Production
Writing
The episode was written by showrunners David Benioff and D. B. Weiss. It was based mainly on the first chapters of A Storm of Swords , the third novel in George R. R. Martin's A Song of Ice and Fire series. Specifically, it adapts material from chapters Samwell I, Jon I, Davos I, Davos II, Tyrion I, Daenerys I, Davos III, and Daenerys II from A Storm of Swords and chapter Daenerys V of A Clash of Kings. [3]
Some of the twists that open the third book were used in the previous season's finale (mainly Robb's marriage and the White Walkers attacking the Night's Watch). Conversely, Barristan Selmy saving Daenerys from the manticore was borrowed from her last chapter in the second book A Clash of Kings . [3]
Casting
"Valar Dohaeris" introduces the Irish actor Ciarán Hinds as the Wildling leader and Night's Watch deserter Mance Rayder, one of the latest Season 3 roles to be cast. The producers explained that casting Mance was a great challenge because he was someone who had become "King beyond the Wall" not by birthright but by convincing all the tribes to unite under his leadership. They had to find an actor with the charisma required to portray this. [4] Unusual for a production such as Game of Thrones, the first scene Hinds filmed was the first one where his character appears: the meeting with Jon Snow at his tent. [5]
The season premiere also marks the first appearance of guest stars Kristofer Hivju as the Wildling Tormund Giantsbane, Nathalie Emmanuel as the slave Missandei, and Anton Lesser as the wounded prisoner Qyburn. The three castings were announced at San Diego Comic-Con in July 2012.
With this episode, Rose Leslie (Ygritte) and Oona Chaplin (Talisa) are promoted to series regulars, after guest starring in the second season. After being absent for the entire second season, Ian McElhinney returns as Ser Barristan Selmy. Actor Ian Whyte, previously cast as a White Walker in the first season, was recast as the huge Ser Gregor Clegane in the second and appears in the episode as the giant seen in the wildlings camp. [6]
Valyrian
David J. Peterson, who created the Dothraki language for the first season of the show, was entrusted by the producers to design a new constructed language to depict Valyrian, the tongue of the fallen Valyrian Empire. After immersing himself in the fictional background, Peterson ended up devising two languages: High Valyrian, the oldest form that was spoken at the height of the Empire and that in its purest form still exists as a language of scholarship and refinement, and the Slaver's Bay variety of Low Valyrian, a creolized version that is spoken in local dialects around the Slaver's Bay. The relationship between the two languages would be similar to the one between Classical Latin and Vulgar Latin.
To translate sentences in Low Valyrian such as the ones spoken by Kraznys mo Nakloz and Missandei during the episode, Peterson would first write them into High Valyrian, and then apply a series of phonological, semantic and grammatical changes to the text. [7]
Filming locations
The production continued to use the Paint Hall studios in Belfast for most interior shoots. The scene of Daenerys at sea was filmed at the Linen Mill Film & Television Studios at Banbridge, using the same ship built for Theon's arrival in Pyke and used as Stannis' flagship in season 2. [8] The beach of Downhill Strand returned as the island of Dragonstone.
The old city of Dubrovnik was again used for the exterior shots of the capital, King's Landing. Tyrion and Bronn are seen walking on the famed city walls, and the scene where Lord Baelish visits Sansa at the docks was filmed in the old port between Fort Lovrijenac and the Pila Gates. [9]
Also repeating from last season, the scenes beyond the Wall were filmed in Iceland. The Wildling's camp was built in a new location, on a lava field in the Mývatn Lake region in the North, a few hours from the town of Akureyri. Building the camp took months of work from the art department and weeks of construction by the local crew. Although the scenes at the Icelandic exteriors were filmed at minus 11 degrees Celsius, the interior of Mance's tent was filmed on one of the soundstages at the Paint Hall. The fires burning inside the tent made the set very hot, and the actors suffered the heat wearing heavy furs designed for Arctic climates. [5] [10] [11]
To depict the slaver city of Astapor, the production used the Moroccan city of Essaouira. The Unsullied are introduced in the city ramparts of Skala de la Ville, the 18th-century sea bastion that runs along the northern cliffs, and during the closing scene when Barristan reveals himself, the Genoese-built citadel by the harbour can be clearly seen.
Dedication
The episode is dedicated to the memory of cinematographer Martin Kenzie, who worked in the photography department and died of cancer while the third season was being filmed on July 16, 2012.
