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Stephen Michael Reich is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener.
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Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced Rhapsody in Blue. It was written in 1925 on a commission from the conductor and director Walter Damrosch. It is just over half an hour long.
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The Piano Concerto No. 2 in G major, Sz. 95, BB 101 of Béla Bartók is a musical composition for piano and orchestra. The work, which was composed between 1930 and 1931, is notorious for being one of the most difficult pieces in the repertoire.
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Naive and Sentimental Music is a symphonic work by American composer John Adams. The title of the work alludes to an essay by Friedrich Schiller, On Naïve and Sentimental Poetry, that contrasts a creative personality that creates art for its own sake versus one conscious of other purposes, such as art’s place in history. The composer cites both the slowly developing harmonies of Bruckner's Fourth Symphony and the atmosphere of the Sonoma coastline as inspirations for the work. The piece was co-commissioned by the Los Angeles Philharmonic, the Ensemble Modern, the Vancouver Symphony Orchestra, and the Sydney Symphony Orchestra. It received its first public performance by the Los Angeles Philharmonic conducted by Esa-Pekka Salonen on February 19, 1999. A recording by Salonen and the Los Angeles Philharmonic was subsequently released by Nonesuch Records.
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Polaris: Voyage for Orchestra is an orchestral composition by the British composer Thomas Adès. The work was co-commissioned by the New World Symphony under the direction of Michael Tilson Thomas for the opening of the New World Center. The New World Symphony was joined in commission by the Royal Concertgebouw Orchestra, the New York Philharmonic, the Calouste Gulbenkian Foundation, the Barbican Centre, the Los Angeles Philharmonic, and the San Francisco Symphony. It was given its world premiere by Michael Tilson Thomas and the New World Symphony at the New World Center in Miami Beach on January 26, 2011.
Laterna Magica is an orchestral composition by the Finnish composer Kaija Saariaho. The work was commissioned by the Berlin Philharmonic and the Lucerne Festival. Its world premiere was given by the Berlin Philharmonic under the direction of Simon Rattle at the Berliner Philharmonie on August 28, 2009.
Sculpture is an orchestral composition by the Finnish composer Magnus Lindberg. The music was commissioned by the Los Angeles Philharmonic with support from the Koussevitzky Music Foundation to celebrate the orchestra's inaugural season at the Walt Disney Concert Hall. Its world premiere was given by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen on October 6, 2005.
References
- Reich, Steve (2002). Writings on Music, 1965-2000. USA: Oxford University Press. pp. 99–100. ISBN 0-19-511171-0.
- Gagne, Cole; Caras, Tracy (1982). Soundpieces: Interviews With American Composers. USA: Scarecrow Press. pp. 309–312. ISBN 0-8108-1474-9.
- Schonberg, Harold C., Music: 3 by Steve Reich, New York Times, February 20, 1980, p. C20.
- Boosey & Hawkes entry (with composer's notes).
- Reich interview with Ben Hogwood.
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