Urania's Mirror; or, a view of the Heavens is a set of 32 astronomical star chart cards, first published in November 1824. [1] [2] They are illustrations based on Alexander Jamieson's A Celestial Atlas , [2] but the addition of holes punched in them allow them to be held up to a light to see a depiction of the constellation's stars. [1] They were engraved by Sidney Hall, and were said to be designed by "a lady", but have since been identified as the work of the Reverend Richard Rouse Bloxam, an assistant master at Rugby School. [3]
The cover of the box-set depicts Urania, the muse of astronomy. It originally came with a book entitled A Familiar Treatise on Astronomy... written as an accompaniment. [2] [4] Peter Hingley, the researcher who solved the mystery of who designed the cards a hundred and seventy years after their publication, considered them amongst the most attractive star chart cards of the many produced in the early 19th century.
Urania's Mirror illustrates 79 constellations on 32 separate cards. Some of the illustrated constellations are now obsolete, as are some of the subconstellations, such as Caput Medusæ (the head of Medusa, carried by Perseus). [2] Urania's Mirror was originally advertised as including "all the constellations visible in the British Empire", [1] [4] but, in fact, it left out some southern constellations. By the second edition (1825), advertisements merely claimed illustration of the constellations visible from "Great Britain". [4] Some cards focus on a single constellation, others include several, with Card 32, centered on Hydra, illustrating twelve constellations (several of which are no longer recognised). Card 28 has six, and no other card has more than four. [2] Each card measures 8 inches by 5+1⁄2 (about 20 by 14 cm). [4] A book by Jehoshaphat Aspin entitled A Familiar Treatise on Astronomy (or, to give its full name, A Familiar Treatise on Astronomy, Explaining the General Phenomena of the Celestial Bodies; with Numerous Graphical Illustrations) was written to accompany the cards. [2] The cards and book came in a box illustrated with a woman almost certainly intended to be Urania, muse of astronomy. [4] The cards and book were originally published by Samuel Leigh, 18 Strand, London, [4] although, by the fourth edition, the publishing firm had moved to 421 Strand and changed its name to M. A. Leigh. [5]
P.D. Hingley calls Urania's Mirror "one of the most charming and visually attractive of the many aids to astronomical self-instruction produced in the early nineteenth century". [4] On its main gimmick, the holes in the stars meant to show the constellation when held in front of a light, he notes that, as the size of the holes marked correspond to the magnitude of the stars, a quite realistic depiction of the constellation is provided. [4] Ian Ridpath mostly concurs. He describes the device as an "attractive feature", but notes that, due to the light at the time being provided primarily by candles, many cards likely burned up due to carelessness when trying to hold them in front of the flame. He notes three other attempts to use the same gimmick—Franz Niklaus König's Atlas céleste (1826), Friedrich Braun's Himmels-Atlas in transparenten Karten (1850), and Otto Möllinger's Himmelsatlas (1851), but states that they lack Urania's Mirror's artistry. [2]
The depictions of the constellations in Urania's Mirror are redrawings from those in Alexander Jamieson's A Celestial Atlas , published about three years earlier, and include unique attributes differing from Jamieson's sky atlas, including the new constellation of Noctua the owl, and Norma Nilotica – a measuring device for the Nile floods – held by Aquarius the water bearer. [2]
Advertisements for Urania's Mirror, as well as the introduction to its companion book A Familiar Treatise on Astronomy, credit the design of the cards simply to a "lady", who is described in the introduction of the book as being "young". This led to speculation as to her identity. Some proposed prominent female astronomers such as Caroline Herschel and Mary Somerville, others credited the engraver Sidney Hall. [4] The designer's identity remained unknown for 170 years. In 1994, while archiving early election certificates used to propose people to be admitted to the Royal Astronomical Society, P. D. Hingley found one proposing the Reverend Richard Rouse Bloxam and naming him as "Author of Urania's Mirror". [3] While he had several notable sons, he has no other known publications, his main distinction being to have served as assistant master at Rugby School for 38 years. [3]
