |||
Sounds of Liberation chronology | ||||
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Unreleased (Columbia University 1973) is a live album by the Philadelphia-based jazz collective Sounds of Liberation. It was recorded during 1973 at Columbia University in New York City, and was initially released in 2018 in very limited quantities by Dogtown Records in conjunction with the Brewerytown Beats record store, after which it was made available with broader distribution the following year by both Dogtown and the Corbett vs. Dempsey label. The recording, which was thought to have been lost, features vibraphonist and band leader Khan Jamal, saxophonist Byard Lancaster, guitarist Monnette Sudler, electric bassist Billy Mills, drummer Dwight James, conga player Rashid Salim, and percussionist Omar Hill. [1] [2] [3] [4]
Unreleased was the group's second album, issued 46 years after the 1972 release of New Horizons . [5] On June 13, 2019, the surviving members of Sounds of Liberation reunited for a concert/release party at Philadelphia's Union Transfer, sharing the bill with the Sun Ra Arkestra. [2] [6]
Review scores | |
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Source | Rating |
The Vinyl District | A− [7] |
Tom Hull – on the Web | B+ [8] |
In a review for JazzTimes , David Whiteis wrote: "The overall mood here is of youthful idealism and optimism, tempered by a startlingly mature aesthetic vision and well-honed musical acumen." [9] The New York City Jazz Record's Pierre Crépon noted that "the group's approach here is firmly centered on the groove," and is marked by "dense rhythmic layers," and suggested that the album finds the band "at their most compact and provides a much welcome occasion to look back at the group." [10]
Ed Hazell of Point of Departure called the album "a real gem, full of fire and funk, and uncompromising in both its commitment to the groove and to jazz soloing." [11] Writing for NPR , Tom Moon included the album in his list of "Best Reissues and Archival Albums of 2019," describing it as "a high-speed portal back to the early '70s and the moment when jazz musicians went headfirst into groove music with a spiritual dimension and/or 'message'." [12]
In an article for Stereogum , Phil Freeman wrote: "when the band digs into a groove, they can get into a zone somewhere between the Art Ensemble of Chicago and the earliest Earth, Wind & Fire recordings." [13] The Vinyl District's Joseph Neff called the album "an enlightening pleasure for the ears," and stated: "it always registers as natural rather than as a strained attempt at commercial viability stemming from frustration and/or desperation." [7] Bruce Lee Gallanter of the Downtown Music Gallery commented: "Music like this makes me feel good to be alive!" [14]
Jeremy Steig was an American jazz flutist.
Wake of the Flood is the sixth studio album by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Records label. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.
Charles Earland was an American jazz organist.
Philip Upchurch is an American jazz and blues guitarist and bassist.
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Philly Jazz was a small jazz record label in Philadelphia, Pennsylvania.
Byard Lancaster was an avant-garde jazz saxophonist and flutist.
Odean Pope is an American jazz tenor saxophonist.
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Khan Jamal, born Warren Robert Cheeseboro, was an American jazz vibraphone and marimba player. He founded the band Sounds of Liberation in 1970. He was described by Ron Wynn as "a proficient soloist when playing free material, jazz-rock and fusion, hard bop, or bluesy fare."
Monnette Sudler was an American jazz guitarist from Philadelphia.
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Sounds of Liberation was an American jazz collective formed in Philadelphia, Pennsylvania, in the early 1970s. They got their start in the progressive neighborhood of Germantown, Philadelphia. The band had close ties to the Black Arts Movement of the time, using their music to help spark social activism, with tremendous impact on the African American and jazz community in Philadelphia.
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Drum Dance to the Motherland is a live album by jazz vibraphonist and marimba player Khan Jamal, his debut as a leader. It was recorded on October 7, 1972, at the Catacombs Club in Philadelphia, and was initially released on LP by Dogtown Records in 1973. It was reissued on CD in remastered form by Eremite Records in 2006, and on LP in 2017. On the album, Jamal is joined by members of his Creative Art Ensemble: guitarist Monnette Sudler, bassist Billy Mills, percussionists Dwight James and Alex Ellison, and electronic musician Mario Falgna.
New Horizons is the debut album by the Philadelphia-based jazz collective Sounds of Liberation. It was recorded during March 1972 at Impact Sound in Philadelphia, and was released on vinyl later that year by Dogtown Records. In 2010, it was reissued in remastered form on both vinyl and CD by Porter Records with the title Sounds of Liberation, and in 2019, it was reissued on vinyl, with liner notes by writer Francis Davis, by Dogtown. The album features vibraphonist and band leader Khan Jamal, saxophonist Byard Lancaster, guitarist Monnette Sudler, electric bassist Billy Mills, drummer Dwight James, conga player Rashid Salim, and percussionist Omar Hill.