Christophe Plantin was a French Renaissance humanist and book printer and publisher who resided and worked in Antwerp. He established in Antwerp one of the most prominent publishing houses of his time, the Plantin Press. It played a significant role in making Antwerp a leading centre of book publishing in Europe. The publishing house was continued by his successors until 1867.
Philip Fruytiers (1610–1666) was a Flemish Baroque painter and engraver. Until the 1960s, he was especially known for his miniature portraits in watercolor and gouache. Since then, several large canvases signed with the monogram PHF have been ascribed to him. These new findings have led to a renewed appreciation for his contribution to the Antwerp Baroque.
Chrispijn van den Broeck was a Flemish painter, draughtsman, print designer and designer of temporary decorations. He was a scion of a family of artists, which had its origins in Mechelen and later moved to Antwerp. He is known for his religious compositions and portraits as well as his extensive output of designs for prints. He was active in Antwerp which he left for some time because of the prosecution of persons adhering to his religious convictions.
The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. As with other dynasties such as the Wierixes and Van de Passe family, the style of family members is very similar, and their work often hard to tell apart in the absence of a signature or date, or evidence of location. Altogether at least ten Sadelers worked as engravers, in the Spanish Netherlands, Germany, Italy, Bohemia and Austria.
Cornelis Bloemaert II, was a Dutch painter and engraver, who after training in the Dutch Republic worked most of his career in Rome. His workshop in Rome played an important role in spreading Italian art throughout Europe and attracted many young engravers from abroad.
PhilipGalle was a Dutch publisher, best known for publishing old master prints, which he also produced as designer and engraver. He is especially known for his reproductive engravings of paintings.
Cornelis de Wael was a Flemish painter, engraver and merchant who was primarily active in Genoa in Italy. He is known for his genre paintings, battle scenes, history paintings and still lifes. Through his art work, support for Flemish painters working in Italy and role as an art dealer, he played an important role in the artistic exchange between Italy and Flanders in the first half of the 17th century. His work also had an influence on local painters such as Alessandro Magnasco, particularly through his scenes of despair and irony.
Events from the year 1616 in art.
Maerten de Vos, Maerten de Vos the Elder or Marten de Vos was a Flemish painter. He is known mainly for his history and allegorical paintings and portraits. He was, together with the brothers Ambrosius Francken I and Frans Francken I, one of the leading history painters in the Spanish Netherlands after Frans Floris career slumped in the second half of the sixteenth century as a result of the Iconoclastic fury of the Beeldenstorm.
The Wierix family, sometimes seen in alternative spellings such as Wiericx, were a Flemish family of artists who distinguished themselves as printmakers and draughtsmen in the late 16th and early 17th centuries. They were active in Antwerp and Brussels.
Hieronymus Wierix (1553–1619) was a Flemish engraver, draughtsman and publisher. He is known for his reproductive engravings after the work of well-known local and foreign artists including Albrecht Dürer. Together with other members of the Wierix family of engravers he played an important role in spreading appreciation for Netherlandish art abroad as well as in creating art that supported the Catholic cause in the Southern Netherlands.
Johannes Wierix was a Flemish engraver, draughtsman and publisher. He was a very accomplished engraver who made prints after his own designs as well as designs by local and foreign artists. He further made engravings on silver and ivory.
Petrus, or Pieter de Jode I or Pieter de Jode the Elder, was a Flemish printmaker, draughtsman, publisher and painter active principally active in Antwerp. He was active as a reproductive artist who created many prints after the works of leading painters and was in addition a prolific designer of prints for Antwerp publishers.
Peeter Baltens, Pieter Balten or Pieter Custodis, was a Flemish Renaissance painter, draughtsman, engraver and publisher. Baltens was also active as an art dealer and poet. He was known for his genre paintings, religious compositions and landscapes.
Magdalena van de Passe (1600–1638) was a Dutch engraver and member of the Van de Passe family of artists from Cologne who were active in the Northern Netherlands. She specialized in landscapes and portraits, and trained the polymath Anna Maria van Schurman in engraving, one of the few known early examples of the training of one woman artist by another.
Balthasar Moretus or Balthasar I Moretus was a Flemish printer and head of the Officina Plantiniana, the printing company established by his grandfather Christophe Plantin in Antwerp in 1555. He was the son of Martina Plantin and Jan Moretus.
Pieter Bast was a Dutch cartographer, engraver and draftsman.
Pieter van der Borcht (I) or Peter van der Borcht (c. 1530–1608) was a Flemish Renaissance painter, draughtsman and etcher. He is regarded as one of the most gifted botanical painters of the 16th century. Pieter van der Borcht the Elder also introduced new themes, such as the "monkey scene" (also called singerie) into Northern art.
Alexander Voet the Younger or Alexander Voet II was a Flemish engraver, print artist and publisher. He was the son of Alexander Voet the Elder, one of the leading engravers and publishers in Antwerp in the middle and second half of the 17th century. He first worked in his father's large workshop and later operated his own workshop.
Crispijn (van) de Passe, also known as Crispijn (van) de Passe the Younger or Crispijn (van) de Passe (II), was a Dutch Golden Age engraver, draughtsman and publisher of prints. He was a member of the large printmaking Van de Passe family, son of the engraver and print publisher Crispijn van de Passe the Elder.