The reasons for the disguise are unknown. Hingley notes that many contemporary publications attempted to suggest women had played a role in their creation, perhaps to make them sound less threatening. He suggests that anonymity might have been necessary to protect Bloxam's position at Rugby, but notes Rugby was quite progressive, which makes this unlikely; and, finally, suggests modesty as a possibility. [6] Ian Ridpath, noting the plagiarism of the art from A Celestial Atlas , suggests that this alone might be sufficient to cause the author to wish to remain anonymous. [2]
A December 1824 advertisement, which states the cards were "just published", offered the cards "plain" at £1/8s or "fully coloured" for £1/14s. [1] This first edition did not include any stars surrounding the named constellations, leaving those parts blank. This was changed for the second edition, which added back stars around those constellations. [2] An American edition was published in 1832. Modern reprints were produced in 1993, and Barnes & Noble reproduced the American edition (with accompanying book) in 2004. [2] The accompanying book, A Familiar Treatise on Astronomy by Jehoshaphat Aspin went through at least four editions, with the last coming out in 1834. [2] The second edition featured a marked expansion in content, growing from 121 pages in the first edition to 200 pages in the second. [4] The book, by the time of the 1834 American edition, consisted of an introduction, a list of the northern and southern constellations, a description of each of the plates, with the history and background of the constellations depicted, and an alphabetical list of named stars (such as Achernar) with their Bayer designation, magnitude, and respective constellation. [7]
A "Second Part" of Urania's Mirror, which was to have included illustrations of the planets and a portable orrery, was advertised, [8] but no evidence exists to show it was ever released. [2]
The constellations depicted, in the order they are listed on the cards, are: [2]
In addition, Mons Mænalus is shown below Boötes, Caput Medusæ is shown as part of Perseus, and Cerberus is shown with Hercules. [2]
Argo Navis, or simply Argo, is one of Ptolemy's 48 constellations, now a grouping of three IAU constellations. It is formerly a single large constellation in the southern sky. The genitive is "Argus Navis", abbreviated "Arg". Flamsteed and other early modern astronomers called it Navis, genitive "Navis", abbreviated "Nav".
Antlia is a constellation in the Southern Celestial Hemisphere. Its name means "pump" in Latin and Greek; it represents an air pump. Originally Antlia Pneumatica, the constellation was established by Nicolas-Louis de Lacaille in the 18th century. Its non-specific (single-word) name, already in limited use, was preferred by John Herschel then welcomed by the astronomic community which officially accepted this. North of stars forming some of the sails of the ship Argo Navis, Antlia is completely visible from latitudes south of 49 degrees north.
A constellation is an area on the celestial sphere in which a group of visible stars forms a perceived pattern or outline, typically representing an animal, mythological subject, or inanimate object.
Octans is a faint constellation located in the deep Southern Sky. Its name is Latin for the eighth part of a circle, but it is named after the octant, a navigational instrument. Devised by French astronomer Nicolas Louis de Lacaille in 1752, Octans remains one of the 88 modern constellations. The southern celestial pole is located within the boundaries of Octans.
Pyxis is a small and faint constellation in the southern sky. Abbreviated from Pyxis Nautica, its name is Latin for a mariner's compass. Pyxis was introduced by Nicolas-Louis de Lacaille in the 18th century, and is counted among the 88 modern constellations.
Sextans is a faint, minor constellation on the celestial equator which was introduced in 1687 by Polish astronomer Johannes Hevelius. Its name is Latin for the astronomical sextant, an instrument that Hevelius made frequent use of in his observations.
Telescopium is a minor constellation in the southern celestial hemisphere, one of twelve named in the 18th century by French astronomer Nicolas-Louis de Lacaille and one of several depicting scientific instruments. Its name is a Latinized form of the Greek word for telescope. Telescopium was later much reduced in size by Francis Baily and Benjamin Gould.
Sculptor is a faint constellation in the southern sky. It represents a sculptor. It was introduced by Nicolas Louis de Lacaille in the 18th century. He originally named it Apparatus Sculptoris, but the name was later shortened.
In contemporary astronomy, 88 constellations are recognized by the International Astronomical Union (IAU). Each constellation is a region of the sky bordered by arcs of right ascension and declination, together covering the entire celestial sphere. Their boundaries were officially adopted by the International Astronomical Union in 1928 and published in 1930.
Felis was a constellation created by French astronomer Jérôme Lalande in 1799. He chose the name partly because, as a cat lover, he felt sorry that there was not yet a cat among the constellations. It was between the constellations of Antlia and Hydra.
Noctua was a constellation near the tail of Hydra in the southern celestial hemisphere, but is no longer recognized. It was introduced by Alexander Jamieson in his 1822 work, A Celestial Atlas, and appeared in a derived collection of illustrated cards, Urania's Mirror. Now designated Asterism a, the owl was composed of the stars Sigma Librae, 4 Librae and 54–57 Hydrae, which range from 3rd to 6th magnitude.
Telescopium Herschelii, also formerly known as Tubus Hershelli Major, is a former constellation in the northern celestial hemisphere. Maximilian Hell established it in 1789 to honour Sir William Herschel's discovery of the planet Uranus. It fell out of use by the end of the 19th century. θ Geminorum at apparent magnitude 4.8 was the constellation's brightest star.
Officina Typographica was a constellation located east of Sirius and Canis Major, north of Puppis, and south of Monoceros. It was drawn up by Johann Bode and Joseph Jérôme de Lalande in 1798, and included in the former's star atlas Uranographia in 1801, honouring the printing press of Johannes Gutenberg. Lalande reported wanting to honour French and German discoveries in the same manner that Nicolas-Louis de Lacaille had done for his new constellations. It was called Buchdrucker-Werkstatt by Bode initially, and later Atelier Typographique in the 1825 work Urania's Mirror, Atelier de l’Imprimeur by Preyssinger in 1862 and Antlia Typographiae in 1888.
The following outline is provided as an overview of and topical guide to astronomy:
Former constellations are old historical Western constellations that for various reasons are no longer widely recognised or are not officially recognised by the International Astronomical Union (IAU). Prior to 1930, many of these defunct constellations were traditional in one or more countries or cultures. Some only lasted decades but others were referred to over many centuries. All are now recognised only for having classical or historical value. Many former constellations had complex Latinised names after objects, people, or mythological or zoological creatures. Others with unwieldy names were shortened for convenience. For example, Scutum Sobiescianum was reduced to Scutum, Mons Mensae to Mensa, and Apparatus Sculptoris to Sculptor.
Constellation families are collections of constellations sharing some defining characteristic, such as proximity on the celestial sphere, common historical origin, or common mythological theme. In the Western tradition, most of the northern constellations stem from Ptolemy's list in the Almagest, and most of the far southern constellations were introduced by sailors and astronomers who traveled to the south in the 16th to 18th centuries. Separate traditions arose in India and China.
Gould designations for stars are similar to Flamsteed designations in the way that they number stars within a constellation in increasing order of right ascension. Each star is assigned an integer, followed by " G. ", and then the Latin genitive of the constellation it lies in. See 88 modern constellations for a list of constellations and the genitive forms of their names.
A Celestial Atlas, full title: A Celestial Atlas: Comprising A Systematic Display of the Heavens in a Series of Thirty Maps Illustrated by Scientific Description of their Contents, And accompanied by Catalogues of the Stars and Astronomical Exercises is a star atlas by British author Alexander Jamieson, published in 1822. The atlas includes 30 plates, 26 of which are constellation maps with a sinusoidal projection. In some editions the plates are hand-colored. The atlas includes three new constellations invented by Jamieson: Noctua, Norma Nilotica, and Solarium. Two celestial hemispheres of the atlas are centered on the equatorial poles via polar projection and geocentric alignment. The atlas comprises stars visible only to the naked eye, making it less cluttered.
The southern celestial hemisphere, also called the Southern Sky, is the southern half of the celestial sphere; that is, it lies south of the celestial equator. This arbitrary sphere, on which seemingly fixed stars form constellations, appears to rotate westward around a polar axis as the Earth rotates.